Marina Warner’s latest work, Sanctuary: The Shelter of Stories (working title), the publication of which will coincide with our conference, opens with a scene from a film, where a man being chased finds refuge in a cathedral. Marina Warner describes how, as he lifts the giant door knocker, it becomes a hinge between danger and safety, enveloping the suppliant in a protective halo and becoming a portal to the Church’s ancient rite of, and right to, sanctuary. Enchanting Wor(l)ds will examine the myriad ways in which Marina Warner has dedicated her career to analysing how objects, spaces, temporalities, people, worlds and words can become enchanted: how they might be imbued with power, aura, mystery or dread.

Migrant Sensoria–special issue of The Senses and Society

What are the sensory experiences of migration? How do migrants negotiate their movement not only between spaces and cultures, but between different configurations of sensory environments, habits, and values? How do traumatic contexts of migration register—or fail to register—in sensory experience, and in sensorially entangled memories? How do different sensory arrangements and pedagogies contribute to the erosion, maintenance, or resurgence of collective memories across individual and trans-generational time? How might sensory experiences and interventions contribute to migrant performance, stories, and media—and to articulating “migrant futures” (Bahng)?

Forum: Issues about Part-Time and Contingent Faculty is a peer-reviewed journal published by NCTE and CCCC to address working conditions, professional life, activism, and perspectives of non-tenure-track faculty.

This special issue—“AI Labor and Contingency: Issues Surrounding the Use of Artificial Intelligence in Student Work and Considerations for Part-Time and Contingent Faculty”—will be published in the fall of 2025. The submission deadline is March 15.

Call for Papers

In the postmillennial era, South Asian graphic narratives have emerged as powerful mediums for exploring traditional notions of gender and sexuality. This panel examines the ways in which these contemporary visual storytelling forms address and subvert the cultural constructs surrounding gender and sexual identities in South Asia.

Panel description:

Panel 69 - 

The emergence of modern documentary poetics is often attributed to twentieth-century writers who were interested in redefining the purpose and limits of artistic expression, a redefinition that occurred in the context of labor exploitation, racial violence, and ethnic cleansing. This panel asks participants to consider the nineteenth-century precursors of modern documentary literature. How and to what ends do documents and literature intersect throughout the long nineteenth century? What constitutes a document and how might this definition enable new ways of interrogating issues of race, gender, class, indigeneity, and ethnicity? What formal features and aesthetic innovations emerge during the nineteenth century?

 Physical landscapes and human-environment interactions have long been portrayed in literature and the arts. The modern environmentalist movement, which first appeared in the late nineteenth century and which gained traction in the 1960s, has resulted in a wide variety of fictional and nonfiction works addressing the evolving interaction between humans and the natural world. However, it was only in the early 1990s that “ecocriticism” emerged as a self-conscious critical practice, one that has gone through a variety of designations: environmental criticism, literary-environmental studies, literary ecology, literary environmentalism, green cultural studies or, more recently, environmental humanities.

In a 1926 issue of the Nation, Langston Hughes published his famous essay, “The Negro Artist and the Racial Mountain,” a response to George Schuyler’s essay, “Negro Art-Hokum,” wherein Schuyler lampoons the idea of a distinctive African American culture. This special issue will examine the literary and cultural impact of Hughes’s essay a century later.

Call for Papers: Sinophone Research Forum: Island Voices on the Move 

11-13 June 2025, University of Leeds

The forumfocuses on the global Sinophone communities. We welcome proposals for individual papers (20-minute papers) and 3-paper panels.  

Watermark, the annual, peer-reviewed scholarly journal published by graduate students in the English Department at California State University, Long Beach, is now seeking submissions for its nineteenth volume. Our journal is dedicated to publishing original, critical, and theoretical papers concerned with literature of all genres and periods, as well as representing current issues in the field of rhetoric and composition. As this journal is intended to provide a forum for emerging voices, only student work will be considered.

The Post/Colonial Eye: Visual Discourses of Empire

With expressed interest from Routledge

Please note: At this point, we are only looking for additional chapters focussing on the second part of this volume as highlighted below. To expand our geographical scope, we are, unfortunately, not able to include more contributions studying postcolonial India.  

In examining the intersections of (post)colonial studies and visual culture, the proposed volume employs a dual approach. 

Please Post and Share CALL FOR PAPERS W.D. FARD: MAN, MYTH, AND MYSTERY Edited by Dr. John Andrew Morrow Academics, scholars, professors, and researchers are invited to submit studies on the following and related topics for consideration for publication in a new work delving into the identity and ideology of W.D. Fard, the founder of the Nation of Islam. We are looking for anything and everything related to W.D. Fard. - W.D. Fard and the First Nations / The Native American connection- Previously unpublished letters, family stories, and photographs of W.D.

The Kay Boyle Society is calling for proposals for an open panel or roundtable at the American Literature Association conference on May 21-24, 2025 in Boston at the Westin Copley Place hotel. We are looking for papers on any aspect of Kay Boyle’s work in prose or poetry. Topics could include (but are by no means limited to) Boyle and other writers and artists, transatlantic modernisms, literary and print cultures, racial and social justice, ageing, war and exile, approaches to Boyle’s letters, and teaching Boyle.

If interested, please email a proposed title and abstract of approximately 200 words by January 20th to anne.reynes@univ-amu.fr

DEADLINE EXTENDED TO FEB. 2, 2025

Proposals for conference papers are now being accepted for "Taylor Evermore: A Swift Symposium," held in person at Indiana University of Pennsylvania on April 25-26, 2025. 

Philosophy and its Form

Throughout its history, philosophy has appeared in myriad forms: Plato’s dialogues; Montaigne’s Essais; Nietzsche’s aphorisms; Rosa Luxemburg’s Public Lectures; Simone de Beauvoir’s journalism, travelogs, and novels; Aimé Césaire’s dramas; and Fred Moten’s poetry collections. This is before we recognize the variety of styles employed by philosophers within more traditional essay forms: Benjamin’s critical biographies of Baudelaire, Deleuze’s Plateaus, and W. E. B. DuBois’ interpolation of musical passages in The Souls of Black Folk.