Appel à communications : Dispute et tolérance religieuse dans l’Angleterre de la Renaissance / Religious Dispute and Toleration in Early Modern English Literature and History. En ligne / Online (4 juin 2021 / 4th June 2021).

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The Film Studies session is open to all papers that explore some aspect of film or Film Studies, but we are particularly interested in papers attuned to some facet of the conference theme, "City of God, City of Destruction." For example:

The Call Girl in American Cinema

Show Girls on Film

Vegas in Glow

Vegas Criminality on Film

Casinos in U.S. Film

Mob Films and Vegas

Addiction on Film

The Jackpot Movie

The Bookie on Film

The Hangover Films

Male Stripper Films

Hustlers in American Cinema

Film Apocalypse

The Post-Apocalyptic Film City

Cinematic Crusaders

Film Pilgrimages

Architecture on Film

Children appear in James’s fiction in many different kinds of roles, from the annoying little brother in Daisy Miller to the impressionable girl of What Maisie Knew. He also wrote extensively about his own childhood and those of his siblings. None of these writings are, however, for child readers, unlike the work of Lewis Carroll or Robert Louis Stevenson or Mark Twain or Louisa May Alcott. What opportunities does James find in his representations of children? How does the development of his late style affect these possibilities? These topics are suggestions, but other approaches to the subject are invited.

In crises, many of us turn to literature and other forms of popular culture not only for comfort, but for insight, guidance. So it is in the "Covid era," that we have turned to "pandemic literature" and related forms for popular Culture, including Stephen King’s The Stand (1978, 1990) and its adaptations to date (1994, on television, and 2008 and 2012, in comics). Already provocative, the phenomenon is all the more so for Josh Boone's recent television adaptation, appearing amidst the ongoing pandemic, from December 17, 2020 through February 11, 2021 (http://www.imdb.com/video/vi2525675801). More so still, King, in writing the finale’s screenplay, has enriched the original’s conclusion.

Call for Papers: Cultural Adaptations

PCA 2021 National Conference, June 2-5 (Virtual)

Popular Culture Association (PCA)

This panel gathers papers that consider relational models of disability and histories of systemic racism in the U.S. to read quotidian practices of care. We situate care across scales, as we ask how care relationships between individuals are embedded in larger practices of identifying and resisting racialized harm in contexts including medical access, environmental racism, housing inequality, and economic justice. How, as disability and race scholars, can we consider individual and everyday acts of care as sites at which to identify and resist structural conditions of ableist, racialized physical and psychological harm and reimagine the dynamics of vulnerability and difference?

Extension: Call for Papers, Elizabeth Bowen Review: Volume 4, 2021

 The editors of the Elizabeth Bowen Review are seeking scholarly and innovative essays for publication in the fourth volume of the journal in September 2021.

For this issue, the editors are particularly interested in essays on Bowen’s short stories. However, we are very keen to see essays on any aspect of Bowen’s writing – this could include work as a reviewer and critic, Bowen’s travel writing (e.g. A Time in Rome) and non-fiction.

Essays should be 6-7,000 words including citations, and use Harvard referencing. Please attach a 150-word abstract and short biography. Completed essays should be submitted by May 31st 2021.

Over the course of the 20th century and into the 21st, cinema, television, and related media have become increasingly central both to individual lives and to the lives of peoples, groups, and nations. Cinema has become a major form of cultural expression and films both reflect and influence the attitudes and behaviour of people, representing their tensions and anxieties, hopes and desires and incarnating social and cultural determinants of the era in which they were made. 

The conference aims to explore Europe from a variety of perspectives. It will consider its political, social and philosophical dimensions as well as the cultural and intellectual life of Europe. Proposals can demonstrate both national and regional expertise, refer to the past or present, or offer a comparative analysis.

The main objective of the event is to bring together international scholars interested in European Studies and willing to examine intersections between their topic of interest and the broader European context. It will provide an integrated approach to the understanding of the processes within Europe.

Topics include but are not limited to:

The conference seeks to explore the past and current status of gender identity around the world, to examine the ways in which society is shaped by gender and to situate gender in relation to the full scope of human affairs. Papers are invited on topics related, but not limited, to:

This summer school will cover topics in Film Studies, Media and Communication, Visual Culture, Oral History and Documentary Techniques. The school courses will explore the representations of time, space and ritual, gender roles and gendered gaze, they will also discuss memory, remembering and (auto)biographical practices, especially in conflict narratives.

We are looking forward to applications from students, researchers and professionals with a particular interest related to Film and Media Studies. The course will allow you to deepen theoretical and methodological knowledge and critical thinking in the field.

Vector and Focus invite proposals for articles on the broad theme of class in science fiction and fantasy, encompassing topics such as: representations of class and class struggle in SFF; models for resistance; anarchism in SFF; fantastical estrangements of class; class consciousness; class and material culture; class and climate change; platform capitalism and the gig economy; platform cooperativism; automation and the future of work; trade unionism, industrial organising and action; workplace democracies; speculative classless societies; class and migration; class, family, and Critical Kinship Studies; economic vs.

How do race, racism, and anti-racism operate among US transcendentalists? What alternative vocabularies and theoretical models have their Black contemporaries and later Black thinkers created? We invite proposals that challenge or reform the legacies of transcendentalism. Potential topics (others are welcome):

-     constructions of race

-     systemic racism

-     Black intellectual/aesthetic traditions

-     Black writers/speakers

-     epistemologies

-     gender(s)

-     queer/trans of color critiques

-     disidentification

-     intersectionality

-     conversation as method

-     languages

-     critiques and revisionist readings of "transcendentalism"

Omission as the purposeful withholding of a component from a text or other work of art, is an aesthetic practice looking back on a long history. From the simple statement to the effect that a particular idea cannot be adequately expressed, via the deliberate practice of choosing which scenes not to represent on stage, to the sudden collapse of a text into an unexpected silence, omission can be a powerful aesthetic strategy. Be it through deliberate incompletion, through the absence of language or characters, or through a dearth of contextual information leaving an abundance of interpretive gaps, such instances of omission are based on three main ideas: