Call for Papers: 2022 Situations International Conference

Global Content Provider:

Korean Film and TV Drama as Industry and Entertainment

21-22 October 2022, Jeju, South Korea

Call for Chapters
Clio Reflects. XXI Historical Fiction by Women and on Women
(tentatively by Bloomsbury)
 
 

The journal is seeking submissions of between 6000 and 8000 words on the topic of "monsters" or "monstrosity" in artworks intended for children.  The works can be from literature, but also from film, internet, or other media, in any national tradition or historical period.  Submissions may include inquiries into how the monstrous or the figure of the monster functions metaphorically, or otherwise serves to interpret or mediate the adult world to children. The deadline for submissions is 30th April 2022. 

Seeking papers on representations of new economies and working conditions in solarpunk literature and art. How can labor be reimagined in a post-capitalist world focused on community, environment, and social justice? 250-word abstract and bio

Deadline for submissions: Friday, 18 March 2022

Heather O'Leary, Illinois SU (hmolear@ilstu.edu) CFP on MLA23 website: https://mla.confex.com/mla/2023/webprogrampreliminary/Paper19525.html

EMPHASIS ON 'RE': REREADING AS A CATALYST FOR CHANGING THE 'ORIGINAL' READING EXPERIENCE

The Palgrave Handbook to the Ghost Story 

This handbook seeks to open new conversations about the ghost-story form. It is open to all media, genre, and disciplines - fiction, nonfiction, theatre, cinema, video games, podcasts, graphic novels, musicals, and so forth - as well as spaces and time periods (antiquity to the present).

 Chapters will provide a new angle, intervention, or perspective on various aspects of the ghost-story tradition. These can be thematic, author-based, chronologically centred, or narrative-based.

Call For Papers: John Singleton: The Soulful Director [Spring 2022 release]

Abstract Deadline March 25, 2022

Manuscript Deadline [entension available]

Brief Description:  

After D. H. Lawrence’s mother died, his father “struggled through half a page” of The White Peacock. After he had finished reading, he asked his son what he had been paid for the novel. When Lawrence told him his father

looked at me with shrewd eyes, as if I were a swindler. “Fifty pounds! An’ tha’s niver done a day’s hard work in thy life.”

LITERARIA invites the submission of articles, shorter essays, interviews, and book reviews offering historical, interdisciplinary, theoretical, and cultural approaches to literature and related fields. 

Submissions should be emailed to editor@newliteraria.com by no later than 30th May 2022.  All submissions must include a cover letter that includes the author's full mailing address, email address, telephone numbers, and professional or academic affiliation.

Articles should be between 3,500 and 8,000 words long (including bibliography and footnotes). Book reviews should be between 750 and 1,500 words.

This book project aims to examine the existence of dogma in literature and some cult texts, and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts and academics. The questions leading up to the volume are varied and their answers require lengthy examination and interpretation. So, this project investigates; Is literature dogmatic? What about literary theories? Can they be dogmatic, too? The answers to these questions are open to clarification, but the responses can also initiate an extensive discussion and manifestation. However, above all, literature does have an aspect that drags the readers, habitually burying them in its pages, and blindly attaching them to itself.

The Rapoport Center’s Working Paper Series -- part of University of Texas at Austin's Center for Human Rights and Justice -- is seeking to publish innovative papers by established and early-career researchers and practitioners. Authors from all disciplines are welcome to submit papers on a variety of human rights and social justice topics. At present, we are particularly interested in papers in line with the Rapoport Center’s current thematic focus on the future of work.

How has the Covid-19 pandemic changed or disrupted the contours of childhood both as a cultural concept and a lived experience? The term childhoods in this panel refers simultaneously to the complex and infinitely varied experiences of people called children while also evoking a shifting set of cultural investments, projections, desires, and disavowals.

Notes from the Field, a publication of the TPS Collective, is now accepting submissions about teaching with primary sources for three series of peer-reviewed blog posts: “Public-Facing Scholarship and Outreach,” “Internships and Long-Term Student Project Management,” and “Accessibility and Access in the Primary Source Classroom.”  These series are intended to highlight a broad range of voices from all sectors of the TPS community.

Series 2: Internships and Long-Term Student Project Management

CALL FOR PAPERS
2022 MMLA Conference’s MVSA-Affiliated Panel

Minneapolis, Minnesota

November 16-21, 2022

“Post-Then” in Victorian Culture

In keeping with the MMLA conference theme, “Post-Now,” the Midwest Victorian Studies Association panel welcomes proposals that explore myriad examples of “Post-Then” moments in 19th century Britain that mirror our 21st-century “Post-Now” movements.

Victorian England was filled with the following “Post-Then” indicators: