CFP: Medical Humanities (3/3/07; MLA '07)
Proposed Special Session for the 2007 MLA (Chicago)
Panel Topic: The Medical Humanities
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Proposed Special Session for the 2007 MLA (Chicago)
Panel Topic: The Medical Humanities
Conference=20
Cambridge University, 8 and 9 September 2007
Ivor Gurney: Composer, Poet
Gurney was almost unique in writing both poetry and music, and thus =
provides a rich opportunity for interdisciplinary discussion. This =
conference aims to examine both sides of his output in equal measure, =
establishing a dialogue between the two, whilst placing his work against =
the backdrop of the early twentieth century, war and the asylum.
We welcome papers on any aspect of Gurney's life and work, including but =
not limited to:
Conference=20
Cambridge University, 8 and 9 September 2007
Ivor Gurney: Composer, Poet
Gurney was almost unique in writing both poetry and music, and thus =
provides a rich opportunity for interdisciplinary discussion. This =
conference aims to examine both sides of his output in equal measure, =
establishing a dialogue between the two, whilst placing his work against =
the backdrop of the early twentieth century, war and the asylum.
We welcome papers on any aspect of Gurney's life and work, including but =
not limited to:
Proposed Special Session for the 2007 MLA (Chicago)
Panel Topic: The Medical Humanities
CFP: Kazuo Ishiguro and the International Novel (UK) (31/3/07; 2/6/07)
Kazuo Ishiguro in conversation with John Mullan (UCL, The Guardian) and Sean Matthews (Nottingham), and reading from work in progress.
Speakers include:
Patricia Waugh (Durham)
John Mullan (UCL, The Guardian)
Dominic Head (Nottingham)
Brian Shaffer (Rhodes College Memphis, TN)
Alan Roughley (Liverpool Hope)
Amanda Hopkinson (British Centre for Literary Translation/UEA)
* PLEASE NOTICE THE NEW DEADLINE : February 8, 2007
*
La version fran=E7aise suit le texte anglais
* *
* *
*CALL FOR PAPERS*
*8th Annual Graduate Conference in Comparative Canadian Literature
*
*TRANSLATION IN ALL ITS FORMS: LITERARY, CULTURAL AND INTERMEDIAL*
Universit=E9 de Sherbrooke, Sherbrooke, Quebec =96 Friday, March 23, 2007
The Centre for Comparative Literature at the University of Toronto
invites abstracts for its 18th annual graduate student conference:
?Navigating Interdisciplinarity, Cultivating New Spaces of Comparison?
Date: March 16?17, 2007
Location: Toronto, Ontario, Canada
Keynote Speaker: Haun Saussy, Professor of Comparative Literature at
Yale University
CFP: Kazuo Ishiguro and the International Novel (UK) (31/3/07; 2/6/07)
Kazuo Ishiguro in conversation with John Mullan (UCL, The Guardian) and Sean Matthews (Nottingham), and reading from work in progress.
Speakers include:
Patricia Waugh (Durham)
John Mullan (UCL, The Guardian)
Dominic Head (Nottingham)
Brian Shaffer (Rhodes College Memphis, TN)
Alan Roughley (Liverpool Hope)
Amanda Hopkinson (British Centre for Literary Translation/UEA)
* PLEASE NOTICE THE NEW DEADLINE : February 8, 2007
*
La version fran=E7aise suit le texte anglais
* *
* *
*CALL FOR PAPERS*
*8th Annual Graduate Conference in Comparative Canadian Literature
*
*TRANSLATION IN ALL ITS FORMS: LITERARY, CULTURAL AND INTERMEDIAL*
Universit=E9 de Sherbrooke, Sherbrooke, Quebec =96 Friday, March 23, 2007
The Centre for Comparative Literature at the University of Toronto
invites abstracts for its 18th annual graduate student conference:
?Navigating Interdisciplinarity, Cultivating New Spaces of Comparison?
Date: March 16?17, 2007
Location: Toronto, Ontario, Canada
Keynote Speaker: Haun Saussy, Professor of Comparative Literature at
Yale University
The Centre for Comparative Literature at the University of Toronto
invites abstracts for its 18th annual graduate student conference:
?Navigating Interdisciplinarity, Cultivating New Spaces of Comparison?
Date: March 16?17, 2007
Location: Toronto, Ontario, Canada
Keynote Speaker: Haun Saussy, Professor of Comparative Literature at
Yale University
* PLEASE NOTICE THE NEW DEADLINE : February 8, 2007
*
La version fran=E7aise suit le texte anglais
* *
* *
*CALL FOR PAPERS*
*8th Annual Graduate Conference in Comparative Canadian Literature
*
*TRANSLATION IN ALL ITS FORMS: LITERARY, CULTURAL AND INTERMEDIAL*
Universit=E9 de Sherbrooke, Sherbrooke, Quebec =96 Friday, March 23, 2007
***Apologies for cross-posting***
The Past in the Present
History as Practice in Art, Design and Architecture
An International Interdisciplinary Conference
Glasgow, 27th-29th October 2007
THE GLASGOW SCHOOL OF ART - DEPT. OF HISTORICAL AND CRITICAL STUDIES
***Apologies for cross-posting***
The Past in the Present
History as Practice in Art, Design and Architecture
An International Interdisciplinary Conference
Glasgow, 27th-29th October 2007
THE GLASGOW SCHOOL OF ART - DEPT. OF HISTORICAL AND CRITICAL STUDIES
***Apologies for cross-posting***
The Past in the Present
History as Practice in Art, Design and Architecture
An International Interdisciplinary Conference
Glasgow, 27th-29th October 2007
THE GLASGOW SCHOOL OF ART - DEPT. OF HISTORICAL AND CRITICAL STUDIES
MLA 2007
CFP: Children and Political Activism
Inspired by the work of Susan Bartoletti's Kids on Strike and Growing up in
Coal Country, this panel seeks submissions examining children's texts
(fictional, non-fictional, photographic, etc.) depicting children taking
political action and/or texts that are designed to inspire child readers to
take up direct political action.
