“Beating My Head Against the Wall “: Legitimacy, Authority, and the Canon in American Music and Dance (19th-21st Centuries)
At first, America was convinced of its utter illegitimacy as a purveyor of “art” music. In the 19th century, as musical life developed in the United States, and while large American cities built concert halls to house their newly-formed symphony orchestras, the repertoire and the most popular artists remained overwhelmingly European: thus, the Swedish soprano Jenny Lind (1820-1887) – a friend of Felix Mendelssohn, a collaborator of Giuseppe Verdi, and a key figure of the Bach Renaissance – made a deep impression when she toured the country in 1852-2.