Humanities Bulletin - Call for papers
Submission Deadline: October 25, 2021
Vol. 4, No. 2 - November, 2021
Humanities Bulletin is a multidisciplinary peer-reviewed Journal which features original studies and reviews in the various branches of Humanities, including History, Literature, Philosophy, Arts.
This journal is not allied with any specific school of thinking or cultural tradition; instead, it encourages dialogue between ideas and people with different points of view. Our aim is to bring together different international scholars, in order to promote the dialogue between cultures, ideas and new academic researches.
The Journal is hosted by London Academic Publishing, London, UK.
CALL FOR PROPOSALS FOR TOPICAL ISSUESOPEN CULTURAL STUDIES vol. 2022 Open Cultural Studies (degruyter.com/culture) invites groups of researchers, conference organizers and individual scholars to submit their proposals of edited volumes to be considered for publication as topical issues of the journal. To submit your proposal please contact Dr Katarzyna Tempczyk at firstname.lastname@example.org Proposals will be collected by October 31, 2021. ABOUT THE JOURNAL
CALL FOR PAPERS for a topical issue of "Open Cultural Studies"MELANCHOLIC LITERATURE in the 17th-19th CENTURIES "Open Cultural Studies" (www.degruyter.com/CULTURE) invites submissions for a topical issue on MELANCHOLIC LITERATURE in the 17th-19th CENTURIES, edited by Ángeles García Calderón (University of Córdoba, Spain).
Having successfully launched the fourth edition of the ICARSH conference, we are happy to announce that the 5th International Conference on Advanced Research in Social Sciences and Humanities will take place in February 2022 in Rotterdam, Netherlands.
There are multiple reasons behind the recent eruption of female directors within the documentary field, such as the fact that it is a field in which major resources or connections aren’t needed in order to succeed. However, the thriving of women documentary filmmakers may also respond to reasons of a more formal nature. As feminist film theorists have argued, driven by its lack of faith in the visual archive, the female gaze tends to push traditional image and narrative boundaries in order to open up the door to memories, experiences, and forms of cultural knowledge encoded in senses other than (and questioning of) the visual and/or auditory.
This interdisciplinary panel examines the rich relationship of music and literary texts in various world literatures focusing primarily on the 20th century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical, and cultural interactions between music and literature, audience and performers, literary text and composer.
This panel examines Dostoevsky’s influence on 19th-century to contemporary authors and studies possible connections and textual echoes between Dostoevsky’s writings and other texts potentially related to his literary legacy. We invite abstracts devoted to the contemporary literary analysis of the chosen texts, as well as broader research on philosophical or theological issues central to Dostoevsky’s worldview and that continue to be discussed and re-examined today.
In 1818, the Shelleys exchanged their settled life at Albion House in Marlow, Buckinghamshire, for an Italian exile—a period distinguished by remarkable productivity and artistic achievement. To commemorate the bicentenary of Percy Bysshe Shelley’s death on 8th July 1822, the Shelley Conference 2022 will centre on the final two years of the poet’s sojourn in Italy. Beginning with the summer of 1820, the last twenty-four months of Shelley’s life were populated by brilliance. Within that short lease fall such works as Prometheus Unbound, Swellfoot the Tyrant, ‘Letter to Maria Gisborne’, ‘Witch of Atlas’, Epipsychidion, Adonais, the late lyrics, ‘A Defence of Poetry’, accomplished translations, and The Triumph of Life.
In her seminal work In the Wake: On Blackness and Being, Christina Sharpe writes: “I’ve been trying to articulate a method of encountering a past that is not past. A method along the lines of a sitting with, a gathering, and a tracking of phenomena that disproportionately and devastatingly affect Black peoples any and everywhere we are.” She calls this methodology “living in the wake” of slavery and its afterlives. This panel invites papers that think in and from the wake to propose new methods to bear witness to trauma particular to othered, oppressed people. How can we establish a restorative witnessing, one which is imaginative, hauntological, and apocalyptic?
Location: The Jerwood Centre at The Wordsworth Trust
Date: 13–14 May 2022
Keynote lecture by Robert Morrison (Bath Spa University, British Academy Global Professor)
15th-16th January 2021, Ulster University, Belfast Campus
'Culture is the context within which we need to situate the self, for it is only by virtue of the interpretations, orientations and values provided by culture that we can formulate our identities, say ‘who we are’, and ‘where we are coming from’ (Benhabib, 2000:18)
According to the World Health Organization, more than 700,000 people die by suicide every year; one in 100 global deaths is by suicide. In the U.S., the Centers for Disease Control and Prevention (CDC) reported 45,000 deaths by suicide (14.2 per 100,000) for the year 2020, representing a 30 percent increase over a 20-year period. Suicide is the eleventh leading cause of death in the U.S., and among persons between the ages of 10 to 34, it is the second leading cause. Women are more likely than men to attempt suicide, but men are three to four times more likely than women to die by suicide. In short, suicide is an intractable public and global health issue that has shown few signs of abating.
