Space and place continuously serve as sources of inspiration in video games and various other interactive media, within which they have a specific way of representing and operationalizing fear and dread. Interactive works can turn fear into a set of narrative and game design sequences that are problems and solutions for the experience of playing and reading. For example, how to structure attention, limit knowledge, choreograph movement, regulate pace, and distribute safety and danger.

RSTEM symposium 05.02.26

Call for PapersRe-Sounding the Early Modern: Art, Power, and the Global Soundscape of the Dutch Masters

The Texas Tech University Vernacular Music Center, in collaboration with the Talkington College of Visual and Performing Arts and the Louise Hopkins Underwood Center for the Arts, invites proposals for a one-day interdisciplinary symposium exploring the cultural, historical, economic, and sonic worlds of the Early Modern.

Humans have long believed we are distinct from other animals in our rationality, self-consciousness, and use of language. Why, then, do writers, artists, and even scientists so often use anthropomorphism to interpret the behaviors of animals, plants, and even nonliving things such as trains, teapots, and toys? What are the repercussions of this tendency to understand the world in terms of human social and cultural identities?

James Kelman at 80

Conference, Spring 2027, Glasgow

It is well established in research as well as in the social arena that a number of stereotypes are harmful, because they are “preconceived and oversimplified idea[s] of the characteristics which typify a person, situation, etc” (OED 2025, stereotype), and that they lead to biases in the perception of individuals, who are considered on the basis of their membership in a group rather than their individual qualities. Biases may be explicit (“overtly discriminatory beliefs, actions, or institutional policies”), but also implicit, taking the form of “unconscious tacit attitudes and unintentional actions towards a group” (Rutgers 2026) that are likely to be detrimental to the targeted group and life in a peaceful society.

Call for Sessions for the 2026 Heartland AI Symposium 

Event Dates: Nov. 10 – 12, 2026 

General Call 

Call for Papers for the Edited Volume: Visualising Criminality: Crime and Films in the Global South

Special Issue: Journal of Modern Periodical Studies: Wartime Periodicals

Co-edited by Sarah Cornish, Paula Derdiger, and Amanda Sigler

Futuring Poetic Inquiry: A Return and Renewal10th International Symposium for Poetic Inquiry (ISPI) 
Vancouver, British Columbia, Canada 
October 8-12, 2026  Proposal Submissions Due June 1, 2026 - EXTENDEDTo submit a proposal: Please visit the ISPI website for more information and to submit a proposal: ISPI website  

Guest Editors:  

Prof. Om Prakash Dwivedi, Director, Faculty of Humanities and Liberal Arts, Chandigarh  University Uttar Pradesh, India 

Dr. Aditya Anshu, Chair, Department of Social Science, Faculty of International Relations,  Abu Dhabi University, U.A.E.  

Dr. Madhurima Nayak, Assistant Professor, Faculty of Humanities and Liberal Arts,  Chandigarh University Uttar Pradesh, India 

                                  National Identities (Taylor and Francis), Scopus Q1

Concept Note 

“Rhetorical Theory” (Standing Session)
Seattle, WA, Nov. 20-23
Chair: Dr. Ryan Leack (USC)
Email: leack@usc.edu

Abstract

This panel will explore recent movements in rhetorical theory writ large, either in connection with or apart from composition theory and practice. Special attention will be given to proposals that engage with the conference's theme.

Description

CALL FOR PAPERS, ABSTRACTS, AND PANEL PROPOSALS

Midwest Popular Culture Association/Midwest American Culture Association Annual Conference

Friday-Sunday, October 9-11, 2026

Horizon Convention Center | Muncie, Indiana

The Midwest Popular Culture Association/American Culture Association is accepting proposals for the organization’s 50th annual conference this October in Muncie, Indiana. Submit paper, abstract, or panel proposals (including the title of each presentation within the panel) with the appropriate keywords via the submissions website at https://www.mpcaaca.org/submit-panels.

--- DEADLINE EXTENDED UNTIL 25 MAY 2026! ---

You will receive a decision no later that 1 July 2026. 

