(Call for Chapters: Edited Volume) Horror Capital: Class, Material, and Production Analyses of Horror Entertainment
The cinematic horror genre depends on a system of oppression, domination, and subordination. Although horror is deeply embedded within the politics of representation and social subjugation, we recognize an explicit lack within its scholarship (across disciplines) regarding class and historical materialism. This collected volume, which has emerged after years of collaboration and collective conversations, wishes to remedy this absence: we call for a comprehensive examination of horror as it intersects socio-economic class issues, brutal capitalism, cultural systems of excess, and rugged individualism.