We are pleased to invite participants to a four-day intensive book reading workshop on Antonio Gramsci (online), focused on questions of hegemony, culture, subaltern politics, and political struggle. This workshop brings together students, scholars, researchers, activists, and readers for a sustained and collective engagement with Gramsci’s writings. Written largely under conditions of imprisonment and censorship, Gramsci’s work challenges us to think about power not only as domination, but as consent, culture, and everyday common sense.

The last few years have seen the publication of a number of fantasy novels for young people written by authors from the postcolonial diaspora, including Tomi Adeyemi’s Legacy of Orisha trilogy, Jordan Ifueko’s Raybearer series, Nnedi Okarofor’s The Nsibidi Scripts series and Roshani Chokshi’s The Gilded Wolves series. Additionally, there are YA fantasy series that deal with hierarchies and inequities resulting from colonization and settler colonialism, such as Naomi Novik’s Scholomance series and Cherie Dimaline’s The Marrow Thieves duology.

Abstract 

The “end of the world” names a methodological problem before it names an apocalypse: how do humanities scholars and artist-researchers think, make, and teach when climate disruption, extinction, extractive infrastructures, forced displacement, and slow violence reformat what counts as evidence, what counts as futurity, and what counts as responsibility? This conference convenes research and practice across film, theatre, performance, and allied arts to ask how (post)Anthropocene conditions are not only represented but produced, felt, and negotiated through aesthetic forms, production systems, embodied publics, and more-than-human milieus. 

Caleidoscopio – Revista de Comunicação e Cultura is the journal of the Communication Sciences Department of ECATI, Lusófona University.

Now entering its second series, Caleidoscopio is being relaunched with the aim of consolidating its position as an open-access platform dedicated to critical research in communication sciences, with a special focus on the intersection of communication, media, and the arts in contemporary societies.

We invite submissions that engage with approaches from media theory, visual studies, philosophy of technology, cybernetics, or contemporary artistic practices. There are no article processing charges.

USM’s English Graduate Organization Conference Call for Papers

(Un)Spoken: Voices of Dissent

April 10th and 11th, 2026

University of Southern Mississippi

Hattiesburg, MS

ALA 2026: The Novel of Ideas in American Fiction

ALA Annual Conference (May 20-23, Chicago, IL)

(Extended Deadline)

MEMORY

University of Virginia Department of English Graduate Symposium

March 27 & 28, 2026

Dates: Thursday 25 June - Friday 26 June 2026
Venue: Jesus College, University of Cambridge

Special thematic dossier 8.1 | Digital Projections and Screened Identities in US American Culture

Editors: Laura Álvarez Trigo (Universidad de Valladolid) and Anna Marta Marini (Freie Universität Berlin) 

Culture, Food, and Literature in the New Millennium (Hybrid)

March 25-26, 2026

School of Liberal Arts

University of Management and Technology, Lahore

CALL FOR SUBMISSIONS

MICHIGAN ACADEMY OF SCIENCE, ARTS & LETTERS 614 Superior Street, Alma College, Alma, MI 48801 - Fax: 989-463-7970 - michiganacademy@alma.edu Call for Papers Women's & Gender Studies 

INVITATION 2026 conference: Friday, March 27, 2026, virtual conference held via Zoom.

You are invited to submit a 200-word abstract of the paper you wish to present at the conference.

PROCEDURES  Abstract submission deadline is 1/23/26.

Presentations are up to 20 minutes each, followed by discussion.

Undergraduates may present faculty co-authored or sponsored papers (section leaders may require proof that paper/research was reviewed by a faculty sponsor).

MLA Annual Convention 2027
Los Angeles, California | 7–10 January 2027

Analog Game Studies and Game in Lab are proud to announce Generation Analog 2026.  This year’s online conference will take place July 16-17, 2026.  The online event is free and open to the public with registration.  All presentations will be recorded and made available after the event.  Check out the presentations from previous years via AGS’s YouTube channel (like and subscribe).

