invitation to submit proposals for special issues (Archiv, journal [Germany])
We are pleased to announce below CFP:
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Following the first Τ Ε Κ Μ Η Ρ Ι Α Meeting, held in October 2023, and the publication of the Proceedings in December 2024 (https://shorturl.at/FQXE6), the initiative comes to its second edition, offering once again a space for exchange, confrontation and discussion in the wake of interdisciplinarity. Subject of this second Study and Research Meeting will be Greeks and Local Historiography.
The topics of the proposals may include:
Ekphrasis and the Music of Literature: Music, Literature, and the Visual Arts
This roundtable invites proposals that explore the intersection of visual, aural, and verbal frontiers. Although ekphrasis and musical form mirror words, they directly affect the emotions at a primordial level not available to verbal articulation. Ekphrasis translates words into visual images, whereas musical form translates them into sounds and rhythms. What are the differences between these modes of expression and how they affect their audiences? Papers that focus on the relationship of music to literature, the visual arts to literature, or on the interrelations of all three art forms are invited.
Sapphic Echoes: Representations of Female Love and Desire in Global Literatures
This panel asks questions and invites responses that explore representations of female love and desire in global literatures. How have the complex poetics of female love and desire—the desire to have something, or escape something, or punish, or know—been represented over time? What strategies have been employed to subvert literary conventions defined predominantly by male perspectives on home, love, war, victory and loss? How have female characters navigated the interplay between things done (overtly) and thought (covertly) to reveal the inner web of desires, fears and conflicts that constitute a female poetics of love and longing?
We are pleased to announce the Call for Papers for the upcoming "Spatiality and Temporality" International Conference. The conference is addressed to academics, researchers and professionals with a particular interest related to the conference topic. We invite proposals from various disciplines including philosophy, history, sociology, anthropology, culture studies, literature and architecture.
Over the course of the 20th century and into the 21st, cinema, television, and related media have become increasingly central both to individual lives and to the lives of peoples, groups, and nations. Cinema has become a major form of cultural expression and films both reflect and influence the attitudes and behaviour of people, representing their tensions and anxieties, hopes and desires and incarnating social and cultural determinants of the era in which they were made.
Memory and trauma are two deeply interconnected phenomena that have captivated the attention of scholars and professionals across various disciplines. Understanding the complex interplay between these two elements is essential for comprehending how individuals, communities, and societies cope with and recover from traumatic experiences.
The International Conference on "Memory and Trauma" provides a platform for in-depth exploration of these and other aspects of memory and trauma. Through interdisciplinary dialogue, we aim to advance our understanding of how memory influences and is influenced by traumatic experiences, fostering resilience, healing, and justice for individuals and communities affected by trauma.
Decay and destruction have long been sources of fascination, inspiration and contemplation in artistic and cultural contexts. From the crumbling ruins of ancient civilizations to the ravages of time on natural landscapes, from the haunting beauty of abandoned spaces to the transformative power of decay in artistic expression, this conference aims to explore the creative potential of decay and destruction across diverse disciplines and perspectives.
Topics may include, but are not limited to:
Call for Papers: International conference
Flux and Flow in Irish and Scottish Literatures (late-19th century to present)
9-10 April 2026 Boulogne-sur-Mer, France
Keynote Speaker: John Brannigan, University College Dublin
The conference seeks to explore the narratives of displacement and to demonstrate the validity of a cross-disciplinary approach which brings together the historical, cultural, social and literary expertise in the handling of text. The conference will particularly focus on time and space representations and on treatment of the theme of cultural ambivalence and identity conflict. The subject of displacement will be regarded as both a migration, voluntary or forced, and a sense of being socially or culturally “out of place”.
Papers are invited on topics related, but not limited, to:
Multiple environmental crises are increasingly inescapable at both transnational and local levels and the role of the humanities in addition to technology and politics is more and more recognized as central for exploring and finding solutions. Representations of nature’s agency have become central to many studies conducted in literature, culture studies, philosophy, history, sociology or political science. This conference aims to explore the relationship between the physical environment and text in its broader meaning as well as analyse the social concerns raised by environmental crises.
Humankind has always sought to explain its origins and the mysteries of life to map personal and collective boundaries, and to secure its sense of identity through the power of everyday events and occurrences. Exemplary accounts of imaginary happenings and supernatural creatures from a time beyond history and memory explain the genesis of the universe, the making of a living thing, the formation of an attitude or the inception of an institution. The essence of these traditional narratives reflects a certain system of values and code of self-conduct of a group of individuals bound together by social and cultural ties, and the cardinal virtues and vices of human nature captured in a conventional configuration.
Poetry is a constant, being produced by all known civilisations from ancient to modern times. Throughout its extensive history, the individual art of high emotions sublimated into perfect language has approached a vast array of subject matters, including love, war, social issues, the beauty of nature, etc. A particular exercise of the mind and soul, and a unique way of apprehending reality, poetry is a self-sufficient universe that intensifies and enlarges life experience. Pointing to inner knowledge rather than real circumstance, it activates different layers of perception, sweeps away human thoughts, feeds emotions and soothes suffering.
The conference invites academics, researchers and professionals to critically examine the evolving concept of gender in its many forms and contexts. The conference seeks to explore the past and present dimensions of gender identity across the globe, analyse how societal structures are shaped by and shape gender and consider the role of gender in the broad spectrum of human experience.The theme, Que(e)rying Gender, highlights the importance of questioning, expanding and disrupting conventional understandings of gender. It emphasises the intersections between gender, power, identity and culture, encouraging innovative approaches to understanding how gender influences lived experiences and societal norms.
Beyond the Anthropocene: Special Issue of ASAP/Journal
https://asapjournal.com/call-for-papers/
Special Issue Editors: Sarah Dimick and Ben Stanley
ABSTRACT SUBMISSION DEADLINE: July 31, 2025
ESSAY SUBMISSION DEADLINE: 15 January 2026
(Call for Paper & Podcast ) - Peter Lang
Victorian literature is being fundamentally reimagined. What was once read through the lens of industrial realism, imperial narration, and bourgeois decorum is now being reassessed through new critical modes such as Animal Studies, Environmental Humanities, Food history, Ecocriticism, and Postcolonial re-readings. The aim of Rewriting the Victorian Imagination: Fables, Flesh, and Fluidity in Nineteenth-Century Literature is to consolidate and advance these reconfigurations by drawing together new research that unsettles the stable categories through which the “Victorian” has traditionally been understood.
Conference online (via Zoom): 3-4 July 2025
CFP:
This panel seeks papers for the Renaissance Society of America’s annual meeting (February 19–21, 2026, San Franscico, California). It explores an overlooked poetic genre: the prefatory poem of the early printed book for the It considers such appendages as simultaneously occupying the niches of text and paratext: discrete units which both conform to the structural and aesthetic constraints of poetry and adorn a corresponding, substantive text. These poems are at once ubiquitous and neglected, appearing in books of nearly all genres: from the luxury atlas to the sailing manual; from the personal devotional to the folio Bible; from the illustrated epic poem to the clinical legal handbook.
This call for papers seeks to explore the rich and complex intersection of philosophical inquiry and narrative accounts of trauma and exile. Moving beyond disciplinary boundaries, it aims to investigate how philosophical concepts – such as subjectivity, time, memory, ethics, and belonging – are challenged, reshaped, and illuminated through the lived experiences and narrative expressions of those who have endured trauma and/or forced displacement.
2025 Dress and Body Association Conference
CALL FOR PAPERS
The Dress and Body Association invites submissions for the organization’s sixth annual conference, which will be held on November 1-2, 2025. Consistent with our long-term goals for inclusivity and sustainability, all activities will be 100% online.
Join our Google Group to learn about opportunities and converse with members of the DBA year-round! Email to request membership: dress.body.assoc@gmail.com.
