all recent posts

CFP: Regions (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
annhawkins_at_cox.net

Reading the Regions/Writing the Regions/Teaching the Regions

The 37th Annual College English Association Conference
San Antonio, Texas
April 6-8, 2006

Keynote: W. J. T. Mitchell, editor, Critical Inquiry

As regional writing, ecocriticism, and communities become increasingly
important in contemporary culture, the 2006 CEA Conference invites papers
and panels that explore—and celebrate—all aspects of geographical,
historical, cultural, and ideological regions.

CFP: Regions (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
annhawkins_at_cox.net

Reading the Regions/Writing the Regions/Teaching the Regions

The 37th Annual College English Association Conference
San Antonio, Texas
April 6-8, 2006

Keynote: W. J. T. Mitchell, editor, Critical Inquiry

As regional writing, ecocriticism, and communities become increasingly
important in contemporary culture, the 2006 CEA Conference invites papers
and panels that explore—and celebrate—all aspects of geographical,
historical, cultural, and ideological regions.

UPDATE: History and American Modernisms (9/18/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Ben Railton

Please note deadline extension, to 9/18/05.

Modern History: Constructions of the Past in American Literary=20
Modernisms. What role did visions of history play in the formation of=20
and work by American modernist movements (Harlem Renaissance, Southern=20
Renaissance, expatriates, poets, leftists, etc)? How did writers such as =

Hughes, Ransom, Stein, Williams, and Le Seuer construct the past, and to =

what ends? All topics and approaches, including interdisciplinary ones,=20
welcome. E-mail 250-500 word abstracts to Ben Railton=20
<barailton_at_hotmail.com< by=20
September 18, 2005.

[For further possible inspiration, here's the write-up submitted to=20
NEMLA:]

UPDATE: History and American Modernisms (9/18/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Ben Railton

Please note deadline extension, to 9/18/05.

Modern History: Constructions of the Past in American Literary=20
Modernisms. What role did visions of history play in the formation of=20
and work by American modernist movements (Harlem Renaissance, Southern=20
Renaissance, expatriates, poets, leftists, etc)? How did writers such as =

Hughes, Ransom, Stein, Williams, and Le Seuer construct the past, and to =

what ends? All topics and approaches, including interdisciplinary ones,=20
welcome. E-mail 250-500 word abstracts to Ben Railton=20
<barailton_at_hotmail.com< by=20
September 18, 2005.

[For further possible inspiration, here's the write-up submitted to=20
NEMLA:]

CFP: Southwest/Texas PCA/ACA General Call (11/15/05; 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Philip Heldrich

Southwest/Texas Popular & American Culture Associations

27th Annual Conference

Albuquerque, New Mexico, February 8-11, 2006

http://www.h-net.org/~swpca/

 

Panels, round tables, workshops now forming in over 60 subject areas. The SW/TEX PCA/ACA annual conference represents one of the nation's largest gatherings of interdisciplinary scholars:

 

Abstract/Proposals to Area Chairs by 15 November 2005.

See http://www.h-net.org/~swpca/

  

Hotel (book early as space goes quickly):

CFP: Early Tudor (9/15/05; Kalamazoo, 5/4/06-5/7/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Antony Hasler

Early Tudor. Papers on any and all aspects of literature, history and
culture in England from 1485 to 1557. Abstracts accepted through 20
September: Antony Hasler (hasleraj_at_slu.edu) or David Murphy
(murphydt_at_slu.edu). (Panel organized by Center for Medieval and
Renaissance Studies, Saint Louis University.)

