Call for Submissions to ROMARD: Research on Medieval and Renaissance Drama.

ROMARD is currently seeking submissions for publication in Volume 60. Anyone may submit original work to be considered for publication provided that they hold the authorized copyright for the work. ROMARD welcomes submissions of:

This edited volume examines how sexual violence and feminist interventions in South Asia and the Diaspora have been articulated in literature and popular culture in the context of and in opposition to the #MeToo Movement. The #MeToo has significantly impacted how we understand sexual harassment, rape, and gendered violence, especially in the US.  However, the movement was taken up only briefly by the media and entertainment industry in South Asia and the Diaspora.

In the rapid pivot to remote teaching at the beginning of the COVID-19 pandemic, many instructors turned to tools like Hypothes.is and Perusall that allow students to engage in social reading and annotation. These same tools are also built into many digital editions (like those in Literature in Context) and multimedia scholarly publishing platforms like Manifold and Scalar. The Digital Humanities Caucus calls for presentations on annotation in an eighteenth-century and/or contemporary context.

CFP: Routledge Companion to Cultural Text and the Nation

We invite prospective contributions for the forthcoming Routledge Companion to Cultural Text and the Nation, an exciting new addition to the growing, dynamic book series. 

I am looking for papers for our  panel at  the Annual Convention of the Northeast  Modern Languages Assocation  (NEMLA) to be help at Niagra Falls, Buffalo, NY March 23-26, 2023.

Asia in popular media was predominantly represented as sexually conservative with heterosexual narratives culminating in marriage. The 21st century, however, witnessed a surge of queer depictions that challenged the dominance of the heteronormative. This panel invites papers exploring representations of non-normative sexualities and genders from media industries within Asia. We are seeking in-depth discussions about queer narratives in films – independent as well as mainstream, television programs, and webseries. How do these different media formats shape the queer? To what extent does censorship affect these depictions? What roles do studios/production houses play in crafting queer subjectivities? How is the queer embodied in these narratives?

In a memorable scene from Questlove’s award-winning documentary, Summer of Soul about the Harlem Cultural Festival (1969), singer Nina Simone performs “Backlash Blues,” a poem by her friend Langston Hughes. Five decades later, Beyonce performed a rousing version of “Lift Every Voice and Sing,” for her Homecoming tour in 2019. The poem, affectionately called the Black National Anthem, was originally written by James Weldon Johnson in 1900. Across these multiple decades, (and long before) African American musicians have invoked Black Literature, while African American writers have referenced Black music.

Where were you when you got an email from your institution in spring 2020 that you would have to move your courses online? How do you address trauma perpetrated against marginalized groups without further traumatizing your students?

Two years into our unprecedented new normal, this round table seeks a clearer understanding of what makes a classroom resilient in the face of unanticipated challenges. Internationally, we face inequity regarding healthcare access, racial disparity in law enforcement and economic standing, and culture wars waged against marginalized identity groups, among an unfortunately long list of other inequities.

In the documentary This Changes Everything, Naomi Klein describes the limits of depicting climate change as the inevitable result of human nature driven by greed and competition. As Klein argues, this story of climate change diminishes social agency, promotes powerlessness, and displaces solutions beyond the repetition of the status quo. Several years later, capitalist realism and apocalypse remain primary modes through which climate futures are envisioned in news media, film, television, and literature.

Mid-America Theatre Conference (MATC) will be holding its 43rd Annual Meeting at the Minneapolis Marriott City Center in Minneapolis, MN on March 9 through 12, 2023!

We are seeking proposals for paper and co-paper presentations, round-table discussions, organized panels, workshops, performances, and hybrid presentations that can be linked to the theme IMPOSSIBLE THEATRE broadly construed, from the perspective of historians, scholars, teachers, producers, directors, actors, playwrights, choreographers, movement specialists, scenographers, technicians, designers, dramaturgs, stage managers, and spectators. 

Proposals might engage:

Call for Papers – Special issue of Literature/Film Quarterly (LFQ)

Abuse and Neglect of Minors in Adaptations

CFP: Edited Collection -  Irish Writers and the Civil Service

Jonathan Foster (Stockholm University), Elliott Mills (Trinity College Dublin), and Karl O’Hanlon (Maynooth University)

Victorian Reproductions

Workshop, 24th-25th March 2023 (Johannes Gutenberg-Universität Mainz)

Deadline for proposals: 4 October 2022 (Deadline extended)

UPDATE: AS OF 9/14/2022 THIS SESSION HAS BEEN CONVERTED TO A ROUNDTABLE

Call for Papers for Virtual Session of the 58th International Congress on Medieval Studies to be in a hybrid format Thursday, 11 May, through Saturday, 13 May 2023

Accessing Avalon Today: Best Practices for Connecting Contemporary Readers to Arthurian Texts Online

Sponsored by the Alliance for the Promotion of Research on the Matter of Britain

Contact: Michael A Torregrossa (KingArthurForever2000@gmail.com)

Modality: Virtual