Stories of Collective Authorship in Architecture
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Stories of Collective Authorship in Architecture
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Call for papers
Stories of Collective Authorship in Architecture
Read Full Website:
https://www.sciencedirect.com/special-issue/335748/stories-of-collective...
Asia in the Caribbean
Virtual seminar at the
American Comparative Literature Association Annual Meeting
May 15, 16 2027
Rethinking Cultural Mediation in Global Media
NeMLA 2027 – Panel
How does culture change as it travels across languages, media, technologies, and national borders? What roles do translators, audiences, institutions, platforms, and emerging technologies play in shaping how cultural meanings are represented, circulated, and received?
Apologies for crossposting!
Call for New JCMS Editor(s)
Editor(s), JCMS: Journal of Cinema and Media Studies
The Society for Cinema and Media Studies (SCMS) seeks a new Editor or Co-Editors and a new institutional home for its scholarly publication, commensurate with the 5-year term of the Editor(s), for its scholarly publication, JCMS: Journal of Cinema and Media Studies.
Review the full Call for Editor(s) and apply by Friday, September 18, 2026: https://www.cmstudies.org/general/custom.asp?page=JCMSCallNewEditor
American, British and Canadian Studies
Special Issue
After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture
December 2026
Deadline extension: 5 October 2026
Guest Editors
Dr. Merritt Moseley, University of North Carolina, Asheville (moseley@unca.edu)
Dr. Alexandra Mitrea, Lucian Blaga University of Sibiu (alexandra.mitrea@ulbsibiu.ro)
This panel aims to explore the political, social, and economic significance of community in the works of John Steinbeck. Steinbeck’s works reflect a deep concern over the sicknesses of the United States—racism, economic inequality, and political upheaval to name a few—that were causing its people to be increasingly more isolated from one another. As Charles Johnson notes, “homelessness and loneliness… shape and direct the speech and actions of every character and situation that Steinbeck presents.” In both his fiction and non-fiction narratives, Steinbeck laments the wounds left by social and economic systems whose persistence hinges upon isolation and discord.
Biennial Conference of the Southeastern American Studies Association (SASA)
March 18-20, 2027. Montgomery, Alabama
62nd International Conference on Medieval Studies, May 13-15, 2027
Western Michigan University, Kalamazoo
Organizers: Logan Spencer (Binghamton Univ.), Taryn DeLeon Mendiola (Boston
College)
Sponsor: Society for Queer Medieval Studies (SQMS)
This session explores how women's bodies function as contested archives of trauma, sites of testimony that dominant social, legal and political structures have often silenced or delegitimised. Drawing on feminist trauma theory, postcolonial critique and affect studies, it examines bodily memory as a form of somatic knowledge that exceeds conventional language and probes the tension between trauma's structural unspeakability and the ethical urgency of testimony and witnessing.
Call for Chapters
Body-Worn Cameras and the Visual Politics of Violence: Embodied Witnessing
Edited by Lewis Rarm (Victoria University of Wellington) and Federico Selvini (IULM University)
In March 1827, Freedom’s Journal, the first Black newspaper in the United States, famously declared, “We wish to plead our own cause. Too long have others spoken for us.” Across the two centuries that followed, Black newspapers, magazines, and periodicals have served as crucial sites through which Black women articulated political demands, crafted literary identities, challenged racial and gender hierarchies, cultivated communities, and imagined new social futures.
Abstract This panel explores Love as a counter‑epistemology that challenges technocratic definitions of intelligence. Drawing on Marguerite Porete’s Mirror of Simple Souls and contemporary critiques of AI, the session examines Love—grounded in the heart—as a heart‑intelligent mode of knowing that resists domination and rehumanizes communities. The panel invites interdisciplinary work on affective intelligence, mystical epistemology, communal subjectivity, heart‑brain research, and alternative modes of cognition.
Popular Culture Association: British Popular Culture
Call for Papers
The British Popular Culture area of the Popular Culture/American Culture Association (PCA/ACA) is now accepting submissions for the 2027 national conference to be held Mar 24-27, 2027, in Boston, MA at the Boston Marriott Copley Plaza.
Academics at all stages in their careers, as well as independent scholars, are encouraged to apply. We particularly encourage submissions by graduate students.
Currently accepting paper proposals for in-person panel -- Deadline 9/15
Submit proposals through ICMS site: Call for Sessions (confex.com)
The special issue of our open access, Q2 journal explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
Poetic Responses to Prisons and Policing (SAMLA Panel #19707) - DEADLINE EXTENDED
James Baldwin Review
American Literature Association 2027
Calls for Papers
CFP 1:
Baldwin’s Late Style
In “Thoughts on Late Style,” Edward Said describes how an artist’s late works
cannot be reconciled or resolved, since their irresolution and fragmentariness are constitutive, neither ornamental nor symbolic of something else. The late works are about ‘lost totality’, and it is in this sense that they are catastrophic.
