Hotel Modernisms, 1890-1950

https://www.hotems.enl.uoa.gr/project-01

Editors: Anna Despotopoulou, Vassiliki Kolocotroni, Efterpi Mitsi

Genocides, Deportations and Massacres: Experiences, (hi)stories and interpretations
International Conference 
14-15 November 2020(Zoom sessions:2 days-Virtual platform:5 days) 

Thematic Approach

The  new International Conference,orgnized by GIRES-Global Institute for Research, Education & Scholarhip, opens the discussion on a highly interesting and complex issue. We live in the most technologically advanced era in human history, offering the unique privilege of access to limitless knowledge and information. Despite the knowledge we have gained from the painful lessons of the past, in many ways we face challenges similar to those of previous generations.

Deadline Extended for Call for Book Chapters for Edited Volume

‘The Gendered Subaltern and the Urban Theatre Space’

deadline for submissions: 

30 November, 2020

full name / name of organization: 

Dr Shuchi Sharma

contact email: 

shuchi.sharma@ipu.ac.in

Research articles are being invited for a peer reviewed edited book to be published by a reputed publisher tentatively in early 2021.   

The Gendered Subaltern and the Urban Theatre Space

  CALL FOR CHAPTER PROPOSALS  [DEADLINE EXTENDED]

 Disease and Discrimination: Sickness and the Woman Question

 Edited by- Dr. Sourav Kumar Nag

Contact mail-womanquestionsubmission@gmail.com

I invite chapter proposals on Marguerite Henry’s Newbery-winning novel King of the Wind for the first in a series of edited collections about Henry’s individual works, edited by Rachel L. Carazo (Northwestern State University).

All areas of study, with a common goal of representing the cultural, social, philosophical, and material significance of King of the Wind are invited to participate.

While writing my graduate thesis, “Conflicting Views of Culture and Power: The Arab World in Marguerite Henry’s King of the Wind”, Dawn Heinecken also published an article about the absence of scholarship on Henry’s works. These proposed collections therefore seek to increase the scholarship available about Marguerite Henry.

Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

The impact of COVID-19 and the threat that it poses to future human experiences has been well-documented in news reports during the past few months. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.

Thus, this collection seeks to balance essays about non-human animals during real-world pandemics, such as the COVID-19 one, with those of their experiences during literary or cinematic ones. The scope of this call for papers is broad and can include topics such as:

Call for Papers

Writing the Pandemonium: Perspectives on Pandemic Literature

Proposals for an edited book/ anthology of chapters on Pandemic Literature i.e. novels, poetry, short fiction pertaining to Pandemic Literature.

 Abstracts for papers on George Gissing are sought for a Gissing panel at the Northeast Modern Language Association Conference, to be held March 11-14, 2021. The deadline for submissions has been extended to Oct. 19.  Additionally, the decision has been made to have a virtual NeMLA conference.

To submit you must go to the NeMLA website http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

The representational challenges of climate change, unending environmental disaster, and the Anthropocene have spurred lively debates about realism, its uses or limits, and its antinomies. This seminar seeks to create an opportunity for a comparative aesthetics of realism, and to think deeply about realism and its antinomies in relation to climate change.

The esteemed American Comparative Literature Association’s 2021 Annual Meeting is now fully virtual and will take place April 8-11, 2021. Please find details below about an exciting opportunity to submit a proposal to get involved with the conversation about the ‘contemporary essay’ at the ACLA 2021 virtual conference. 

Panel Title: The Contemporary Essay: How Do We Read Them and Who Are They For?

FORUM Postgraduate Journal Call for Papers 

Issue 31 (2020): Art, Disease, and Expression

Science and art are the very nature of human attempts to understand and describe the world around us. As COVID-19 continues to dominate public discourse across the world - its ongoing effects trickling into every facet of our lives - the relationship between our health and how it affects the way we move through society has never felt more prescient. The 31st issue of FORUM aims to explore what has been identified as ‘sickness’ in literature and art through the years. How have the body and mind been treated by writers, artists, and cultural commentators - in sickness and in health.

      In recent decades, critical theory and scholarship have taken up the category of matter and the material in order to renew interrogations of categories such as the “self” and the “human.” But whereas mid-twentieth century scholarship’s Marxist-historicist turn focused on material circumstances of reading and its social and political effects, these more recent theoretical endeavors – loosely aggregated under the framework of “new materialism” – explore and expand the notion of matter itself: what, after all, is matter, and how does it affect society and its discursive practices? How does it have agency or force, and how does it relate to life, broadly understood?

Call for proposals

The Nonhuman in American Literary Naturalism

Editors: Kenneth K Brandt and Karin M Danielsson

This collection aims to celebrate the work and influence of Michael Bristol by producing new scholarship on Shakespeare, early modern theater, and their enduring and complicated legacy in our modern world. Bristol’s criticism has left a profound impact on the fields on Shakespeare and early modern studies, in particular as it relates to questions of dramatic agency, theory and philosophy, to matters pertaining to the carnivalesque body, as well as to ideas of cultural production.