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CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Edna O'Brien: New Critical Perspectives (7/29/05; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Maureen O'Connor

Call for contributions to the volume of essays, Edna O'Brien: New Cri=
tical Perspectives=0D=0A=0D=0AIn addition to selected papers from the=
 international conference, Edna O'Brien: A Reappraisal (held at the N=
ational University of Ireland, Galway, 23 April 2005), we would like =
to include further contributions from O'Brien scholars that are appro=
priate to the aims of the edition. =0D=0A=0D=0AAims and Intentions:=
=0D=0A=0D=0AEdna O'Brien's writing has always provoked controversy, f=
rom her earliest The Country Girls trilogy to her more recent books o=
f 'faction', In the Forest and Down by the River. Critical responses =
have been divided between those who see her writing as populist and s=

CFP: The Cultural History of Reading: World Literature (7/10/05; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Gabrielle Watling

Contributors Sought
Project Overview
The Cultural History of Reading (forthcoming from Greenwood Press, 2007)
examines written documents (books, pamphlets, treatises, plays, poems,
essays etc.) that shaped, and were shaped by, crucial cultural events
throughout the world and in the United States.

CFP: The Cultural History of Reading: World Literature (7/10/05; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Gabrielle Watling

Contributors Sought
Project Overview
The Cultural History of Reading (forthcoming from Greenwood Press, 2007)
examines written documents (books, pamphlets, treatises, plays, poems,
essays etc.) that shaped, and were shaped by, crucial cultural events
throughout the world and in the United States.

CFP: Literature and Photography (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Zoe Trodd

Please submit papers for a panel on Literature and Photography at the
upcoming Modern Language Association (North East) conference in
Philadelphia, March 2-5 2006.This panel will explore how American
writers have responded to photography: authors have explored word as
camera and image as pen, and we'll discuss the camera-eye aesthetic in
American fiction. Possible points for departure might be:

How has photography impacted the novel's position as history and
writers' philosophies of history, and what did writers do about their
senses of the past, approaches to time, and philosophies of history, in
the light of photography?

CFP: Literature and Photography (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Zoe Trodd

Please submit papers for a panel on Literature and Photography at the
upcoming Modern Language Association (North East) conference in
Philadelphia, March 2-5 2006.This panel will explore how American
writers have responded to photography: authors have explored word as
camera and image as pen, and we'll discuss the camera-eye aesthetic in
American fiction. Possible points for departure might be:

How has photography impacted the novel's position as history and
writers' philosophies of history, and what did writers do about their
senses of the past, approaches to time, and philosophies of history, in
the light of photography?

CFP: D.H. Lawrence and Attachment (8/31/05; 20th-C. Lit., 2/23/06-2/25/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Ronald Granofsky

Please post the following Call for Papers:

"D.H. Lawrence and Attachment" (any aspect of attachment: e.g.
psychological, material, social) for a panel at the 34th annual
Twentieth Century Literature and Culture Conference. University of
Louisville, Louisville, Kentucky, February 23-25, 2006. Submit a
250-300 word abstract (double-spaced and titled). Previously presented
or published papers are not elibible. Deadline is August 31, 2005.
Abstracts/queries to Ron Granofsky, Department of English, McMaster
University, Chester New Hall 321, Hamilton, Ontario, Canada L8S 4L9.
granofsk_at_mcmaster.ca Tel: 905-525-9140 ext 24492 Fax: 905-777-8316.

Thank you.

CFP: Converted Spaces: Religion and Spatiality (9/1/05; journal issue)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Duane Corpis

For an upcoming issue of the journal Radical History Review that focuses on religion and politics, we invite authors to write and submit short articles or essays (12-18 pages, double-spaced) to be published in a special forum exploring the theme "Converted Spaces." We envision the forum to include 3-5 pieces that explore the following questions:

How do physical spaces (buildings, streets, shrines, natural landscapes) function as sites of contestation among competing religious groups? How do such sites accommodate multiple religious faiths?

CFP: Fishing the Angles: New Writing about Fly Fishing (10/10/05; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lowell Mick White

Fishing the Angles: New Writing about Fly Fishing (10/10/2005;
collection)
 
As fly fishing drifts downstream into the 21st century, anglers are
faced with overcrowded streams and lakes, declining water quality, and
political and cultural marginalization. In spite of this, we fish.
Why? What do we get out if it? This proposed collection, *Fishing the
Angles: New Writing about Fly Fishing*, is looking for works that
capture the meaning and magic(or the lack of meaning and magic) of fly
fishing, works that explore, transgress, and subvert this most literary
of "Outdoor Sports." Tell us-show us-what fly fishing means and how it
works.
 

CFP: Converted Spaces: Religion and Spatiality (9/1/05; journal issue)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Duane Corpis

For an upcoming issue of the journal Radical History Review that focuses on religion and politics, we invite authors to write and submit short articles or essays (12-18 pages, double-spaced) to be published in a special forum exploring the theme "Converted Spaces." We envision the forum to include 3-5 pieces that explore the following questions:

How do physical spaces (buildings, streets, shrines, natural landscapes) function as sites of contestation among competing religious groups? How do such sites accommodate multiple religious faiths?

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