all recent posts

Italian American Culture(s) (43rd Annual SWPACA)

updated: 
Tuesday, August 3, 2021 - 11:40am
Dr. Carmela Lanza/Southwest Popular/American Culture Association
deadline for submissions: 
Sunday, October 31, 2021

Proposals for papers and panels are now being accepted for the 43rd annual SWPACA conference. One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

 

Benvenuti! The Italian American Culture(s) area of the conference will consider proposals from the following suggested topics (the list of topics is suggested but not limited to):

Many Doors to Fantastica: The Neverending Story & the Education of the Imagination

updated: 
Tuesday, August 3, 2021 - 11:40am
Sean C. Hadley, Jeremy Scarbrough, Josh Herring / McFarland Press
deadline for submissions: 
Sunday, October 3, 2021

Many Doors to Fantastica: The Neverending Story & the Education of the Imagination

 

Call for Papers: Edited Collection on The Neverending Story

Edited by Sean C. Hadley, Jeremy Scarbrough, Josh Herring

 

Call for Papers Volume 3 Issue 2, October 2021

updated: 
Tuesday, August 3, 2021 - 11:39am
University of Management and Technology Lahore
deadline for submissions: 
Sunday, August 15, 2021

JCCT invites novel researchers to submit their original, unpublished work in Volume 3 (2). JCCT
is an international, open access, double-blind peer-reviewed journal published by the University
of Management and Technology (UMT), Lahore.
JCCT mainly addresses the research articles under the domains of English (American and
Asian) Linguistics, Applied Linguistics,TESOL, ELT, Intercultural Communication, Diversity in
Communication and Cultural trends, anthropological linguistics, etc. The journal covers a wide
range of areas including different aspects of language and culture.
Expected Timeline
Submission Deadline: 15 August 2021
Publication Date: 31 October 2021

Peter Nicholls Essay Prize 2022

updated: 
Tuesday, August 3, 2021 - 11:39am
Foundation: The International Review of Science Fiction
deadline for submissions: 
Friday, December 3, 2021

We are pleased to announce our next essay-writing competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in Foundation (winter 2022).

To be considered for the competition, please submit an original 6000-word article on any topic, period, theme, author, film or other media within the field of science fiction and its academic study. All submitted articles should comply with the guidelines to contributors as set out on the journal pages of the SF Foundation website. Only one article per contributor may be submitted.

A New(ish) World: Medieval Influences in American Literature

updated: 
Tuesday, August 3, 2021 - 11:39am
Session for International Medieval Congress, Leeds - 4th – 7th July 2022
deadline for submissions: 
Monday, September 6, 2021

A New(ish) World: Medieval Influences in American Literature

(International Medieval Congress, Leeds - 4th – 7th July 2022)

 

Thinking with the End(s) of Worlds

updated: 
Tuesday, August 3, 2021 - 11:39am
Apocalyptica / Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (Heidelberg University)
deadline for submissions: 
Monday, November 15, 2021

Call for Papers

Apocalyptica is an interdisciplinary, international, double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University. The journal publishes incisive analyses and diverse perspectives regarding the end of worlds.

We are seeking submissions that actively explore the apocalypse as a forceful figure of thought in order to grapple with the historical experiences, present confrontations, and future possibilities of (up)ending worlds.

Article length: 8,000-9,000 words

Deadline: 15 November 2021 

Gender Through Technology

updated: 
Tuesday, August 3, 2021 - 11:39am
Variations - The Literary Journal at the University of Zurich
deadline for submissions: 
Wednesday, September 15, 2021

Gender through technology

Call for Papers - Variations The Literary Journal at the University of Zurich

Modernism/modernity Print+ Cluster Proposal: Hope Mirrlees’s Paris: A Poem at 100

updated: 
Tuesday, August 3, 2021 - 11:39am
Nell Wasserstrom, Boston College
deadline for submissions: 
Friday, October 1, 2021

“Hope Mirrlees’s Paris: A Poem at 100”

Modernism/modernity Print Plus Cluster Proposal

Call for Papers

 

2020 marked the 100th anniversary of “modernism’s lost masterpiece,” Hope Mirrlees’s Paris: A Poem. Published by Hogarth Press in the spring of 1920, and typeset by Virginia Woolf, this ground-breaking long poem maps the range of continental avant-garde aesthetics of the 1910s even as it both engages and anticipates the mythical methods and epic conventions of James Joyce, Ezra Pound, and T.S. Eliot.

