In A Midsummer Night’s Dream, the players come with their own requests (“Write me a prologue”, Botttom asks), in a hilarious example of group-working. In Hamlet, as the Prince of Denmark gets ready to take action, one of his first decisions is to appoint himself as co-writer of The Murder of Gonzago: “You could, for a need, study a speech of some dozen or sixteen lines which I would set down and insert in’t, could you not?” (2.2.5.528-30). Both examples show the nuts and bolts of early modern stage practice, in which co-writing was commonplace. 

DEADLINE EXTENDED

“There is more savagery, more brutality, in the pages of Wuthering Heights than in any novel of the nineteenth century, and, for good measure, more beauty too, more poetry, and, what is more unusual, a complete lack of sexual emotion…” Daphne du Maurier.

This panel seesion for the 2026 RMMLA Conference to be held Ocober 8-10, 2026 in Ogden, Utah, seeks papers that explore all aspects of English literature of the twentieth century to present, namely proposals that look at British or ex-patriot artists and/or works by those authors whose English Commonwealth residency influenced their art since 1900. Interdisciplinary approaches to anlyses of the literature are welcome.

Textual Bodies: Incarnation, Corporeality, and Affective Materialities through Literature
6th Meeting of Young Researchers of the SELGyC

Faculty of Philology — Complutense University of Madrid
September 16–17, 2026

«Write yourself: your body must be heard»
Hélène Cixous, The Laugh of the Medusa

«The text you write must prove to me that it desires me»
Roland Barthes, The Pleasure of the Text

Dear Friends and Colleagues,

I am seeking short (3,500-word) chapters for The Works of Joan Didion and John Gregory Dunne, which will be an edited volume dedicated to Didion and Dunne’s lives in film.

The American couple were a prolific and popular screenwriting team despite being much better known for their respective novels, memoirs, and journalism. Accordingly, the volume will take into account both their produced and many unproduced screenplays—the latter of which are held in Didion and Dunne’s papers at the New York Public Library.

*EXTENDED DEADLINE FOR CHAPTER SUBMISSIONS*

Call for Papers (proposals)

CONTRIBUTION TO EDITED VOLUME (Please read the full CfP before sending a proposal)

Mediated Masculinities in European networks: Discourse and performativity in the Information Age 

NEW Deadline for abstract submissions: April 10, 2026

Notifications of acceptance: March 10, 2026 

Deadline for first draft after notification of acceptance: April 30, 2026

Deadline Extension: We are happy to announce that we continue to accept submissions until April 10, 2026. You may find further information on our website: www.thescatteredpelican.ca

this is for an in-personal panel for the Pacific Ancient and Modern Language Association (PAMLA) conference (in-person only), which is taking place in Seattle, WA November 12-15, 2025. 

Abstract

To be published in the world of contemporary creative writing likely means passing through one exclusive gate or another—even writers once able to make it through are losing access. What are these publishing gates, and who are their keepers? What are they trying to keep in—and out? Perhaps more productively, how might those of us who are passionate about creating a progressive, inclusive, and radical body of literature break down—or go around—or ignore those gates of exclusivity and begin to build new, ungated communities?

Description

Prosperity Fashion 
INTERNATIONAL CONFERENCE 
9-12 February 2027
Università degli Studi di Firenze
Florence, Italy

Dowload the call for papers here https://riviste.fupress.net/index.php/fh/prosperity-fashion-2027 

The theme of beyond archives is an interesting one for a discipline that relies heavily on existing sometimes still only physical collections. This panel invites papers that explore any aspect of the archive in Old and Middle English literature.

International conference co-organized

with the French School of Athens

From imagination to remains, from remains to imagination: literary representations of ancient Greece in its materiality (14th-19th centuries)

February 25-26, 2027 at the French School of Athens

This special session invites papers on zombies and the undead as figures through which literature, film, television, games, and popular culture imagine power, hierarchy, and social conflict. In keeping with PAMLA 2026’s theme, “Our Ruling Classes: Culture, Power, Conflict,” this panel explores how zombie narratives dramatize the fragility of social order, the failures of ruling elites, and the tensions between collective survival and unequal power.

