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UPDATE: Re-Visioning the Canon (grad) (1/30/06; RCEGSA, 3/25/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Lynda L. Hinkle

  Call for Papers:
  CFP: Rutgers University-Camden English Graduate Student Conference
  in Camden, NJ (home of Walt Whitman!) close to Philadelphia, PA
   
  Re-visioning the Canon
  Visit our website at http://clam.rutgers.edu/~rcegsa/rcegsc/
   
  Rutgers-Camden English Graduate Student Association (RCEGSA) invites papers from graduate students for an interdisciplinary conference on the theme of "Re-visioning the Canon". Papers may demonstrate a wide range of approaches including, but not restricted to:
    Children's literature
  Gothic Literature
  Multicultural approaches
  Theory and criticism's place in the "canon"

UPDATE: Re-Visioning the Canon (grad) (1/30/06; RCEGSA, 3/25/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Lynda L. Hinkle

  Call for Papers:
  CFP: Rutgers University-Camden English Graduate Student Conference
  in Camden, NJ (home of Walt Whitman!) close to Philadelphia, PA
   
  Re-visioning the Canon
  Visit our website at http://clam.rutgers.edu/~rcegsa/rcegsc/
   
  Rutgers-Camden English Graduate Student Association (RCEGSA) invites papers from graduate students for an interdisciplinary conference on the theme of "Re-visioning the Canon". Papers may demonstrate a wide range of approaches including, but not restricted to:
    Children's literature
  Gothic Literature
  Multicultural approaches
  Theory and criticism's place in the "canon"

CFP: Remnants, Remainders, and Reconceptualizations (grad) (1/16/06; 3/23/06-3/25/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
EGSA Colloquium

CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada

Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?

CFP: Remnants, Remainders, and Reconceptualizations (grad) (1/16/06; 3/23/06-3/25/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
EGSA Colloquium

CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada

Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?

CFP: Remnants, Remainders, and Reconceptualizations (grad) (1/16/06; 3/23/06-3/25/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
EGSA Colloquium

CALL FOR PAPERS
Remnants, Remainders, and Reconceptualizations
March 23-25, 2006
English Graduate Students Association
Department of English
York University
Toronto, Canada

Due to the nature of cultural production, both academic and creative,
it is inevitable that particular texts, objects, subjects, cultures,
and concepts will be marginalized or excluded, giving a confusing and
often contradictory cultural landscape to a coherence that is abstract
and problematic. How might we account for the remnants and remainders
that are scattered about our fields of inquiry? How might we begin to
reconceptualize these grounds?

CFP: USACLALS: Division & Mutual Aid in Postcolonial History and Literature (3/1/06; 10/27/06-10/29/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
John Hawley

United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)

Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature

(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)

Conference theme:

CFP: USACLALS: Division & Mutual Aid in Postcolonial History and Literature (3/1/06; 10/27/06-10/29/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
John Hawley

United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)

Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature

(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)

Conference theme:

CFP: USACLALS: Division & Mutual Aid in Postcolonial History and Literature (3/1/06; 10/27/06-10/29/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
John Hawley

United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)

Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature

(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)

Conference theme:

CFP: USACLALS: Division & Mutual Aid in Postcolonial History and Literature (3/1/06; 10/27/06-10/29/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
John Hawley

United States Association for Commonwealth Literature and Language Studies (USACLALS)
4th International Conference Oct. 27-29 2006
Santa Clara University, California (SF Bay area)

Fissures and Sutures:
Sources of Division and Mutual Aid in Postcolonial Reflections on History and Literature

(The US chapter of this international organization takes as its special mandate the incorporation of US ethnic literatures into the larger domain of postcolonial literatures)

Conference theme:

CFP: (1968) A Symposium (12/15/05; 4/7/06-4/9/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Nicholas Muellner

(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College

One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=

expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva

This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=

CFP: (1968) A Symposium (12/15/05; 4/7/06-4/9/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Nicholas Muellner

(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College

One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=

expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva

This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=

CFP: (1968) A Symposium (12/15/05; 4/7/06-4/9/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Nicholas Muellner

