What cultural objects and phenomena are designated to be ugly, bad, unacceptable, and monstrous, especially in relation to gender, sexuality, disability, race, class, and caste? Whose histories are marginalized or overlooked because of their perceived bad taste, abject existence, and the taint they leave on supposedly beautiful, grand narratives of nationhood, well-being, or progress? How do kitsch, camp, and excess function in the realms of activism in contemporary politics? How do nasty, revulsive art, literature, and performances act as sites that engender questions that push boundaries of societal mores and cultural hierarchies?