These texts, marketed to children, might include representations of radical
children demanding their rights or fighting for particular causes.
Abstract Deadline: 1 March 2007
Send 1-2 page abstracts or 8-page papers to:
Dr. Jennifer Miskec
Christopher Newport University
jennifer.miskec_at_cnu.edu
OR
MLA 2007
CFP: Children and Political Activism
Inspired by the work of Susan Bartoletti's Kids on Strike and Growing up in
Coal Country, this panel seeks submissions examining children's texts
(fictional, non-fictional, photographic, etc.) depicting children taking
political action and/or texts that are designed to inspire child readers to
take up direct political action.
These texts, marketed to children, might include representations of radical
children demanding their rights or fighting for particular causes.
Abstract Deadline: 1 March 2007
Send 1-2 page abstracts or 8-page papers to:
Dr. Jennifer Miskec
Christopher Newport University
jennifer.miskec_at_cnu.edu
OR
MLA 2007
CFP: Children and Political Activism
Inspired by the work of Susan Bartoletti's Kids on Strike and Growing up in
Coal Country, this panel seeks submissions examining children's texts
(fictional, non-fictional, photographic, etc.) depicting children taking
political action and/or texts that are designed to inspire child readers to
take up direct political action.
These texts, marketed to children, might include representations of radical
children demanding their rights or fighting for particular causes.
Abstract Deadline: 1 March 2007
Send 1-2 page abstracts or 8-page papers to:
Dr. Jennifer Miskec
Christopher Newport University
jennifer.miskec_at_cnu.edu
OR
Session on Renaissance Non-dramatic literature
South Central Modern Language Association
November 1-3, 2007
Memphis, Tennessee
This is an open topic session on Renaissance non-dramatic literature. Please
submit abstracts or completed papers (20 minute maximum reading time) or
abstracts electronically by March 15, 2007 to Dr. Jacob Blevins blevinsjake_at_aol.com
. You can visit the SCMLA website at http://www.ou.edu/scmla/ .
Jacob Blevins, Ph.D.
Associate Professor of English
Editor, The McNeese Review
McNeese State University
Lake Charles, LA 70609-2655
337 475-5323
blevinsjake_at_aol.com
Aesthetic Violence in the 20th C. and Beyond
How does art respond to the tremendous pace of the world's violence? More
than merely sublimating or ameliorating trauma, art documents the physical
and psychological damage wreaked by social, political, cultural or personal
violence. Damaged life yields a damaged art, the distortions of which are
crucial in capturing the specific ramifications of violence. Art in the
face of war must suffer this distortion; consider the writings of Levi,
Antelme, Celan, Beckett, and O'Brien, among many others. The documentary of
aesthetic violence runs through work as various as art on feminism, racism,
and ranges from group to personal violence.
Science Fiction and Fantasy in/and the "Third World": This panel =
welcomes papers exploring representations of the "Third World" in =
science fiction and fantasy literature and film, as well as papers =
examining texts produced by "Third World" authors and filmmakers. =
Possible avenues of exploration include science fiction and fantasy as =
literary forums for examining "Third World" issues; science fiction and =
fantasy traditions in Third World countries; Third World characters in =
works of science fiction and fantasy from the West; Third World authors =
and filmmakers of science fiction and fantasy; and intersections of =
postcolonial theory and science fiction and fantasy. Deadline for =
Aesthetic Violence in the 20th C. and Beyond
How does art respond to the tremendous pace of the world's violence? More
than merely sublimating or ameliorating trauma, art documents the physical
and psychological damage wreaked by social, political, cultural or personal
violence. Damaged life yields a damaged art, the distortions of which are
crucial in capturing the specific ramifications of violence. Art in the
face of war must suffer this distortion; consider the writings of Levi,
Antelme, Celan, Beckett, and O'Brien, among many others. The documentary of
aesthetic violence runs through work as various as art on feminism, racism,
and ranges from group to personal violence.
Science Fiction and Fantasy in/and the "Third World": This panel =
welcomes papers exploring representations of the "Third World" in =
science fiction and fantasy literature and film, as well as papers =
examining texts produced by "Third World" authors and filmmakers. =
Possible avenues of exploration include science fiction and fantasy as =
literary forums for examining "Third World" issues; science fiction and =
fantasy traditions in Third World countries; Third World characters in =
works of science fiction and fantasy from the West; Third World authors =
and filmmakers of science fiction and fantasy; and intersections of =
postcolonial theory and science fiction and fantasy. Deadline for =
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20
Please Distribute
=20
Call for Proposals
for a collection
Women and Things: Material Culture, 1750-1950
Maureen Daly Goggin and Beth Fowkes Tobin , editors
=20
=20
We invite proposals for essays for a collection titled Women and Things:
Material Culture, 1750-1950. This collection invites scholars to
consider women's engagement with the material world, from the most
ordinary, mundane daily practices and objects to the most extraordinary,
life-altering practices and objects, over the two-hundred-year period of
1750 to1950.=20
=20