The DEPARTMENT OF ENGLISH AND AMERICAN STUDIES AT MASARYK UNIVERSITY, Brno, is pleased to announce the Brno Graduate Conference in English Studies, to be held on NOVEMBER 20-21, 2025.

This year's theme – "CULTURAL MEMORY: REMEMBERING THE FORGOTTEN" – invites doctoral students to explore numerous ways in which literary, cultural and linguistic practices contribute to the construction, preservation, and transformation of cultural memory.

The confirmed keynote speaker of the conference is prof. Dr. Volker Depkat from University of Regensburg.

SILENCES
Northeast Victorian Studies Association
Cornell University April 10-12, 2026
Keynote Panel with Rachel Ablow, Jason Camlot, and Priya Joshi

View the full call here >> https://northeastvictorianstudies.wordpress.com/wp-content/uploads/2025/...

Call for Papers and Workshops: “History up for Debate: Literature, Storytelling and the Imagined Past” 

1-2 July 2026, University of Salzburg, Department of English and American Studies, UniparkNonntal 

Conference within the Framework of the Salzburg Conferences on English Literature and Culture (SEC) 

Organisers: Dorothea Flothow, Julia Hartinger, Sarah Herbe, Christopher Herzog, Eva-Maria Kubin, Markus Oppolzer, and Elisabeth Schober 

Call for Articles - The Politics of Emotion: Affect, Identity and Power

IDEA – Interdisciplinary Discourses, Education and Analysis launches its new issue on the topic The Politics of Emotion: Affect, Identity and Power.

Emotions shape the way individuals and communities navigate their personal and collective lives, influencing decisions, relationships and the structures that govern societies. They are deeply embedded in social, cultural and political contexts, acting as both a personal experience and a force that drives public action.

I’m reaching out regarding a proposed forthcoming academic volume titled Other(ed) Worlds: Transgender Representations in Lusophone and Portuguese-Based Creole Societies, which I will be editing. This volume will be part of Trans Studies, a book series published by Bloomsbury Academic and edited by Dr. Douglas Vakoch (General Editor) and Courtney Morales (Senior Acquisitions Editor).

This proposed volume will bring together interdisciplinary essays exploring transgender narratives, identities, and resistances in the Lusophone World (from Portugal and Brazil to Lusophone Africa and Asia) / regions shaped by Portuguese colonial legacies (Africa, Asia, and the Americas).

Conference at the University of Bonn, 18-20 May, 2026

The AI revolution has accelerated in recent years, propelled by the widespread use of large language models (LLMs). Today, AI systems are not only transforming technical environments but also shaping our thoughts, emotions, and everyday linguistic practices. Increasingly, AI research and industry are shifting their attention from rational problem-solving toward aspects of human life once considered the last bastions of humanity. We can contrast this approach to AI as a simulation of ‘rationality’ with the expansion of applications into the realm of the expression of emotions and other aspects of human life often seen as ‘irrational’.

We are pleased to announce that the International Conference The Prism of Festivals and Performance Studies: Open Historiographical Questions, organized within the framework of the PRIN 2022 project – Theatre of Festivals between the Local and the Global. Rethinking the Italian Stage between the 1950s and the 1970s, involving the Universities of Rome “Tor Vergata” and Parma, will take place in Rome, at the University of Rome “Tor Vergata”, on 9–10 October 2025.

All details, including the full program and the Book of Abstracts, are available on the dedicated page of the MAP – Interuniversity Research Centre for the Memory of the Performing Arts website at the following link:

Victorian SoundingsAuckland University of TechnologyAuckland, Aotearoa/New Zealand, 25-26 June 2026 

Scholars of the nineteenth century have produced ground-breaking work in the interdisciplinary field of sound studies since its inception, and continue to as they help push the boundaries of the field and expand it in intriguing ways. Scholars are now exploring the importance of sound in connection to other areas, such as the interdependence of speaking, writing, reading, and listening; the sonic interconnections between the arts, science, and new technologies; and acoustic mediations in imperial encounters with indigenous peoples.

Irish Studies: Legacies and Futures

Special Issue 3/2026

Studia Universitatis Babeș-Bolyai Philologia

philologia.studia@ubbcluj.ro

Guest editors

Brian Ó Conchubhair (University of Notre Dame) boconch1@nd.edu

Erika Mihálycsa (Babeș-Bolyai University) erika.mihalycsa@ubbcluj.ro

THE BEAUTY OF KILLING FASCISM 

We invite scholars to submit an abstract to ACLA (American Comparative Literature Association), which is an academic society of scholars that focuses on cross-cultural literary studies to promote interactions between literature and other forms of study, such as the arts, sciences, philosophy, and cultural artifacts. 

The conference will take place at the Palais des congrès de Montréal, Montréal, Québec, Canada 

During February 26 - March 1, 2026.

