“Comparative Dylan @ Comparative Drama”

Comparative Drama Conference

Orlando, FL, April 4-6, 2024

Deadline: October 12, 2023

Bob Dylan has been performing on stage for six decades. However, his relationship to other performance arts remains underexplored and underappreciated. This panel will put Dylan’s work as a singer-songwriter and performance artist in conversation with relevant dramatic works, performances, and stage traditions.

Broadly speaking, I am looking for paper proposals in the following areas:

CALL FOR PAPERS
More is More: Maximalism, Materiality, and the Medieval Aesthetics of Embellishment
International Congress on Medieval Studies (May 8-10, 2024, Kalamazoo, MI)

Deadline for abstracts: September 15, 2023 (on the ICMS submission portal)

Deadline: January 15, 2024
THEATRE ANNUAL:  A Journal of Theatre and Performance of the Americas

Call for Articles, 2024 Issue

Call for Papers

Disability Studies Area

Southwest Popular / American Culture Association (SWPACA)

45th Annual Conference, February 21-24, 2024

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

Call for Papers

Adaptation: Literature, Film, and Culture Area

Southwest Popular / American Culture Association (SWPACA)

45th Annual Conference, February 21-24, 2024

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

We are seeking participants for this seminar at the ACLA meeting in Montreal, March 14-17. Please submit proposals at https://www.acla.org/node/42839

ACLA Annual Meeting: Montréal, March 14-17 2024

The act of literary reading implies a commitment to the text, which means making ourselves available and open to its potential and consequences. Indeed, many texts require us to devote careful attention to them and to adopt a ‘vulnerable reading’ stance even though they escape our horizon of meaning. What are difficult texts and how can they be felt as such?

This seminar focuses on the recent (2022) publication of Catherine Malabou’s Au voleur!, which is slated for publication in English translation as Stop Thief! in January 2024. Contributors are invited to present 20-minute responses to Malabou’s book that consider the interdisciplinary relevance of Stop Thief! to contemporary theoretical discourse.  

This call for papers is for a seminar at the ACLA 2024 Annual Meeting (https://www.acla.org/annual-meeting). Therefore, please submit your abstracts through this page: https://www.acla.org/node/add/paper

ACLA 2024: Thinking the “Unthinkable World”: Theories of Horror, Horrors of Theory

American Comparative Literature Association Seminar

Masculinity is in crisis. This comes as no surprise to anyone following current events, taking note that the perpetrators of violent crimes (most significantly mass shootings, terrorism, and domestic violence) are overwhelmingly male. It becomes clear that, despite their dominant status in American culture, a significant proportion of men are lonely, violent, and repressed. 

Remembering “the magic of the B.B.C. box” long after he had left for London, George Lamming described the event of a Caribbean Voices broadcast: “West Indian writers would meet in the same house and listen to these programmes,” absorbing “the curriculum for a serious all-night argument” and then wrangling “among themselves and against the absent English critic.” With venues for print often vanishingly small, radio assumed an outsized importance for postcolonial writers in the middle of the twentieth century, offering larger audiences, steadier remuneration, and programming with a generative mix of stories, poems, drama, and criticism. How did wireless outlets, and networks, shape literatures emerging from the protracted end of European empires?

Cary Nelson’s stance on archival work in his 1989 book Repression and Recovery applies to the intimate, frustrating, and rewarding practice of archival research’s potential to offer literary scholars the chance to rehabilitate both author and text. He states, “For texts previously ignored or belittled, our greatest appreciative act may be to give them fresh opportunities for an influential life. That discourse can include new constructions of the cultural work those texts may have done in their own time” (14). When archival research uncovers voices that showcase underrepresented voices, the outcome is tremendous in how it results in new ways of reading the past in contemporary culture. But what about historically problematic constructions?

The Northeast Modern Language Association (NeMLA) Convention will be held in Boston March 7-10 2024.

We are soliciting papers for our roundtable, entitled "Mentoring Scholars of Color." The roundtable was very popular at last year's session, and we want to resume conversations about best practices for mentoring diverse scholars today. The goal is to create a safe space for scholars of color to meet and discuss the challenges and opportunities in the area of mentorship among scholars of color.