The conference runs from 29 September - 1 October. On-site attendance only. The conference is held in Aarhus, Denmark. 

See full programme here: https://conferences.au.dk/gastro/programme 

Read more about contributions and send your paper proposal: https://conferences.au.dk/gastro/call-for-contributions 

About the conference

 International Journal of Humanities, Art and Social Studies (IJHAS)

ISSN : 1832-624N 2974-5962 (Print)

https://flyccs.com/jounals/IJHASS/Home.html

*** May Issue*** 

Submission System  

Scope                

"Let Us Tell An Old Story Anew": Revising / Reinventing / Reimagining Disney

Disney’s Maleficent (2014), a live-action retelling of their animated classic, Sleeping Beauty (1957), begins with a narrator challenging us to re-see the stories we’ve been told before. The entire movie, in fact, revolves around correcting past perceptions, ones that Disney originally shaped and is now choosing to reshape. Maleficent is just one example of a spate of live-action remakes and other ways Disney has reimagined itself in the twenty-first century. Such reimaginings invite research into how and why Disney feels the need to make us see them anew.

This session is part of the 2026 PAMLA Conference in Seattle, 11/12-11/15

Call for Papers

Encountering the Human(ities): Anxiety, Storytelling, Futurity

Department of English and Modern Languages

North South University

Dhaka, Bangladesh

30-31 October, 2026 (Friday-Saturday)

Hybrid Event

This year is the 550th anniversary of William Caxton’s establishment of the first printing press in England in 1476. We invite papers for a two-day conference on Caxton’s career, texts, and contexts. Abstracts of up to 300 words to be sent to shaw.worth@all-souls.ox.ac.uk and jacob.ridley@ell.ox.ac.uk by 10 June 2026.

This is a call for papers for an international edited volume tentatively titled ‘Visual Propaganda in an Era of Instability’. Based on distinct case studies explored in a wide range of book chapters, the main objective of the volume is to analyse the role of the image in driving public opinion and perception. The main historical period under investigation is from 2020 onwards: a time that is marked by significant social, cultural, political and ideological tensions. Whilst visual propaganda is not a new phenomenon, and contributors are very welcome to reference historical precedents, the main focus of the volume will be on the growing impact of visual propaganda since 2020.

Howard University | March 17–18, 2027

Hosted by the Moorland-Spingarn Research Center and the Black Press Research Collective

In March 1827, just over fifty years after the United States Declaration of Independence, Freedom’s Journal, the first Black newspaper in North America, declared: “We wish to plead our own cause. Too long have others spoken for us.”

In March 2027, we mark the bicentennial of the Black Press, celebrating 200 years of Black journalism as one of the most vital and enduring institutions in American public life.

Call for Proposals: Art, Aura, and the Algorithm 2026 PNCA Symposium | October 1–3, 2026 Pacific Northwest College of Art at Willamette University 511 NW Broadway, Portland, Oregon Free and open to the public

Keynote: Sasha Stiles

The Cultures of Philosophy team at the University of Exeter invites proposals for the online workshop Teaching Early Modern Women’s Writing Between Literature and Philosophy: Pedagogy and Practice. The aim of this workshop is to share case studies and best practice regarding the teaching of early modern women’s philosophical writing in HE, across languages, disciplines and national settings. We intend to bring together teachers and researchers in HE with members of subject organisations to reflect on what’s working and what could be changed to improve the visibility of and engagement with early modern women’s philosophical writing, broadly conceived.

Silly Old Bear? A Companion to Adaptations, Appropriations, and Transformations of Winnie-the-Pooh

Organized by the Monsters & the Monstrous Area of the Northeast Popular Culture Association (NEPCA)

Please submit proposals by 1 August 2026

We are pleased to announce an open call for bids to host the 2027 Post45 Graduate Symposium. The Post45 Graduate Symposium is a two-day event, typically held in Spring, which brings together graduate students and faculty members working on post-1945 arts, literature, media, and culture. Around fifteen graduate students each submit a work-in-progress and convene in a workshop-style setting along with faculty respondents to discuss each participant's work.