Submit abstract here: https://cfplist.com/nemla/Home/S/20018

What is resilience for people with disabilities? What is recovery? 

Narratives of illness, trauma and disability are often framed to emphasize recovery. Reflecting on resiliency, constructed ideas of normalcy, and “crip time,” Ellen Samuels writes: “Disability and illness have the power to extract us from linear, progressive time with its normative life stages and cast us into a wormhole of backward and forward acceleration, jerky stops and starts, tedious intervals and abrupt endings” (2017). 

Osmosis: Interdisciplinary Approaches in Human Sciences

Dates: 16 & 17 November 2022

Keynote Speaker: 

Day 1 - Professor Michael Keith, PhD

            School of Anthropology and Museum Ethnography, University of Oxford, UK

Day 2 - Professor Kaiser Hamidul Haq, PhD 

            Poet, Translator, and Critic 

            Professor, Department of English and Humanities, University of Liberal Arts Bangladesh, Bangladesh

(Revised) Call for Book Chapters

Queer Visuals: Gender, Sexuality and Indian Cinema

‘Toxic’! Toxicity In-Between the Humanities and Natural Sciences // 18 Nov. 2022 (09.00-17.00 CET)

Toxicity and intoxication surround us: If anything, the resurgence of the terms in the late 2010s reminds us of this statement’s basic truth. Toxic masculinity, for example, has become a rallying cry against problematic gender norms, while Britney Spears’ 2003 mega-hit ‘Toxic’ has become a queer anthem conjuring the ‘poison paradise’. The future of our planet is decided at the dead banks of toxic rivers, with people living on toxic soil and drowning in an increasing mass of toxic waste. In the Western world, lifestyle-gurus promise ‘mental detox’ while an opioid crisis ravages the United States.

The Societas Ovidiana welcomes proposals for a panel on "Good and Bad Ovids in the Middle Ages" at the 58th Congress on Medieval Studies (May 11-13, 2023). This panel will be held virtually.

Proposals should be submitted by September 15, 2022, at https://wmich.edu/medievalcongress/call.

[Click for full CFP]

Session 2: GOOD AND BAD OVIDS IN THE MIDDLE AGES

The Film Education Journal (FEJ) is the world’s only publication
committed to exploring how teachers and other educators work with film,
and to involving other participants – policymakers, academics,
researchers, cultural agencies and film-makers themselves – in that
conversation. The journal publishes a range of article types, aimed at
reaching our diverse academic and practitioner audience.

The Film Education Journal welcomes submissions for its next issue.

The deadline for article submissions is Monday 15 August 2022. If you
would like to submit but need more time, please contact us and we will
assess whether a suitable timeline can be agreed.

Cinema’s Natures: Comparative Approaches to Ecocinema

Film scholars are today well aware of cinema’s multiple connections to the so-called “natural” world. From the very beginning, the medium’s technical affordances allowed it to draw attention to the hitherto unseen aspects of our environments, showing us in close-up and time lapse the minutiae of animal and plant life – what Siegfried Kracauer famously called the “reality of another dimension” (1997). More fundamentally, cinema’s longstanding dependence on a congeries of natural resources – silver, petroleum, gelatine – and the effects on screen of its inescapable “hydrocarbon imagination” (Bozak 2011), situate it both with and against the world it depicts.

The following CFP is for a proposed panel on the work of Barbara Cassin, for the 2022 Australasian Society of Continental Philosophy (ASCP) Conference, to be held at the University of Melbourne, Australia, from November 28-30. 

Barbara Cassin: The Sophistic Effect and the Tongues of Philosophy

CALL FOR CHAPTER PROPOSALS - EXTENDED DEADLINE

Please find call for chapters for our forthcoming book: ECO-CONCEPTS: Critical Reflections in Emerging Ecocritical Theory and Ecological Thought to be published by Lexington Books (Rowman & Littlefield) in 2023.

****DEADLINE EXTENDED*****

Co-Editors Dominick Grace and Eric Hoffman (Dave Sim: Conversations, Chester Brown: Conversations, Seth: Conversations, Jim Shooter: Conversations, Steve Gerber: Conversations, Approaching Twin Peaks: Essays on the Original Series, and The Canadian Alternative: Cartoonists, Comics, and Graphic Novels) seek original, previously unpublished essays on the work of Dave Sim for a book of critical approaches on Sim, tentatively titled Dave Sim: Comics Iconoclast, to be published by McFarland.

This panel reflects on the cinematic representations of historical traumas in Soviet and post-Soviet cinema and their impact on the Russian collective memory and national identity.

General Issue Call for Submissions: Deadline November 15th, 2022
Call for Submissions: Sections of the Journal

The Journal of Interactive Technology and Pedagogy
General Issue

Issue Editors:
Courtney Dalton, Simmons University
Benjamin Miller, University of Pittsburgh
Mike Rifino, The Graduate Center, CUNY

CALL FOR ABSTRACTS Journal of Comparative Literature and AestheticsSpecial Issue: New Perspectives in African Philosophy  Guest Editor: Adoulou N. Bitang (Tel Aviv University, Israel) For over three decades, from the middle of the 20th century onward, reflection about African philosophy revolved around the question of its existence or non-existence (following that of the capacity of Africans and Blacks to philosophize), or the other question of its nature (i.e., its characteristics, especially in relation to European philosophy). To a certain extent, African philosophy is still concerned with these questions today. For the most part, this treatment of African philosophy has a colonial background and bears a colonial flavor.

From Sabrina to Supreme, there are plentiful modern representations of the witch in popular culture, each exuding singular or group-sourced power borne from traditions of centuries-past, as manifested in literature, television, film, or local lore. But what about the lesser-known witches, those who practice and represent branches of witchcraft rarely examined within the subcultural analysis or fandom?

This panel examines portrayals of lesser-known witches and how their quiet unconventionality, even within the broader occult subculture, might inform scholarship, practice, and preservation. What can we learn by examining lesser-known witches or unconventional representations of the witch?