RSA 2027 Terror and Transcendence: Hybridity in the Renaissance
Appropriately for a word broadly defined as “having a mixed character,” the idea of “hybridity” has elicited contradictory interpretation since its inception in the Greek word hybris. While the word could mean miscegenation, shame, wantonness, outrage, and even violence, the term carried the alternate but equally valid connotation of thinking and moving beyond human limitations. Despite a shift fromclassical beliefs through Christianity, hybrid figures such as the centaur and satyr continued to proliferate throughout the Renaissance, evoking both wonder and terror. While sometimes considered blasphemous, these classical hybrids were also allegorized to fit into Renaissance ethical and religious frameworks.