We are all part of the body politic, and a wound to one is a wound to us all. In this spirit, we invite essays that excavate the less visible impact of ICE’s local mobilizations on Midwestern communities, the imprint on our bodies and spaces—not just on our streets, but in the quiet of our kitchens. Like the diversity of Midwestern landscapes, these essays will illuminate the varied physical, intellectual, spiritual, and artistic responses that arise from the violence of the state against its own people. Essays should be between 750 to 3000 words in length. Along with essays, we will consider poetry, photography, and graphic non-fiction.
This seminar seeks to read the concept of “kayfabe” alongside extant concepts in queer theory and criticism. The word “kayfabe” is quite young by linguists’ standards, and bears unclear etymology: coined by professional wrestling executives as an industry code word for manufactured narrative, the first printed reference to “kayfabe” occurs in 1988 wrestling newsletter, and its true linguistic origins remain obscure. Within professional wrestling, “kayfabe” refers to both “the tacit agreement between professional wrestlers and their fans to pretend that overtly staged wrestling events, stories, characters, etc. are genuine,” and “the playacting involved in maintaining kayfabe” (Merriam-Webster).
Imagining Difference in Early Modern London
Elm Bank, Coventry University
22-23 March 2027
Keynote speakers: Chloë Houston and Nandini Das
CfP deadline: 1 October 2026
As a tribute to the recent passing of the prolific and excessively underrated Ted Kotcheff, this seminar will strive to offer a retracing and reevaluation of the director’s phenomenal career. It is stranger than his variegated filmography that there is a total absence of any academic book critically engaging with his works.
The special issue of our open access, Q2 journal explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
CALL FOR PAPERS | ACLA 2027 Virtual Seminar
Seminar Title: Comparative Literature and Commodity Worlds of Mainland Southeast Asia
Co-organizers: Nanthanoot Udomlamun (Kasetsart University) & Chi P. Pham (Vietnam Academy of Social Sciences)
Dates: May 15–16, 2027 (Virtual Sessions)
Co-organizers Nanthanoot Udomlamun and Chi P. Pham invite paper proposals for their seminar at the ACLA 2027 Annual Meeting.
CR: The New Centennial Review Special Issue CFP
“Spirituality, Technology, and Artificial Intelligence”
Dear all,
I am pleased to announce the call for papers for the Philosophy of Religion unit at the 2027 American Academy of Religion, Western Region conference, which will be held at The Graduate Theological Union & Pacific School of Religion, Berkeley, California, March 19-21. We welcome all papers engaging this year’s conference theme, “Moving Beyond Boundaries and Silos Toward Interconnection and Collaboration,” as well as topics of general interest in the Philosophy of Religion.
The CFP is attached, so is the requisite proposal form. For further information see the American Academy of Religion Western Regional’s website.
PCA True Crime CFP 2027
PCA/ACA will be held from March 24-27th, 2027 in Boston, MA
CR: The New Centennial Review Special Issue CFP
“Spirituality, Technology, and Artificial Intelligence”
The Aesthetics of Mythmaking: Narrative, Culture, and Power
Editors-in-chief: Alyse Kaweng Fan and Thales Reis Alecrim
Deadline for abstracts: October 31, 2026
This special issue explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
“Culture,” notes Raymond Williams, “is one of the two or three most complicated words in the English language” (87). Its etymological root in cultivation—the tending and propagation of life—signals a resistance to being contained. Classroom pedagogy encompasses various elements into it—mythology, rituals, religion, tradition; movies, songs, literature; fashion, food, art—classifying it as ‘a whole way of life.’ Yet, culture outstrips being merely a way of life; it represents a method of understanding life and saturating existence with meaning.
The 1980s represent a critical, yet highly under-researched decade in film studies. Frequently obscured by the towering grandeur of earlier revolutionary eras or the subsequent post-socialist New Waves of the 2000s, 1980s cinema across the socialist bloc suffers from low historical visibility, trapped in a volatile limbo of stagnant bureaucracy and early, destabilizing marketization.
New Achievement!: A Collection of Essays on Dungeon Crawler Carl
Matt Dinniman’s LitRPG series Dungeon Crawler Carl (DCC) offers a complex narrative and a somewhat unconventional rise to popularity, sparking academic and popular interest across disciplines, including media studies, narrative and genre studies, sociological studies, and fan studies. As such, we seek chapters that addressing a range of interests. Of specific interest are chapter proposals addressing:
Silences as Resistance in Public Narratives
Silence is generally seen as something to surmount: we break silence; we give voice to silenced stories; we speak out against injustice. But silence can be a powerful mode of expression in its own right. There is a history of silent protest. Silence can reject dominant expectations or refuse to offer up a story for voyeurism, appropriation, or commodification. It can push reader-listeners to listen for something wordless, to play an active role in striving to understand, and simultaneously to recognize the limits of their ability to understand another person’s trauma. Silence is rarely ever singular.