Queer Ecologies Across Socialisms 

15-16 October 2026

University of Regensburg, October 15-16, 2026 | CfP deadline: Feb 15, 2026
Organizers: Martyna Miernecka, Paweł Matusz

In literary and arts research on socialist worlds, both queer studies and environmental histories have been expanding – yet we still lack approaches that would systematically integrate these strands across global state socialisms. This conference responds to that gap by inviting work that reads queer practices alongside institutional and environmental policies and traces the queer ecological impulses emerging from socialist contexts across the globe.

The International Congress on Narrative and Aesthetics in Film, Series, TV, and Audiovisual Experimentation is a platform for discussion and dissemination of studies and projects related to audiovisual creation in its various areas of production and distribution. It encompasses research related to cinematography and film history across a wide range of fields (sociology, industry, aesthetics, etc.), formats (fiction, documentary, animation, music videos, etc.), and genres (from thrillers and comedies to the connections between film and comics or video games).

Osgood Perkins is emerging as one of the most significant directors of horror in the 21st century. His films are wildly diverse and have elicited an equally wild diversity of response from viewers and critics. Perkins has thought a lot about horror, has frequently spoken about its larger meanings in interviews, and is committed to its centrality as a genre – something he articulates in this 2025 conversation with Interview Magazine:

The Department of English and Cultural Studies, School of Humanities and Performing Arts, CHRIST (Deemed to be University), Delhi NCR Campus, is hosting its 3rd International Conference on Global Digital Cultures: Texts, Technologies, and Audiences (Hybrid Mode). 

Date: 23 - 24 February, 2026

In the era of rapid technological change, digitalization, globalization, and platformization are reshaping film, media, and creative industries. This conference critically explores the intersections of texts, technologies, and audiences in global digital cultures, with a focus on South Asia and the Global South.

Call for Papers: Perspectives on Netflix’s Ripley

I am pleased to announce a call for papers for the first edited volume devoted to the Netflix limited series Ripley (Zaillian, 2024). Perspectives on Netflix’s Ripley seeks to explore the myriad ways in which this striking adaptation reimagines Patricia Highsmith’s iconic character for a new era of streaming television. I invite proposals from scholars, practitioners, and critics whose work engages with adaptation, media studies, sexuality, and screen cultures.

About the Volume

DEADLINE EXTENDED UNTIL THE 29TH, JANUARY 2026

“Violence in the Medieval and Early Modern North”

Aberdeen Medieval and Early Modern North Conference

University of Aberdeen, Scotland

Since September of 2025 the English Department at Carnegie Mellon University has housed a new publication called The Pittsburgh Review of Books (or PRoB), available at http://www.pghrev.com

Edited by author and Public Humanities Special Faculty Ed Simon, PRoB is a home for engaged, creative, and interdisciplinary cultural criticism and analysis across the humanities. The tone of the publication is similar to other para-academic publications intended for both specialists and a general audience. Currently we are particularly interested in analysis that intersects with breaking news that can be produced by scholars quickly.

The paradigmatic scene in a Western – witnessed in numerous movies, such as High Noon (1952), The Gunfight at the OK Corral (1957), or Tombstone (1993), as well as in classic western novels, such as Louis L’Amour’s The Lonesome Gods (1983) or Larry McMurtry’s Lonesome Dove (1985) – is that of a confrontation between a sheriff and a bandit: it suggests the forces of civilization taking hold on the frontier, even if tentatively, and ultimately a triumph of the order imposed to protect those in need of protection.

Journal of Gaming and Virtual Worlds 

Special Issue 3/2026

“Save State: Ethics, Politics, and Poetics of Game Preservation”

Guest Editors: Paweł Frelik (University of Warsaw), Magdalena Kozyra (SWPS University), Tomasz Z. Majkowski (Jagiellonian University)  

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

The organizers the University of South Carolina Beaufort's Interdisciplinary Studies Conference, "Balm: Binding Art, Life, Medicine," invite proposals for this year's event. This interdisciplinary conference on Narrative Medicine and Health Humanities will be held virtually on Thursday, March 26th and on the Bluffton campus on Friday, March 27th.  We are extending the submission deadline from February 1st to February 15th to allow undergraduate scholars to generate potential contributions. Topics of Interest

We welcome interdisciplinary proposals that explore, interrogate, or illuminate the central theme, including but not limited to: