Queer Ecologies Across Socialisms 

15-16 October 2026

University of Regensburg, October 15-16, 2026 | CfP deadline: Feb 15, 2026
Organizers: Martyna Miernecka, Paweł Matusz

In literary and arts research on socialist worlds, both queer studies and environmental histories have been expanding – yet we still lack approaches that would systematically integrate these strands across global state socialisms. This conference responds to that gap by inviting work that reads queer practices alongside institutional and environmental policies and traces the queer ecological impulses emerging from socialist contexts across the globe.

The International Congress on Narrative and Aesthetics in Film, Series, TV, and Audiovisual Experimentation is a platform for discussion and dissemination of studies and projects related to audiovisual creation in its various areas of production and distribution. It encompasses research related to cinematography and film history across a wide range of fields (sociology, industry, aesthetics, etc.), formats (fiction, documentary, animation, music videos, etc.), and genres (from thrillers and comedies to the connections between film and comics or video games).

Osgood Perkins is emerging as one of the most significant directors of horror in the 21st century. His films are wildly diverse and have elicited an equally wild diversity of response from viewers and critics. Perkins has thought a lot about horror, has frequently spoken about its larger meanings in interviews, and is committed to its centrality as a genre – something he articulates in this 2025 conversation with Interview Magazine:

The Department of English and Cultural Studies, School of Humanities and Performing Arts, CHRIST (Deemed to be University), Delhi NCR Campus, is hosting its 3rd International Conference on Global Digital Cultures: Texts, Technologies, and Audiences (Hybrid Mode). 

Date: 23 - 24 February, 2026

In the era of rapid technological change, digitalization, globalization, and platformization are reshaping film, media, and creative industries. This conference critically explores the intersections of texts, technologies, and audiences in global digital cultures, with a focus on South Asia and the Global South.

Call for Papers: Perspectives on Netflix’s Ripley

I am pleased to announce a call for papers for the first edited volume devoted to the Netflix limited series Ripley (Zaillian, 2024). Perspectives on Netflix’s Ripley seeks to explore the myriad ways in which this striking adaptation reimagines Patricia Highsmith’s iconic character for a new era of streaming television. I invite proposals from scholars, practitioners, and critics whose work engages with adaptation, media studies, sexuality, and screen cultures.

About the Volume

DEADLINE EXTENDED UNTIL THE 29TH, JANUARY 2026

“Violence in the Medieval and Early Modern North”

Aberdeen Medieval and Early Modern North Conference

University of Aberdeen, Scotland

Since September of 2025 the English Department at Carnegie Mellon University has housed a new publication called The Pittsburgh Review of Books (or PRoB), available at http://www.pghrev.com

Edited by author and Public Humanities Special Faculty Ed Simon, PRoB is a home for engaged, creative, and interdisciplinary cultural criticism and analysis across the humanities. The tone of the publication is similar to other para-academic publications intended for both specialists and a general audience. Currently we are particularly interested in analysis that intersects with breaking news that can be produced by scholars quickly.

The paradigmatic scene in a Western – witnessed in numerous movies, such as High Noon (1952), The Gunfight at the OK Corral (1957), or Tombstone (1993), as well as in classic western novels, such as Louis L’Amour’s The Lonesome Gods (1983) or Larry McMurtry’s Lonesome Dove (1985) – is that of a confrontation between a sheriff and a bandit: it suggests the forces of civilization taking hold on the frontier, even if tentatively, and ultimately a triumph of the order imposed to protect those in need of protection.

Journal of Gaming and Virtual Worlds 

Special Issue 3/2026

“Save State: Ethics, Politics, and Poetics of Game Preservation”

Guest Editors: Paweł Frelik (University of Warsaw), Magdalena Kozyra (SWPS University), Tomasz Z. Majkowski (Jagiellonian University)  

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

The organizers the University of South Carolina Beaufort's Interdisciplinary Studies Conference, "Balm: Binding Art, Life, Medicine," invite proposals for this year's event. This interdisciplinary conference on Narrative Medicine and Health Humanities will be held virtually on Thursday, March 26th and on the Bluffton campus on Friday, March 27th.  We are extending the submission deadline from February 1st to February 15th to allow undergraduate scholars to generate potential contributions. Topics of Interest

We welcome interdisciplinary proposals that explore, interrogate, or illuminate the central theme, including but not limited to:

Call for Papers and Workshops: “History up for Debate: Literature, Storytelling and the Imagined Past” 

1-2 July 2026, University of Salzburg, Department of English and American Studies, Unipark Nonntal 

Conference within the Framework of the Salzburg Conferences on English Literature and Culture (SEC) 

Organisers: Dorothea Flothow, Julia Hartinger, Sarah Herbe, Christopher Herzog, Eva-Maria Kubin, Markus Oppolzer, and Elisabeth Schober 

***DEADLINE EXTENDED TO JAN. 15th 2026***

Medieval Engagements with Disability

This edited volume aims to explore the concept of veleno, that is poison, in its material and symbolic
dimensions, examining how it functions as a cultural construct and/or a discursive category within
Italian literature—considered in dialogue with cultural practices and discursive uses of language—
from the Middle Ages to the contemporary period.
Across Italian cultural history, poison operates on a threshold between pharmakon (in its Derridean
sense) and toxin, between language that heals or contaminates, between scientific knowledge and
moral accountability. Far from being confined to medical or chemical meanings, poison emerges as a

Proposing a panel or panels on postmodern-era US Fiction for this year’s American Literature Association Conference, which will happen in Chicago from May 20-23.

A one-day symposium hosted by the Contemporary Intimacies, Sexualities and Genders (CISG) Research Group at Manchester Metropolitan University. 

22 April 2026 10-4, Manchester Metropolitan University, Oxford Road, Manchester, M15 6EB. 

Critical Studies on Bianca Pitzorno, edited by Anna Finozzi and Dalila Forni

Hello,

The University of British Columbia is currently seeking educational materials to populate our Pop Pedagogies Archive page. This will be an open-access resource library for educators teaching students at a variety of levels. We are looking for contributions of teaching materials relevant to the intersection of popular culture and education. Submissions can range from course syllabi to individual lesson plans and unit outlines. All contributors will retain the rights to their submitted materials. 

Call for Papers for an Anthology

“The Colours of Pride: Queer Identities in Literature and Culture”

Submit to minimelow2025@gmail.com

Submissions close on 15 January 2026

Submit your paper to: minimelow2025@gmail.com  

Papers are invited for an anthology to be brought out by a reputed international publisher on the theme, “The Colours of Pride: Queer Identities in Literature and Culture.” 

A small forest area that holds ecological, historical, cultural, religious and spiritual value, and is protected by the local community, can be understood as a ‘Sacred Grove’. The term ‘sacred’ signifies the importance of these groves as they protect different species despite depletion of forest areas around them. The prohibition to collect or remove any resources from these sacred groves conserve plants, parasites, animals, herbs, and even maintain the water and soil compositions (Khan et al, 2008). As a result, these sites serve as living records of geographical and ecological past, making them invaluable spaces for scientific research.

The African American Literature and Culture Society invites abstracts (of no more than 250 words) for presentations at the annual conference of the American Literature Association (http://americanliteratureassociation.org/). We will also consider a limited number of panel proposals (of no more than 500 words).    

The Medieval Comics Project would like to organize a session on comics for the 46th Annual Medieval and Renaissance Forum to be held at Keene State College in Keene, New Hampshire, on Friday and Saturday, 10-11 April 2026.

Presentations can be in-person or remote. 

Possible topics might include 

• “comics” of the medieval and/or Renaissance eras

• comics adaptations of medieval and/or Renaissance literary texts

• comics depictions of medieval and/or Renaissance historical events

Call for Proposals –- Oxford Handbook of the Harlem Renaissance

Text and Texture: Rethinking Materiality in Adaptation Studies

[Edited Collection]