Subject: Call for Papers: Literary Theory at CEA 2025

Call for Papers, Literary Theory at CEA 2025

March 27-29, 2025 | Philadelphia, Pennsylvania

Sonesta Philadelphia Rittenhouse Square
1800 Market Street, Philadelphia, PA 19103

215.561.7500

Since their formal inception in the 19th century, writing courses have been seen as “a preparation for citizenship and productive work” (Brereton, 1995, p. 9). Rhetoric around the “knowledge economy” prioritizes communication skills in equipping students for success in competitive job markets (Cope and Kalantzis, 2009). These students, however, face more than professional challenges in the world: the rise of climate catastrophe, wealth inequality, misinformation, state-sanctioned violence, and economic uncertainty, to name a few.

We are soliciting chapter proposals for an edited volume that investigates the origins and evolutions of gender benchmarking in Asian literature. This proposed book volume is tentatively titled Evolving Genders: The Dynamics of Narrative Benchmarking in Asian Literature.It is a collection of scholarly research outputs that examines how various agents such as ritualistic practices, family expectations, cultural orientations and even dogmatic factors contribute to the benchmarking of gender aspects as presented in Asian literature.

Contemporary translation theory reflects the breakdown in the traditional dichotomy “author” versus “translator,” since it views the translator no longer as a subordinate figure to the author, but as an equal co-creator of the literary work, who rewrites the original text in another language and thus actively participates in the creative process. How does attention to this changing relationship between the author and the translator help with understanding of the creation and interpretation of meaning and the subsequent longevity of the translated work in a new environment?

Eco-environmental criticism has now become a staple presence in the interdisciplinary and transdisciplinary landscape, calling for ongoing reflections on the human impact on the environment. A distinct aspect of these conversations has been the growing focus on the concern of ecological destruction for the planet, with all the inevitable consequences that this entails.  Within changing contexts that feel increasingly more precarious, conceptualisations of the ‘eco-futures’ have become central to our cultural discourses,  from film to television series, from literature to comics, from animation and video games to digital narratives and design, from socio-ecology to animal studies. 

CFP

New Literaria Journal- An International Journal of Interdisciplinary Studies in Humanities

(Vol. 2, No. 1, Jan- February, 2021)

We are having papers for our January- February Issue on broad areas:

CALL FOR PAPERS AND PANEL PROPOSALS

2nd International e-Conference

“Contemporary Trends and Development in Cultural Studies and the Humanities”

Date: 22nd, 23rd, and 24th October, 2021

To be Organized by

New Literaria- An International Journal of Interdisciplinary Studies in Humanities

In collaboration with

Department of History, Humanities and Society, University of Rome Tor Vergata, Italy & Department of English, Guru Ghasidas Vishwavidyalaya, Bilaspur, India

Concept Note

4th International e-Conference

On

Exploring Crisis in Literary and Cultural Studies

Date: 19th & 20th October, 2023

To be Organized by

New Literaria- An International Journal of Interdisciplinary Studies in Humanities

in collaboration with

Department of English, Central University of Rajasthan (CURaj), India

CALL FOR PAPERS AND PANEL PROPOSALS

 Mode: Online

‘Half-hour nothings, every fourth one a dud.’ That’s how Steve Pemberton, playing a fictionalised version of himself, describes Inside No. 9 (IN9)to Reece Shearsmith (also playing himself) in ‘Plodding On’, the closing episode of the ninth series of the BBC anthology series.

Rising Asia Journal invites Research Articles on Southeast Asia, East Asia (Japan, China, the Koreas, and Taiwan), and India's North-East Region, on all aspects of these Asian societies, in particular literature, poetry, music, art, society, as well as politics and diplomacy. We are interested in the use of diplomacy in the arts as well.

Articles should be between 5,000 to 10,000 words in length, with footnotes, and Works Cited.

Authors are urged to visit the journal's website at www.rajraf.org to read the submission guidelines. 

Articles should be original, and should offer a new and innovative perspective.

The E. E. Cummings Society and the Society’s journal, Spring, invite abstracts for 20-minute papers for the 52nd annual Louisville Conference on Literature and Culture since 1900, Feb. 20-22, 2025, at the University of Louisville (https://louisville.edu/artsandsciences/conferences/lclc).

CALL FOR SUBMISSIONS: Harry Potter Academic Conference (HPAC) at Chestnut Hill College

2024 Harry Potter Academic Conference (HPAC) at Chestnut Hill College

Friday and Saturday, October 18–19, 2024

St. Joseph Hall, Chestnut Hill College, 9601 Germantown Avenue, Philadelphia, PA 19118

EXTENDED Deadline for conference submission proposals (academics & community members): September 13, 2024

Deadline for conference submission proposals (high school students): September 20, 2024

Early Bird Registration Deadline: October 1, 2024

The Erotica, Sexuality, Pornography, & Kink Area (formerly Eros & Pornography) of the National Popular Culture Association (PCA) invites scholars to participate in the PCA’s annual conference. Details of the conference can be found at https://pcaaca.org. You may apply to the conference at https://sites.google.com/view/2025pcaconference/call-for-papers

For our fourth iteration of the HPN Symposium, we find ourselves interrogating, engaging with, and pushing the boundaries of the concept of  “best practices” and how it relates to humanities podcasting. Our initial inquiry was born out of a discussion about the need to counteract worker invisibility and exploitation on university campus podcast teams. But this raised a larger, thornier debate: Are there other agreed-upon principles of podcast-making and audio creation?  If so, have they emanated from particular forebears and models, or sprung up out of habitual creation like unwritten, but widely understood, common laws? Are there contexts peculiar to podcasting that deserve their own careful ethical treatment or understanding?