CALL FOR SUBMISSIONS: THE CITY IN THREE LINES An Urban Haiku Anthology
Fresh Words – An International Literary Magazine
Website:https://sites.google.com/view/freshwordsmagazine/announcements
Key Dates
Submission Deadline: September 30, 2026
This seminar proposes to approach William S. Burroughs not simply as a subject of study, but as a problem. We invite provocative papers grounded in comparative methodologies and attentive to less-travelled texts, episodes, affiliations, and cultural encounters. Rather than asking what Burroughs “was,” we want to ask what his work does—and to pause over the categories through which we have learned to understand his oeuvre, asking what they illuminate and, perhaps more importantly, what they conceal.
American, British and Canadian Studies
Special Issue
After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture
December 2026
Deadline extension: 5 October 2026
Guest Editors
Merritt Moseley, University of North Carolina, Asheville (moseley@unca.edu)
Alexandra Mitrea, Lucian Blaga University of Sibiu (alexandra.mitrea@ulbsibiu.ro)
Concept Note
National Seminar on “Gender-Based Violence in South Asia: Literature, Culture and Media”
CALL FOR PAPERS
On the GRATEFUL DEAD
The Grateful Dead Studies Association (GDSA)
at the
Southwest Popular / American Culture Association (SWPACA)
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Call for Chapters
Kenneth Cook’s Australia: Masculinity, Violence, Politics and the Outback on Page and Screen
Before Australian cinema made the outback terrifying, Kenneth Cook was already writing it that way.
- Call for Presentations - Celebrating Possibility and Empathy in Honors Education
Popular Culture Association 2027 Annual Conference
Monsters & the Monstrous Area
“We are now in the middle of a deep and decisive moment towards a more disciplinary, authoritarian kind of society,” says Stuart Hall in his speech for Human Rights Day in 1979 (78). He proceeds to explain the components and manifestations of this “crisis,” which eventually morphs into a drive for more “Law and Order” (79). If that was the middle, are we at the end of the crisis? Our daily experiences prove otherwise, as the drive for more Law and Order keeps us in a chokehold. We seem to be in a perpetual global crisis in which we watch global systems of justice like international law and the International Criminal Court deteriorate in front of our eyes, while capitalist and genocidal systems globally continue to thrive and strengthen their hold.
Call for Papers
CHICANO/A/X LITERATURE, FILM, AND CULTURE
Southwest Popular / American Culture Association (SWPACA)
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
36th ANNUAL BRITISH COMMONWEALTH AND
POSTCOLONIAL STUDIES CONFERENCE
MARCH 5–6, 2027
GEORGIA SOUTHERN UNIVERSITY, ARMSTRONG CAMPUS, SAVANNAH GA
CALL FOR PAPERS
The BCPS Conference, inaugurated in 1992, is the oldest and longest-running annual meetings of its kind in the U.S. We call for presentations situated in colonial and postcolonial histories, literatures, creative and performing arts, politics, economics, and all other aspects of the countries formerly colonized by Britain and other European powers.
Call for Papers: Journal of Wyndham Lewis Studies 13 (2026/2027 Issue)
The Journal of Wyndham Lewis Studies (JWLS) invites submissions of original articles and book reviews for its upcoming issue. As the pre-eminent peer-reviewed journal dedicated to the life, writings, and art of Wyndham Lewis (1882–1957), JWLS seeks contributions that make decisive, innovative interventions in Lewis scholarship and broader modernist studies.
Submission Guidelines
European Journal of American Culture *Open Call for Reviews*
The European Journal of American Culture (EJAC) is an academic, peer-reviewed journal for scholars, academics and students from many disciplines with a common involvement in the interdisciplinary study of America and American culture, drawing on a variety of approaches and encompassing the whole evolution of the country.
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Public Humanities invites submissions for the upcoming themed issue Memorial Culture in Public Art, which will be guest edited by Rebecca Friedman and Alex Lichenstein.
The deadline for submissions is October 15, 2026.
Description
Recent scholarship in autobiography and life writing has expanded beyond traditional literary forms to encompass a wide range of practices through which individuals narrate, perform, and negotiate their identities. As scholars such as Sidonie Smith and Julia Watson have argued, life writing constitutes not merely the representation of a life but a dynamic process through which identities are constructed, mediated, and made visible within specific social and cultural contexts. Consequently, autobiography has evolved into an interdisciplinary field of inquiry encompassing visual art, graphic narratives, performance, body art, digital media, and other forms of self-representation.
This seminar is about wonder. Specifically, we want to explore how wonder might enliven and invigorate our profession in a time of many pressures, if not crises, in higher education. Why wonder? From the ancients, who claimed that philosophy begins in wonder, to contemporary philosophers like William Desmond, who articulates wonder as a primal experience of “astonishment at the too-muchness of being,” wonder has been identified as a starting point from which to think, and therefore—as we might more closely consider—read, write, and teach.
In 1996, Carl Sagan warned us of a time when people would lose their ability to question, “when awesome technological powers are in the hands of a very few . . . when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.” Maybe Mr Sagan was somewhat pessimistic when writing The Demon-Haunted World. But then again, in times of conspiracy theories, Ancient Aliens, Antivaxxers, and Holocaust Deniers, the Age of Information appears just as capable of spreading dangerous frauds and charlatans as it is of disseminating reliable scholarship.