Creative Writing in the [Post-] Pandemic

updated: 
Tuesday, August 3, 2021 - 10:02am
Northeast Modern Language Association
deadline for submissions: 
Thursday, September 30, 2021

This panel invites creative writers to reflect on what it has meant to write during a pandemic and to read their own pandemic (or post-pandemic) work.

The Things We Will Carry: Teaching Creative Writing Post-pandemic

updated: 
Tuesday, August 3, 2021 - 10:01am
Northeast Modern Language Association
deadline for submissions: 
Thursday, September 30, 2021

During the pandemic, creative writing classes, like most of academia, moved online. Traditional creative-writing pedagogies and practices were forced to reinvent themselves on Zoom. This emergency process provided opportunities for re-examination, experimentation, and growth. This panel invites practitioners of creative writing and its pedagogies to explore ways that creative writing instruction and praxis were altered by the pandemic.

Possible questions to consider:

· What changes to teaching and writing did you experience during the pandemic?

· How did the pandemic change perspectives on creative writing and creative writing instruction?

The Novel of the Future; the Future of the Novel

updated: 
Tuesday, August 3, 2021 - 10:01am
Northeast Modern Language Association
deadline for submissions: 
Thursday, September 30, 2021

This panel asks creative writers to speculate on their own work or that of others and envision the future of the novel. The panel proposes to address the following questions:

· What technologies (such as the internet, videogaming, virtual reality, or artificial intelligence) might shape the form of the novel of the future?

· How might the novel be impacted by future trends and technologies in publishing and the literary marketplace?

· How might the novel form be re-envisioned?

· How do other media, such as videogames, use narrative in novelistic modalities?

The panel invites a wide range of interpretations of this topic and encourages creative work

In-between normalities: Care, persistence and the (re)imagination of life

updated: 
Tuesday, August 3, 2021 - 10:00am
Department of French, Hispanic and Italian Studies University of British Columbia
deadline for submissions: 
Friday, August 20, 2021

Ninth Biennial Graduate Student Conference Department of French, Hispanic and Italian Studies University of British Columbia DATE: 29-30 October 2021 Vancouver, Canada In-between normalities: Care, persistence and the (re)imagination of life Keynote Speaker: Dr. Susan Antebi, University of Toronto As we slowly go back to “normal,” this international graduate student conference invites young scholars to investigate Francophone and Hispanic literature, cinema and culture under the paradigm of care, persistence, and the (re)imagination of life. The sudden outbreak of a pandemic makes us revisit what “normal” is comprised of. We saw this recently and now “new normal” has become integral part of our conversations.

August Deadline Approaching: Journal of Literary and Cultural Disability Studies Special Issue: ‘Rethinking the Species Divide: Disability and Animality in Literature and Culture’

updated: 
Tuesday, August 3, 2021 - 4:27am
Liz Shek-Noble and Chelsea Temple Jones
deadline for submissions: 
Tuesday, August 31, 2021

Journal of Literary and Cultural Disability Studies

Special Issue: ‘Rethinking the Species Divide: Disability and Animality in Literature and Culture’

Guest Editors: Liz Shek-Noble and Chelsea Temple Jones

POWER, EMPOWERMENT AND DISEMPOWERMENT

updated: 
Tuesday, August 3, 2021 - 4:05am
Festival Culture Research and Education
deadline for submissions: 
Tuesday, August 31, 2021

The Festival Culture Research and Education Network will publish the Journal of Festival Culture Inquiry and Analysis.

This open-access peer-reviewed journal focus on strong and serious submissions that foregrounds inquiry on festival culture that would not necessarily fall under festival culture because of its inter-, multi-, trans- or cross-disciplinary dimension.

'POWER, EMPOWERMENT AND DISEMPOWERMENT'

Festival Culture and Education

updated: 
Tuesday, August 3, 2021 - 4:05am
Festival Culture Research and Education
deadline for submissions: 
Tuesday, August 31, 2021

Journal of Festival Culture Inquiry and Analysis, Education Special.