A Haunted Structure: Contemporary Horror Film and Class Analysis
Stephen King Area
2022 PCA/ACA Annual National Conference
Seattle: Wednesday, April 13th—Saturday, April 16th
Landscapes, scenery, architecture, and locations are integral to the study of horror in fiction-- and yet, one might point out that they rarely recieve as much emphasis or attention as monsters that live within them. This panel is for these forgotten landscapes of horror and "weird" fiction--a place to observe and recognize the importance or triteness of the haunted house trope, the mysterious ineffability of Lovecraftian underwater temples, or the aged spirituality of Dracula's castle. This panel seeks to turn the paradigm of antagonist-focused readings of texts on its head, and start understanding place and location itself as a tangible and critical piece in the inculcation of horror.
Archival studies and print histories reveal surprising and complex interactions between manuscript and print in the nineteenth century, and justify continued attention to the manuscript sources that lay beneath the surface of some print, or to the annotations and revisions layered on top of others. The rich discourse surrounding these two mediums can help us scrutinize the competing terms that oftentimes frame them (that is, that print signifies professional, public, and masculine writing while manuscript signifies amateur, private, and feminine writing).
Why Germany? What relation does Germany, a country, have with the African continent? The relationship between African countries and Germany dates back to the seventeenth century, long before the Berlin conference of 1884 under Otto von Bismarck—itself a historical turning-point in German colonial politics. The meeting resulted in the scramble for and partition of Africa by European nations like France, Germany, Spain, Portugal, and Great Britain. The nineteenth-century saw an explosion of adventurous trading enterprises that pushed Bismarck to start a more official, state-supported form of colonialism and ultimately to the Berlin Conference.
The climate crisis, the economic crisis, the refugee crisis, and the COVID-19 pandemic has called to the forefront the experience of contemporary beings which forces us to re-evaluate the place of the human in the current world, calling into question the crisis of the universal mode of man and human exceptionalism. Such a displacement in how we think about the human experience also forces us to re-think the city as a whole and what it wants to forget, in particular urban ruins. Is it still beneficial to think of urban ruins as dead, as just relics of a bygone age of national development, or just as modern flops that merge with the surrounding urban fabric? Or are they alive?
The tern Genocide was coined by Raphael Lemkin in 1944, in a context heavily influenced by the events of the Jewish Holocaust. The parameters of Genocide, and its legal consequences were gathered in the Convention on the Prevention and Punishment of the Crime of Genocide that recognizes that the following are factors that take place in a genocide:
-Killing members of the group
-Causing serious bodily or mental harm to members of the group
-Deliberately inflicting on the group conditions of life calculated to bring physical destruction in whole or in part
-Imposing measures intended to prevent births within the group
-Forcibly transferring children of the group to another group
The long-established New Ray Bradbury Review is seeking papers for its first online issue. As well as continuing to encourage new scholarship on any aspect of the works and life of American author Ray Bradbury (1920-2012), for this issue we also specifically invite articles on the topic of “the importance of literacy”. Submissions may connect Bradbury to this topic, or discuss the topic independently of Bradbury.
We welcome submissions from researchers, educators and creative practitioners in any relevant discipline. Here is a non-exhaustive list of possible subjects for articles, but we would welcome alternative approaches and suggestions:
Call for Papers (CfP) to the আন্তর্জাতিক দ্বিভাষিক ওয়েবিনার আদিবাসী জীবনযাত্রা : সাহিত্য-সংস্কৃতি-নৃবিজ্ঞান-ভাষাবিজ্ঞান/ International Bilingual Webinar on Tribal Lifestyle: Literature-Culture-Anthropology-Linguistics (IBWTL-2)
Scholarly Paper Presentation Registration link:
please consider submitting an abstract to the following roundtable at the NeMLA's 53rd annual convention in Baltimore, MD (U.S.) from March 10 to 13, 2022.
FORMAT: Panel. 3-4 participants, reading a formal paper of 15-20 minutes (2500-3000 words) as set by the chair, followed by Q&A.
In Dear Science and Other Stories, Katherine McKittrick asks, "What if citations are suggestions for living differently?" (McKittrick 19). McKittrick's work, drawing on Sylvia Wynter, demonstrates the social investment of disciplinary citational networks in colonialist-imperialist, capitalist, heteropatriarchalizing, and racist logics. If we are to dismantle these logics and their effects in Medieval Studies, we must first renegotiate our citational networks.
Call for Papers
Southwest Popular / American Culture Association (SWPACA)
43rdt Annual Conference, February 23-26, 2022
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico
Submissions open on August 1, 2021
Proposal submission deadline: October 31, 2021
China-US Journal of Humanities
Call for Papers
In the past few years, we have seen a revision of historicism with events that include racial and social reckoning, the removal of perceived racially oppressive brands, body size inclusivity, unprecedented global pandemic loss of life, multiple global shutdowns, falsely contested elections, large scale falsehoods orchestrated through social media, and a general individualization of experience. New ways of living have emerged that include the wearing of face coverings, shopping online, curb and home delivery, new styles of clothing that are worn, more engagement with computers and social media, concerns of global warming, the race into outer-space, global vaccination, and governmental control.
Humanities Open Acess
Volume 10, Issue 3 (September 2021)
Humanities is an international, scholarly, peer-reviewed, open access journal for scholarly papers published quarterly online.
Theology and Vampires
We invite abstracts for a new book of original essays which explore the meaning and/or function of still or moving bodies of water -- lakes, rivers, the sea, gulfs, streams, ponds, canals -- in narratives by African Americans.