Comfort and Joy: Locating Hope in Dress and the Body
XXVIII Generative Art conference.
topics: Human Culture & AI in GA worthiness. The theme of this conference focuses on how to preserve human complexity, with Generative Art and AI.
Art, poetry, music, architecture, and historical cities need generative ideas to adapt to the deep new demands of our fast-changing times.
Our field of interest is to identify these possibilities and relate the most advanced creative approaches of Generative Art and AI.
We will be happy to present your generative approach. This can be done through generative ideas that could safeguard specific identities of Art, Nature, Environments, and History.
This virtual global symposium invites presentations that explore all aspects of pregnancy loss: abortion—elective, forced, spontaneous, and therapeutic—as well as stillbirth, highlighting its complexity and diversity.Pregnancy loss is a complex and contentious issue that is garnering increasing public and political scrutiny. Access to abortion—whether available or restricted—entails numerous personal, medical, legal, and ethical considerations related to reproductive justice, women’s autonomy, health, human rights, feminism, and motherhood.
LGBTQIA2S+ public memorialisation and remembrance have become an increasingly visible and contested part of public debate throughout the 21st century. At the sharp end of the “new culture wars”, memorial and remembrance projects engaging with queer subjects or themes often find themselves at the forefront of the ongoing question of who or what should be commemorated in our public spaces, and how. As such, memorialisation across the world is witnessing a re-configuring of its frameworks, with nation-states and their opposing counter-narratives in a sometimes bitterly-contested dialogue.
Global K-Culture Conference
August 28 (Thu) ~ August 29 (Fri), 2025 (2 days)
Chungbuk National University, Korea
https://kculture.chungbuk.ac.kr/
The Department of Global Korean Culture at Chungbuk National University is pleased to invite submissions for the upcoming Global K-Culture Conference, which brings together Korean language educators and Korean Studies scholars from around the world. This conference aims to foster meaningful dialogue and the exchange of ideas among instructors and researchers working across diverse educational and cultural settings.
(Im)politeness on Stage
Monday 15 – Tuesday 16 December, 2025
University of Naples L’Orientale
Prospective Essay Volume
Call for Book Chapters
In chapter 4 of The Ambassadors, following a scene that few who have read could ever forget,Strether’s dinner with Maria Gostrey, “whose dress was ‘cut down,’ . . . in respect to shoulders and bosom,” “face to face over a small table on which the lighted candles had rose-colored shades,” and after attending a play in London, Strether outlines the nature of his journey to Paris to Miss Gostrey, who asks whether Mamie Pocock is Chad Newsome’s “own niece.” Strether tries to clarify:
“Oh, you must yourself find a name for the relation. His brother-in-law’s sister. Mrs. Jim’s sister-in-law.”
It seemed to have on Miss Gostrey a certain hardening effect. “And who in the world’s Mrs. Jim?”
The Leon Edel Prize is awarded annually for the best essay on Henry James by a beginning scholar. The prize carries with it an award of $300, and the prize-winning essay will be published in HJR.
The competition is open to applicants who have not held a full-time academic appointment for more than four years. Independent scholars and graduate students are encouraged to apply.
Essays should be 20-30 pages (including notes), original, and not under submission elsewhere or previously published. Please send electronic submssions in Microsoft Word format and a current CV to hjamesr@creighton.edu.
The Charles Olson Society will sponsor a session at the upcoming Re-Viewing Black Mountain College Conference, to be held in Asheville, NC, September 25-27, 2025. In keeping with this year’s conference theme of “Performance at Black Mountain College,” we are especially interested in abstracts that address aspects of performativity in relation to Black Mountain poetics, though more general proposals focused on broader topics within the work of Black Mountain poets, projective verse, or the New American Poetry more broadly construed will also be considered.
The Journal of the Fantastic in the Arts, published since 1988, is an interdisciplinary journal devoted to the study of the fantastic in Literature, Art, Drama, Film, and Popular Media. It is published three times a year by the International Association for the Fantastic in the Arts.
For Authors – Submissions2025 Article SubmissionWindow will open Monday, March 24, 2025,and will close Monday, June 30, 2025.