How have transatlantic imaginaries and networks played a central role in the construction of hispano-americano and Latinx identities? How have these identities embraced the political causes of the black diaspora, like antislavery, civil rights and Black Lives Matter? To what extent have artists, writers and activists triangulated the Americas, Europe and Africa in their transatlantic imaginaries? 

This panel addresses epistemic inequality in literary studies: the categories, theories and methods through which we read and conceptualize literature are still determined at the center of global academic production, while peripheral epistemologies often do not circulate beyond national borders and therefore do not take part in the shaping of the discipline.

In the last decades, the multiplications of works in the field of Witchcraft Studies made it possible to profoundly renew the approaches and the study designs of the repression of witchcraft in the late Middle Ages and in the beginning of the Early Modern Era. Consequently, research has substantially specified the methods and configurations (ideological, political and doctrinal) that contribute to the genesis of the “witch-hunt”. Research also uncovered that the repression of witchcraft could take a number of different forms depending on the contexts, the spaces studied, the sources and the aims they seem to pursue. It underlines the extreme plasticity of the accusation of witchcraft and the categories of such a crime.

Proposals are invited for a volume in the MLA's Approaches to Teaching World Literature series entitled Approaches to Teaching the Works of Jorge Luis Borges.

Essays in this volume could address teaching Borges's work by focusing on topics such as philosophy, religion, mythology, detective fiction, gender relations/gender conflict, politics, the fantastic, history, popular literature, film and other arts, translation. Borges’ works are taught in so many different courses and contexts (Modern Languages, English, History, Philosophy, Religion) that we welcome essays teaching Borges in non-traditional settings or to non-literature students. Contributors are also invited to propose essays on topics not mentioned above.

The SWCA Board is excited to announce that the 2021 Southeastern Writing Center Association conference will be held fully online. Join us Feb. 11-13, 2021, to discuss the transformations writing center professionals and the field undertake during times of crisis and trauma. The COVID-19 pandemic, racial injustice, social unrest, natural disasters, and significant changes in the structure and leadership of higher education have greatly accelerated the pace of these changes and prompted all of us in the writing center field to reconsider many aspects of our approaches to writing center work and everyday operations. Writing center professionals are called not just to react, but to proactively transform their identities, missions, and services.

Great Writing International Creative Writing Conference

24th Annual Conference

Saturday July 10 – Sunday July 11, 2021
- Virtual -

Proposals are invited for presentations at the 24th Annual Great Writing International Creative Writing Conference, to be held Saturday July 10 – Sunday July 11, 2021.

Great Writing 2021 will be virtual and presenters from around the world will be scheduled throughout both Saturday and Sunday – this format was used in 2020 and is being expanded this year. The conference will be free and conducted on Zoom.

What sorts of specters haunt the postcolonial realm? How can we conceive of hauntologies that enable us to effectively listen to postcolonial specters? Derrida defines hauntology as a way in which we can learn to acknowledge those things about us or around us that we have forgotten how to notice. He emphasizes that by acknowledging specters, hauntology performs a gesture of “positive conjuration” in which specters are raised to be listened to and not in order to be exorcised. Acting as a disruption to western notions of space and time, specters function as transformative mediums of postcolonial recovery by making space for the co-existence of the past within the present and acknowledging the existence of alternative histories.

Religion and Theatre Focus Group Call for Papers

Association for Theatre in Higher Education (ATHE) Conference

Austin, TX

August 5-8, 2021

RE: ATHE

What does "materiality" mean for the study of literature, culture, and the environment today? Should we replace “outdated” theoretical models (i.e. Marxist materialism) with newer ones or is it possible to establish a productive dialogue between seemingly disparate generations or paradigms of thought?

CFP for the monographic issue Reception of the Romanica Silesiana journal

Poverty: Interpreting the World’s Dividing Line
International Conference

(Due to the high number of proposals we added one more day-Sunday, 25 Oct.)

Thematic Approach

Call for Well-Qualified Guest Reviewers

The international peer-reviewed Creative Industries Journal [CIJ] (Routledge/ Taylor and Francis), now in its 13th volume and approaching its 14th year, seeks to create a pool of guest reviewers, who possess the requisite expertise, to complement our Peer Review Board and Editorial team.

The Kate Chopin International Society is seeking individual proposals for two sponsored panels at the 2021 American Literature Association conference in Boston, Massachusetts, from May 27–30, 2021.

The first panel, a roundtable on “Teaching Kate Chopin,” seeks short (seven- to eight-minute) papers/remarks that address an aspect of or strategy for teaching Chopin’s life or work. Proposals should include a title, your name and affiliation, and a paragraph about your proposed remarks.

The second panel seeks proposals relating to any aspect of Chopin’s life or work. Proposals for presentations no longer than twenty minutes should include a title, your name and affiliation, and a 200- to 400-word abstract.

Date of online conference: 13 – 14 May 2021 

Deadline for submissions: 1 December 2020

Tobias Smollett (1721–1771) probably wrote more words than any other writer in the eighteenth century. This has often been overlooked because the words were not always his own. Smollett laboured over vast works of compilation, including historical works, reviews, magazines, translations and compendiums. Even his novels – which sit a little awkwardly in the stories that have been told about the rise of the novel – embraced a similar practice. As a result, Smollett has never been quite able to achieve the reputation which he rightly deserves – that is, as one of the great literary figures of the mid-eighteenth century.