CFP: Spatial Innovations in Rhetoric and Writing (edited collection)

This panel brings together diverse readings of the hotel as a peculiarly evocative transfer point in narratives of modernity and postmodernity. It examines the uncanny power of the hotel to symbolize many of the key attributes of modern and contemporary writing, cinema, art, and, indeed, subjectivity: freedom, mobility, anonymity, alienation, limitless self-recreation (to name a few).

We are soliciting chapters for a forthcoming book, Figures of Freedom in Anthropocene Fiction, a collection of essays examining how American literary, filmic, and televisual narratives have represented and reimagined themes of personal and political agency within the context of 21st-century aspirations and anxieties.

(For Abstracts)

Date of Conference: 16-17 November 2022.
On the Google Meet Platform.

HOW TO SUBMIT AN ABSTRACT: To present a paper in the conference, please email a 300-word abstract with a Title, Name of Presenter and Affiliation, and Presenter’s Email, to Rising Asia Journal’s Editorial Board member Professor Tuan Hoang: tuan.hoang@pepperdine.edu  

Please mention “Rising Asia Conference” in the subject line of your email.

The Conference Administrators will contact you with further details. 

In the rapid pivot to remote teaching at the beginning of the COVID-19 pandemic, many instructors turned to tools like Hypothes.is and Perusall that allow students to engage in social reading and annotation. These same tools are also built into many digital editions (like those in Literature in Context) and multimedia scholarly publishing platforms like Manifold and Scalar. The Digital Humanities Caucus calls for presentations on annotation in an eighteenth-century and/or contemporary context.

The 45th Comparative Drama Conference welcomes Lucas Hnath as its Keynote Speaker.

Abstract Submission Deadline:  15 October 2022

54th Annual Convention, Northeast Modern Language Association (NeMLA)

March 23-26, 2023

University of Buffalo

Niagara Falls, NY

Environmental Justice Pedagogies: Performance and Activism in the Humanities; ASLE Session

Sponsored by the Association for the Study of Literature and the Environment (ASLE)

The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.

Continually being transformed, the humanities have expanded into a discursive field of trends, movements, and methodologies that have appropriated the thoughts, ideas, and viewpoints from social and other sciences by transgressing and crossing traditional boundaries, limitations, and demarcations. The humanities which traditionally include the study of disciplines such as language, literature, arts, history, culture, and philosophy rarely prove to be “disciplined” as each one often tends to encroach upon prescribed and reserved territories of other disciplines not traditionally humanities labeled.

The goal of this seminar is to provide a forum in which to discuss how TV shows (reality shows, true crime, documentary broadcasts, docufictions, and web series) bridge the gap between factual knowledge and myths, and how they facilitate the transfer of ordinary knowledge into the implausible, especially in Iberia and Latin America. Entertainment business and journalism intertwine to engage an audience-oriented to the consumption of serialized narratives.

OPEN CALL FOR PAPERS AND (AUDIO)VISUAL ESSAYS.

NEW DEADLINE: 10TH OF OCTOBER, 2022

Animation and Comics: In-between Panel and Frame 

Editors: Editors: Sahra Kunz (UCP-EA/CITAR); Ekaterina Cordas (UCP-CECC); Ricardo Megre (UCP-EA/CITAR).

This call aims to pioneer a cross-disciplinary discussion platform that would initiate a fruitful dialogue between the fields of Animation and Comics. Responding to a growing artistic and academic interest in these two media and to the new conceptual, practical and theoretical challenges they pose, we feel the need to provide a space for academics and artists to share ideas about these subjects.

To confront literary institutions means to confront paradoxes at every level. Institutionalization is the enemy of “real” literature and art, avant-gardists and critical theorists will tell you. Institutions standardize, constrain, and exclude while they assign value and invite critique. Conversely, there is no literature without institutionalization: it is only through institutional frameworks that we can communicate about literature as an observable phenomenon at all. And often, the fiercest critics of institutions are in turn the savviest institution-builders.

South Asian texts and cultures offer a panoply of terms that are difficult to translate. Consider bhāva — a keyword in premodern philosophy, dramaturgy, and poetics — which may refer to an emotion, a meaning, an essential characteristic, a physical object, a living being, or existence itself. In contemporary South Asia, numerous colloquial terms such as timepass, jugaad, and aunty evoke nuanced existential states, techniques, and relationships that call for careful (and playful) theorization. 

Though “posthumousness” takes a variety of forms, the texts within its ambit share a quality that Jean-Christophe Cloutier, in Shadow Archives, calls “a belated form of timeliness.” The editorial apparatus of posthumously published texts, such as Claude McKay’s Amiable with Big Teeth or Muriel Rukeyser’s Savage Coast, foregrounds these novels’ prior lostness and subsequent belated arrival in forms and contexts that their authors could not have foreseen.