Call for Papers

Trans Joy in Latin American Cinema

Joy is a fundamental element of human life, yet its depiction in media and academic discourse— especially in relation to marginalized communities—remains limited. Representations of the trans* community, in particular, often center narratives of exclusion, violence, and trauma. As Shuster and Westbrook (2022) note, this tendency reflects a broader “joy deficit” in the sociological study of marginalized people, overshadowing the transformative power of joy and solidarity.

Journal of European Popular Culture

Intellect Publishers

Next issue - call for article/s

JEPC 16.1 and JEPC 16.2 - 2025 

& JEPC 17.1 - 2026  

This peer-reviewed journal seeks lively submissions for its latest issues on any aspect of European cultural and creative activity.

The 2025 issues are open at present

This peer reviewed journal is interested in contemporary practices, but also in historical, contextual, biographical or theoretical analyses relating to past cultural activities in Europe.

The family is often conceived in terms of exclusivity, closeness and intimacy. The word ‘intimate’ – intimus, or ‘most interior’, in the Latin – suggests that this relationship touches our innermost part, that which is deepest and hidden from view. Familial ties are further corporealized in terms of blood, or the physical proximity of shared space, resources, and memories, and acts of care. Broader ethnic, linguistic, cultural and national communities may be framed as extensions of this familial ‘inner circle’, as the concept of the body politic suggests; the family, for Rousseau, is ‘the first model of political societies’ (The Social Contract).

The Journal of the European Association for Studies of Australia (JEASA) was founded and has been maintained by the European Association for Studies of Australia (EASA) since 2009. It is a double blind peer-reviewed, open-access online journal published twice a year, intended to showcase both European and Australian scholarhip in the field of Australian studies.

We are inviting abstracts of papers on “Culinary Crossovers: Authenticity and Ambiguity in Reimagining Food Heritage in South Asia”, to be published in a special issue for the Journal of Food, Culture & Society (Taylor and Francis, Scopus Q1). In this special issue, we aim to probe into culinary histories and practices as appended to cultural/collective memory, where the idealised and marketable concept of “authenticity” emerges as a “palimpsest” conditioned by competing ideologies of nostalgia and privilege afforded by the ability to relocate.

Following the first Τ Ε Κ Μ Η Ρ Ι Α Meeting, held in October 2023, and the publication of the Proceedings in December 2024 (https://shorturl.at/FQXE6), the initiative comes to its second edition, offering once again a space for exchange, confrontation and discussion in the wake of interdisciplinarity. Subject of this second Study and Research Meeting will be Greeks and Local Historiography.

The topics of the proposals may include:

Sapphic Echoes: Representations of Female Love and Desire in Global Literatures

This panel asks questions and invites responses that explore representations of female love and desire in global literatures. How have the complex poetics of female love and desire—the desire to have something, or escape something, or punish, or know—been represented over time? What strategies have been employed to subvert literary conventions defined predominantly by male perspectives on home, love, war, victory and loss? How have female characters navigated the interplay between things done (overtly) and thought (covertly) to reveal the inner web of desires, fears and conflicts that constitute a female poetics of love and longing? 

Over the course of the 20th century and into the 21st, cinema, television, and related media have become increasingly central both to individual lives and to the lives of peoples, groups, and nations. Cinema has become a major form of cultural expression and films both reflect and influence the attitudes and behaviour of people, representing their tensions and anxieties, hopes and desires and incarnating social and cultural determinants of the era in which they were made. 

Decay and destruction have long been sources of fascination, inspiration and contemplation in artistic and cultural contexts. From the crumbling ruins of ancient civilizations to the ravages of time on natural landscapes, from the haunting beauty of abandoned spaces to the transformative power of decay in artistic expression, this conference aims to explore the creative potential of decay and destruction across diverse disciplines and perspectives.

Topics may include, but are not limited to:

The conference seeks to explore the narratives of displacement and to demonstrate the validity of a cross-disciplinary approach which brings together the historical, cultural, social and literary expertise in the handling of text. The conference will particularly focus on time and space representations and on treatment of the theme of cultural ambivalence and identity conflict. The subject of displacement will be regarded as both a migration, voluntary or forced, and a sense of being socially or culturally “out of place”.

Papers are invited on topics related, but not limited, to:

Humankind has always sought to explain its origins and the mysteries of life to map personal and collective boundaries, and to secure its sense of identity through the power of everyday events and occurrences. Exemplary accounts of imaginary happenings and supernatural creatures from a time beyond history and memory explain the genesis of the universe, the making of a living thing, the formation of an attitude or the inception of an institution. The essence of these traditional narratives reflects a certain system of values and code of self-conduct of a group of individuals bound together by social and cultural ties, and the cardinal virtues and vices of human nature captured in a conventional configuration.

The conference invites academics, researchers and professionals to critically examine the evolving concept of gender in its many forms and contexts. The conference seeks to explore the past and present dimensions of gender identity across the globe, analyse how societal structures are shaped by and shape gender and consider the role of gender in the broad spectrum of human experience.The theme, Que(e)rying Gender, highlights the importance of questioning, expanding and disrupting conventional understandings of gender. It emphasises the intersections between gender, power, identity and culture, encouraging innovative approaches to understanding how gender influences lived experiences and societal norms.

(Call for Paper & Podcast ) - Peter Lang

Victorian literature is being fundamentally reimagined. What was once read through the lens of industrial realism, imperial narration, and bourgeois decorum is now being reassessed through new critical modes such as Animal Studies, Environmental Humanities, Food history, Ecocriticism, and Postcolonial re-readings. The aim of Rewriting the Victorian Imagination: Fables, Flesh, and Fluidity in Nineteenth-Century Literature is to consolidate and advance these reconfigurations by drawing together new research that unsettles the stable categories through which the “Victorian” has traditionally been understood.

This panel seeks papers for the Renaissance Society of America’s annual meeting (February 19–21, 2026, San Franscico, California). It explores an overlooked poetic genre: the prefatory poem of the early printed book for the It considers such appendages as simultaneously occupying the niches of text and paratext: discrete units which both conform to the structural and aesthetic constraints of poetry and adorn a corresponding, substantive text. These poems are at once ubiquitous and neglected, appearing in books of nearly all genres: from the luxury atlas to the sailing manual; from the personal devotional to the folio Bible; from the illustrated epic poem to the clinical legal handbook.