FCRE is committed to developing an understanding of how festival culture impacts education at all levels, all ages, all over the world. We view education as a meaningful vehicle for the transmission of culture. For this reason, it is crucial to investigate and educate on how festival culture has changed or sustained education practice.

Festival Food

updated: 
Tuesday, August 3, 2021 - 4:04am
Festival Culture Research and Education
deadline for submissions: 
Tuesday, March 1, 2022

The taste of festivals forms a significant part of our life, and many festivals are associated with religion, remembrance, and prayer. Food during the religious holiday of Christmas can either make or break the holiday spirit; for example, the memory of having the best turkey, the best mince pies, and sitting around the Christmas tree warms many a heart. Carnival, another religious festival that is also a cultural event, has its own traditions regarding festival food.

Edited Collection: Chilling Adventures of Sabrina

updated: 
Monday, August 2, 2021 - 4:19pm
Cori Mathis
deadline for submissions: 
Sunday, October 31, 2021

In the world of teen drama (or YA drama, as some prefer), there are a number of ways to represent adolescence and its attendant horrors, and we’ve seen a great deal of fantasy-based approaches; beginning with Buffy, some establish that high school is actual hell. But few series come close to Chilling Adventures of Sabrina’s devotion to that idea. The Netflix series (2018-20), based on the Archie Comics spin-off and featuring a much darker version of Sabrina Spellman, may be difficult for audiences to reconcile with ABC’s Sabrina the Teenage Witch, the previous adaptation. While one is a teen sitcom in which Sabrina’s powers get her into wacky situations, and she is supported by a talking Salem the cat, the other might feel closer to The Craft.

Literature and Pandemic

updated: 
Monday, August 2, 2021 - 1:05pm
International Journal of Literature and the Arts
deadline for submissions: 
Wednesday, May 18, 2022

The global COVID-19 pandemic has forced all of us to rethink the ways in which we teach and study literature and the arts. It has also forced us to reconsider the place of the arts during periods of extreme physical and social crisis. Our current pandemic is also a unique occasion to reconsider literature and the arts in previous historical and cultural dispensations. For instance, the flourishing of English drama during the early modern period coincided with almost yearly visitations of the plague, while the Spanish Flu of the early twentieth century proved an important inspiration for many artists—especially the Dadaist movement.

 

Rhizomatic and Multicentered Approaches in Creative Research Praxes

updated: 
Monday, August 2, 2021 - 12:08pm
Noah Travis Phillips / Rocky Mountain College of Art and Design (RMCAD)
deadline for submissions: 
Wednesday, September 29, 2021

Rhizomatic and Multicentered Approaches in Creative Research Praxes

 

This seminar will share and exchange perspectives on and experiences of multicentering / multicentricity in creative research practices. Our seminar will explore ways in which multicentricity, rhizomatics, and intra-action inform creative research practices, and how these strategies aid in reinventing the relationships between the elements involved. 

Neo-Disneyism

updated: 
Monday, August 2, 2021 - 12:08pm
Dr. Brenda Ayres/Liberty University
deadline for submissions: 
Thursday, September 30, 2021

In 2003 Peter Lang published The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom, edited by Brenda Ayres. In this collection of 14 essays, the contributors argue that as of 2002, Disney’s film animation has continued to be a surreptitious colonizing force that manipulates the psychological, cultural, and political identities of consumers, predominantly children. Since then, Walt Disney Animation Studios and its subsidiaries, affiliates, and distributing companies have produced 63 additional film animations. Have they altered their portrayal of multiculturalism and SGM (Sexual and Gender Minorities) to be more inclusive and  normative? Coeditors Brenda Ayres and Sarah E.

The Sixteenth International Conference of the Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)

updated: 
Monday, August 2, 2021 - 12:08pm
The Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)
deadline for submissions: 
Monday, January 10, 2022

Engaging the Audience: From Antiquity to the Renaissance

 

In The Presentation of Self in Everyday Life (1959), Erving Goffman likens social interaction to theatre, describing “performance” as “all the activity of an individual which occurs during a period marked by his continuous presence before a particular set of observers and which has some influence on the observers.” The individual coming into contact with other people is like an actor on stage, who will employ available theatrical devices in order to manage the impression made on the audience.

Pages