“International Symposium on Innovative Trends in Contemporary Language and Literature Research: Theories, Methods and Techniques” will be held online on 15-16 October 2021 by the Department of German Language and Literature, hosted by Atatürk University.

International Journal of Information Technology (IJIT)

ISSN : 1834-624N 2974-5962 (Print)

*** September Issue ***

submission system

http://flyccs.com/jounals/IJIT/Home.html

Scope

International Journal of Education

ISSN : 1839-519N 2974-5962 

 Submission System

http://flyccs.com/jounals/IJEMS/Home.html 

Scope

International Journal of Humanities, Art and Social Studies (IJHAS)

*** September Issue ***

Submission System

https://flyccs.com/jounals/IJHASS/Home.html

Scope

The editor of a volume tentatively titled Redefining Paradise is looking for submissions focusing on 21st-century, environmentally oriented fiction written in California and the American West.

Call for Papers

International Conference

Université de Montréal/ Research Center for Planetary Literary and Cultural Studies (CELCP)

April 21-23, 2022

Planetary Drifts—Methodology, Technology, and the Creative Imagination in the Age of Planetary Transformation

The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Spanish Women Poets in Transnational Contexts (1920–1975)”.

By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Spanish women poets in the transnational avant-garde scene from the 1920s to the 1970s. To this end, we welcome academic articles that focus on, but are not limited to, the following topics:

- Transnational Literary Networks between Spanish, European and Latin American Women Poets.

- Spanish Women and the Avant-Garde Press: Women’s Contributions to Avant-Garde Magazines.

DEADLINE EXTENDED TO OCTOBER 8

"The complex relation between the private, the individual and loneliness is unique and necessary to Adorno’s work, despite the rich annoyance of his particular mode of provocation.” (Fred Moten, “The Phonographic mise-en-scene” 2004)

In this seminar, we wish to examine how people of different positionalities vis a vis the ‘center’ and ‘peripheries’ of modern research universities, practice comparative literary studies within institutions which, from the start, were built upon the logic of exclusion and exclusionary tactics.  The “modern university” stands in a long tradition of colonial and racialized traditions of knowledge-making which purported to be secular and universalizable.

A Critical Companion to Wes Craven

edited by Fernando Gabriel Pagnoni Berns and John Darowski

Part of the Critical Companion to Popular Directors series edited by Adam Barkman and Antonio Sanna

Latinx Visions

Speculative Worlds in

Latinx Literature, Art, Performance, and Protest 

The University of New Mexico

March 9-11, 2023

Keynote Speaker:

Lysa Rivera

Associate Professor

Western Washington University

Conference Organizers:

Cathryn Merla-Watson

Matthew David Goodwin 

Santiago Vaquera-Vásquez

Call for Papers: “Latinx Visions”

In recent decades, the practice of collaborative intellectual labor has had an unexpected resurgence, both among writers and artists, and within scholarly and academic spaces. Drawing on a rich history of intellectual, activist, and artistic practices of collaboration, new collectives and research groups have embraced collaborative forms of knowledge production to challenge the individualization of intellectual labor and the demands of the neoliberal episteme.

Following the various calls for a more global perspective on the eighteenth century at ASECS 2021, this panel seeks papers on the work of Japanese author Ihara Saikaku (1642-1693). In her 2016 book, The Age of Silver, Ning Ma discusses Saikaku as the most significant representative figure of the “stories of the floating world” that, she argues, should be seen as an emergence of realist fiction. A bestseller in 17th and 18th century Japan, Saikaku’s work fell into obscurity until a revival of interest in the late 19th century, when he became known as “Japan’s realist”.