The volume Women's Autobiographies and Memoirs 1920-2025: Precarity, Resistance and Selfhood attempts to look into the dialectics of identity and writing - the compulsion to respond to the other inhabiting the self, which provokes in her something peculiar and singular - a text of one's own. The self-authenticated narratives are often haunted by many an unsubduable voice that breaks open the self-centred finitude of living and dying.

Call for Papers

ATHE Theory & Criticism Graduate Student Essay Contest 

The ATHE Theory & Criticism Focus Group seeks papers for its annual Graduate Student Essay Contest. The contest presents an exciting opportunity for an emergent theatre and performance studies scholar. It introduces the winning writer to the ATHE conference and provides them with a venue in which to showcase their work. 

The contest prizes are intended to support the development of the student’s academic work, ease financial challenges related to conference attendance, and connect the student with appropriate scholarly resources for the paper’s development and impact. 

Translational Research and Teaching: Bridging Knowledge, Practice, and Community October 29-November 1, 2026 Panama City, Florida 

Hosted in partnership by Florida State University, Florida A&M University, and the University of Mississippi 

The Association for Interdisciplinary Studies (AIS) is pleased to invite proposals for our 48th annual conference. AIS 2026 focuses on the theme of Translational Research and Teaching, exploring interdisciplinary work that bridges the gap between researchers, educators, practitioners, and community partners.

Call for Chapter Proposals: Tana French and Ireland Deadline for abstract submissions:May 1, 2026 Deadline for paper submissions:November 1, 2026 contact email:escheible@bridgew.edu Popular genre fiction offers an influential platform for the critique of Irish cultural containment and the victimization of women. Despite commercial dominance, genre fiction holds a complicated position in the literary marketplace, which carries over to scholarly appraisals.

The Call for Papers of the academic journal The Grove. Working Papers on English Studies for its following volume is open until May 31, 2026. Volume 33 will be published in December 2026.

The Grove is a peer-reviewed, indexed periodical. Published annually and distributed both nationally and internationally, The Grove is sponsored by the research group HUM-271 of the Regional Andalusian Government, published by the University of Jaén (Spain).

The primary scope of The Grove is literatures in English, critical theory, English language and linguistics, translation, English as a foreign language and cultural studies.

Queer Heroes and Queer Villains

54th Annual Conference on South Asia, October 28-31, 2026

“Literary texts are not, of course, merely passive conduits. They actively shape what the technologies mean and what the scientific theories signify in cultural contexts […] culture circulates through science no less than science circulates through culture.” (Hayles How We Became Posthuman 21) We can expand this view beyond science and technology. All aspects of human cultures circulate in artistic productions, most notably in prose fiction, and in return, fiction has the potential to influence cultures and to inspire innovations.

Call for Papers

Digital & Analog Cultures

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

This roundtable, inspired by the 2026 PAMLA conference theme “Our Ruling Classes: Culture, Power, Conflict,” invites short (5-minute) presentations on possible approaches and challenges to teaching figures who have been rejected by cancel culture for their harmfully dated representations of marginalized figures and communities or their creators’ mistreatment of other people or toxic attitudes: writers like Mark Twain, Vladimir Nabokov, and J.K. Rowling; filmmakers from Alfred Hitchcock to Woody Allen; and performers like Kevin Spacey and Louis C.K. Possible approaches might include:

Call for PapersLiterature-General Southwest Popular / American Culture Association (SWPACA) 2026 SWPACA Summer Salon June 25-27, 2026Virtual Conferencehttps://swpaca.org/Submissions open on March 30, 2026Proposal submission deadline: April 27, 2026 Proposals for papers are now being accepted for the SWPACA Summer Salon. SWPACA offersnearly 70 subject areas in a variety of categories encompassing the following: Film, Television,Music, & Visual Media; Historic & Contemporary Cultures; Identities & Cultures; Language &Literature; Science Fiction & Fantasy; and Pedagogy & Popular Culture.