Archival research has always been a cornerstone of medieval studies, but recent work has  reinvigorated the field by transforming our understanding of the lives of late-medieval authors  and people alike. The discovery of new evidence in the case of Cecily Chaumpaigne and  Geoffrey Chaucer, contentious debates around identifying "Chaucer's Scribe" Adam Pinkhurst  and recovery of figures such as Eleanor Rykener and the rebels of 1381 all demonstrate how  archival research enriches our understanding of the medieval past. This thread invites  contributions that foster new understandings of lives in the archives and bring a theoretical eye to  the practice of archival research itself.

This edited volume seeks to collect scholarship on how Studio Ghibli has adapted stories from other media to film. Many of the Japanese animation powerhouse’s films have their origins in novels or comics, such as Diana Wynne Jones Howl's Moving Castle. Studio Ghibli cofounder and director Hayao Miyazaki even adapted his own manga, Nausicaä of the Valley of the Wind, into a feature film. We seek proposals — from a variety of disciplines and perspectives — for essays exploring how Studio Ghibli’s storytellers have approached adaptation, as well as what the study of Studio Ghibli’s filmography can contribute to the broader field of adaptation studies. 

Possible / Suggested Topics:

We welcome proposals that think through, reflect upon, and reconsider the significance of Aspirations in the pasts, presents, and futures of the United States. Aspirational ideals and beliefs have always been at the crux of the United States’ national ethos, but they have also evolved during the course of history. Inviting colleagues to consider a range of temporal, spatial, and performative aspects of aspirations, we posethe following questions:

CFP:Class Participation: A Must or a Bonus?

NeMLA Annual Convention, Boston, MA, March 7-10, 2024

Submission Deadline: September 30, 2023 through the NeMLA portal: https://www.cfplist.com/nemla/Home/S/20518

Creating Camelot(s): The Idea of Community in Arthurian Texts (virtual)

Sponsored by Alliance for the Promotion of Research on the Matter of Britain and International Arthurian Society, North American Branch (IAS/NAB)

Organizers: Michael A. Torregrossa and Joseph M. Sullivan

Call for Papers - Please Submit Proposals by 15 September 2023

59th International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)

Hybrid event: Thursday, 9 May, through Saturday, 11 May, 2024

Session Objective

Creating Camelot(s): The Idea of Community in Arthurian Texts (virtual) 

Character is one of the trickiest of literary concepts. Most theorists agree that narrative, by definition, requires human or human-like characters, but of course characters are not really humans: they exist as a function of words on a page (Barthes 1974); they inevitably include a synthetic dimension (Phelan 1989); they are necessarily incomplete (Gallagher 2006). Of character in Victorian realism, Megan Ward notes that characters are “artificial beings [that] both replicate human subjectivity and create it anew, representing and embodying a complex set of interwoven experiences that define what it means to seem—rather than be—human” (Ward 3).

In the celebrated ‘The Henry Myers Lecture,’ Bruno Latour critiques, what Elizabeth de Freites and Sarah E. Truman succinctly describe in their paper ‘Science fiction and science dis/trust: Thinking with Bruno Latour’s Gaia and Liu Cixin’s ‘The Three-body Problem’’ (published in Rhizomes Cultural Studies in Emerging Knowledge) as “shifting the focus from ‘trusting that a particular scientific claim is true’ towards an engagement with Gaia (earth) where scientists encounter and form alliances with agencies alive with trickster motive” (Latour, B., 2018. Down to Earth. Oxford: Polity Press).

Shenandoah University Young Scholars Literary Symposium

Call for Proposals: Celebrating Shakespeare!  - DEADLINE EXTENDED to SEPTEMBER 29!!!

Saturday, October 28, 2023: 10:00 a.m. to 5:00 p.m. EST

Hosted by Shenandoah University’s Department of English in Winchester, Virginia

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

In May 2023, Republican Senator Tommy Tuberville replied, “Well, they call them that. I call them Americans,” when asked by Richard Banks, a radio host for WBHM in Alabama, if he believed white nationalists should be allowed in the U.S. military. Tuberville, who later said “I look at a white nationalists [sic] as a Trump Republican,” also later slightly recanted, stating that, “We agree that we should not be characterizing Trump supporters as white nationalists.” However, Tuberville’s initial comments and impulses create and reinforce a corollary that to be American is to be white.

Call for Book Chapters

 Jayanta Mahapatra: Modern Critical Views

We invite scholars, researchers, and literary enthusiasts to contribute to the upcoming edited book Jayanta Mahapatra: Modern Critical Viewsthat aims to delve into the multifaceted dimensions of the celebrated poet, Jayanta Mahapatra. As one of India's foremost poets, Mahapatra's work has left an indelible mark on the landscape of contemporary Indian poetry. This volume intends to critically explore his poetic corpus, shedding light on its thematic richness, artistic innovations, and its relevance in the larger literary discourse.

Call for papers for a Special Cluster in a/b: Autobiography Studies 

Spaniards across the Americas after the Spanish Civil War: “I am from the Country Called Exile” / Españoles en las Américas después de la Guerra Civil: “Soy del país del exilio”  

Though the Internet has been around since the 1980s, the “Internet novel” as a genre has only really emerged in the last decade or so. We can think of Lauren Oyler’s Fake Accounts (2021), Patricia Lockwood’s No One Is Talking About This (2021), and Calvin Kasulke’s Several People Are Typing (2021) as notable recent examples. Each of these novels take as their topic the particular and peculiar confines of the digital world we live in. Lockwood has described this sensation as falling through a “long void that never reaches the bottom,” while Brandon Taylor claims that “the Internet Novel captures some of the weird Gothic horror that white people have come, by way of their new digital Calvinism, to accept as being inherent to digital life.”

2025 Catharine Stimpson Prize for Outstanding Feminist Scholarship

The University of Chicago Press and Signs: Journal of Women in Culture and Society are pleased to announce the competition for the 2025 Catharine Stimpson Prize for Outstanding Feminist Scholarship. Named in honor of the founding editor of Signs, the Catharine Stimpson Prize is designed to recognize excellence and innovation in the work of emerging feminist scholars.