(1968)
A Symposium
April 7-9, 2006
Roy H. Park School of Communications, Ithaca College

One word on everyone=92s lips in May =9268 was =93contestation.=94 It =20=

expresses a fundamental version of freedom: not freedom to change or =20
to succeed, but freedom to revolt, to call things into question.
-Julia Kristeva

This symposium represents an effort to look at a broad and dramatic =20
historical moment with an eye towards the radical sense of =20
possibility and inquiry that it contained. This event will bring =20
together a dynamic range of scholars and media-makers whose work =20
directly engages the period=92s international breadth of activism and =20=

CFP: RMMLA Women's Caucus: Representations of Gender (3/1/06, RMMLA, 10/12/06-10/14/06)

updated: 
Sunday, November 27, 2005 - 9:43pm
Precious McKenzie-Stearns

Please join us for the 60th Annual Convention of the Rocky Mountain
Modern Language Association to be held in Tucson, Arizona on October
12-14, 2006. This year's Women's Caucus Seminar theme is "Earth, Wind,
Water and Fire: Representations of Gender and Natural Elements in
Literature and Film."

Proposals for 15-minute papers are sought from scholars working in all
areas of literature, film, and gender studies. In keeping with this
year's theme, we welcome studies related to how gender is represented or
understood in connection with the natural world and how such
representations help create or shape individual, class, racial and
ethnic identities or mythologies.

UPDATE: Susan Glaspell and Performance (12/1/05; 4/28/06-4/29/06)

updated: 
Monday, November 21, 2005 - 10:10pm
Lisa Jayne

UPDATE
  Keynote speaker will be Linda Ben-Zvi, a Glaspell biographer, of the University of Tel Aviv.
   
  Call for Papers
Susan Glaspell and Performance
April 28 & 29, 2006
Northland Pioneer College
Snowflake, Arizona 85937
  
In conjunction with the world premier production of Intimations From the Brook, a fulllength play adapted from Susan Glaspell's novel Brook Evans, Northland Pioneer
College will host Susan Glaspell and Performance, a conference to discuss
Glaspell's work in and for the theatre, as well as her artistry, broadly conceived. The

UPDATE: Susan Glaspell and Performance (12/1/05; 4/28/06-4/29/06)

updated: 
Monday, November 21, 2005 - 10:10pm
Lisa Jayne

UPDATE
  Keynote speaker will be Linda Ben-Zvi, a Glaspell biographer, of the University of Tel Aviv.
   
  Call for Papers
Susan Glaspell and Performance
April 28 & 29, 2006
Northland Pioneer College
Snowflake, Arizona 85937
  
In conjunction with the world premier production of Intimations From the Brook, a fulllength play adapted from Susan Glaspell's novel Brook Evans, Northland Pioneer
College will host Susan Glaspell and Performance, a conference to discuss
Glaspell's work in and for the theatre, as well as her artistry, broadly conceived. The

CFP: Word and Image: Visual Dialogues (grad) (12/30/05; 2/16/06-2/17/06)

updated: 
Monday, November 21, 2005 - 10:09pm
Mary Beth Wetli

WORD AND IMAGE: VISUAL DIALOGUES

Call for Papers

6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania

February 16-17, 2006

Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University

CFP: Word and Image: Visual Dialogues (grad) (12/30/05; 2/16/06-2/17/06)

updated: 
Monday, November 21, 2005 - 10:09pm
Mary Beth Wetli

WORD AND IMAGE: VISUAL DIALOGUES

Call for Papers

6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania

February 16-17, 2006

Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University

CFP: Word and Image: Visual Dialogues (grad) (12/30/05; 2/16/06-2/17/06)

updated: 
Monday, November 21, 2005 - 10:09pm
Mary Beth Wetli

WORD AND IMAGE: VISUAL DIALOGUES

Call for Papers

6th Annual Graduate Humanities Forum Conference
University of Pennsylvania
Philadelphia, Pennsylvania

February 16-17, 2006

Keynote Speaker: Michael Fried, Professor/Director of the Humanities Center and
Professor, History of Art, Johns Hopkins University

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