We will begin accepting abstracts between August 26th - October 2, 2025.

Bridging Caribbean Literature and Digital Humanities

Call for Papers: Special Issue of Anthurium: A Caribbean Studies Journal 

Special issue editors: Gabrielle M. Jean-Louis, Michael Soriano, and Kelly Baker Josephs

Deadline for abstracts: 1 December 2025

Full papers due: 15 March 2026

Issue to be published: Fall 2026

This special issue of Anthurium: A Caribbean Studies Journal seeks articles, interviews, and digital project reviews on the critical use of digital humanities methodologies to deepen the study of Caribbean literary works. 

Please Join Salem State University and Bridgewater State University for the 6th annual Master's in English Regional Conference: New England (MERC)

The conference will take place on February 28th, 2026 in person at Salem State University. Directions will be uploaded on our website in the coming weeks. Accepting works in literary studies, critical theory, English education & teaching, creative writing, professional writing, communication, TESOL & Linguistics, as well as rhetoric & composition

Since the 1990s, comics and graphic narratives have emerged as an emphatic media form for exploring the embodied experiences of disability and identity (e.g., Alaniz, Chute, Czerwiec, Dolmage, and Refaie). To date, much scholarship has focused on Anglophone or Euro-American paradigms, leaving significant gaps in our understanding of how disability intersects with race, gender, class, and colonial histories in graphic narratives from diverse contexts. To bridge the gap, this seminar brings together international scholars from multiple disciplines (e.g., comics narratology and 4EA cognition, graphic medicine, posthumanist studies, history, and visual studies) to discuss both established and emerging works, especially those from the Global South.

We invite short abstracts (100-200 words) in response to our call for contributions for an edited volume, ‘The Medieval in Museums’. Please send abstracts by 5pm GMT on Monday 3 November to Fran Allfrey (University of York) and Maia Blumberg (QMUL) fran.allfrey@york.ac.uk ; m.blumberg@qmul.ac.uk. Please be in touch with us to discuss your idea more informally should you wish.

[AAAS 2026] Asian American Literature and the Law

Asian American literature has emerged as a critical site of representation and resistance within the context of over 150 years of exclusionary legal policies targeting Asian communities in the United States. Beginning with the Page Act of 1875 and the Chinese Exclusion Act of 1882, federal legislation systematically constructed Asians as perpetual foreigners, legally ineligible for citizenship and fundamentally “unassimilable.” These exclusionary frameworks extended beyond immigration to encompass alien land laws, antimiscegenation statutes, and labor restrictions that relegated Asian Americans to legal and social marginality.

Submit Here!

Projecting Belief: Cinema and the Re-enchanted World

King’s College London – May 21-23 2026

Conference Organizers – Rachata Sasnanand and Benjamin Y Goff

Call for Papers:

Call for Papers: Teaching Baldwin / Baldwin as Teacher

Debates and initiatives on decolonising knowledge in Africa continue to pay significant attention to the need for increased African/indigenous content in the curriculum as well as raising awareness about biases inherent in historically dominant epistemological paradigms. However, there remains a critical gap regarding theories and theorisation as many African academics continue to rely on colonial western theories, models, concepts and paradigms for research and pedagogical purposes. This can be due to a lack of awareness of existing African-centred theories and the dearth of databases focusing on African-centred theories.

The Ninth Faulkner Studies in the UK Colloquium

The Dark House: Absalom, Absalom! at 90

May 2nd and 3rd, 2026

Online via Zoom

With keynote addresses by:

Professor Mary M. Burke

(author of Race, Politics, and Irish America: A Gothic History [Oxford UP, 2022])

and 

Dr John Michael Corrigan

Gentle Reminder: Abstract due 30 September 2025

Dominican Theology and Practice:
The Past 100 Years
Friday, February 27-Saturday, February 28, 2026
Albertus Magnus College (New Haven, CT) Call for Papers: Dominican sisters and friars, their communities, and their collaborators have made monumental contributions to theological thought and pastoral ministry in the 20th and 21st centuries. This conference seeks to explore how Dominican theology and practice has shaped contemporary theology, ministry, and social engagement over the past hundred years.

We welcome submissions for 20-minute papers that examine Dominican theology and practice. Topics might include (but are not limited to):

“Autofiction was fun,” laments Lauren Oyler, in a 2018 review for the Baffler, “while it lasted, but a self-conscious movement based on the lives and reading lists of young urban artists was never going to break new ground; nor did it give the reader a reason to jump out of bed in the morning." As a form (or a genre – as Oyler points out in an extended essay on the subject, these terms are often used interchangeably, although she favours the former), autofiction first came into being almost fifty years ago, coined on the back cover of Serge Doubrovsky’s Fils (1977) as “autobiography?

submission link: https://www.acla.org/seminar/8f71b36f-66a1-437f-bb70-25512282c0b6