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

CFP: Literature for Children and Adolescents (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Kraver, Jeraldine

CFP: Literature for Children and Adolescents

=20

College English Association National Conference

Reading the Regions / Writing the Regions / Teaching the Regions

San Antonio, Texas, April 6-8, 2006

=20

Deadline for all proposals: October 15, 2005

=20

We invite papers/panels on Literature for Children and Adolescents for=20

the 37th Annual meeting of the College English Association. Members of
CEA are a collegial bunch, and we welcome participation by folks outside
English and by graduate students. This year's conference theme is
Regions.=20

=20

CFP: Literature for Children and Adolescents (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Kraver, Jeraldine

CFP: Literature for Children and Adolescents

=20

College English Association National Conference

Reading the Regions / Writing the Regions / Teaching the Regions

San Antonio, Texas, April 6-8, 2006

=20

Deadline for all proposals: October 15, 2005

=20

We invite papers/panels on Literature for Children and Adolescents for=20

the 37th Annual meeting of the College English Association. Members of
CEA are a collegial bunch, and we welcome participation by folks outside
English and by graduate students. This year's conference theme is
Regions.=20

=20

UPDATE: The Teacher's Body (10/15/05; journal issue)

updated: 
Saturday, September 10, 2005 - 4:39pm
Kathleen LeBesco

***UPDATED CFP: New October 15 deadline!!!***

The Teacher's Body
A Special Issue of The Review of Education, Pedagogy, and Cultural Studies
guest edited by Leda M. Cooks and Kathleen LeBesco
Call for Papers

CFP: Technologies of Memory in the Arts (Netherlands) (11/1/05; 5/19/06-5/20/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Edwin van Meerkerk

W/ apologies for cross postings.

47c2aa.jpg

The conference 'Technologies of Memory in the Arts' focuses on art as a
cultural and technological practice to process and construct the past in
the present. Central questions to this conference are: How do art and
artistic practices function as technologies of memory? How are cultural
artefacts implicated in complex processes of remembering and forgetting, of
recollecting and disremembering, of amnesia and anamnesia?

CFP: Technologies of Memory in the Arts (Netherlands) (11/1/05; 5/19/06-5/20/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Edwin van Meerkerk

W/ apologies for cross postings.

47c2aa.jpg

The conference 'Technologies of Memory in the Arts' focuses on art as a
cultural and technological practice to process and construct the past in
the present. Central questions to this conference are: How do art and
artistic practices function as technologies of memory? How are cultural
artefacts implicated in complex processes of remembering and forgetting, of
recollecting and disremembering, of amnesia and anamnesia?

CFP: Technologies of Memory in the Arts (Netherlands) (11/1/05; 5/19/06-5/20/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Edwin van Meerkerk

W/ apologies for cross postings.

47c2aa.jpg

The conference 'Technologies of Memory in the Arts' focuses on art as a
cultural and technological practice to process and construct the past in
the present. Central questions to this conference are: How do art and
artistic practices function as technologies of memory? How are cultural
artefacts implicated in complex processes of remembering and forgetting, of
recollecting and disremembering, of amnesia and anamnesia?

CFP: Computer Culture: Online Publishing (11/15/05; SW/TX PCA/ACA, 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Chaney, Joseph R.

CALL FOR PAPERS: Online Publishing

Computer Culture Area
2006 SWTexas Popular Culture Assoc./American Culture Assoc.
http://www.h-net.org/~swpca/
Albuquerque, New Mexico, February 8-11, 2006

We are seeking individual paper proposals as well as panel proposals
(panels of three or four presenters) on aspects of online publishing. We
would welcome proposals by scholars (including graduate students),
publishers, editors, writers, and artists.

Possible topics include:

CFP: Computer Culture: Online Publishing (11/15/05; SW/TX PCA/ACA, 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Chaney, Joseph R.

CALL FOR PAPERS: Online Publishing

Computer Culture Area
2006 SWTexas Popular Culture Assoc./American Culture Assoc.
http://www.h-net.org/~swpca/
Albuquerque, New Mexico, February 8-11, 2006

We are seeking individual paper proposals as well as panel proposals
(panels of three or four presenters) on aspects of online publishing. We
would welcome proposals by scholars (including graduate students),
publishers, editors, writers, and artists.

Possible topics include:

CFP: Computer Culture: Online Publishing (11/15/05; SW/TX PCA/ACA, 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Chaney, Joseph R.

CALL FOR PAPERS: Online Publishing

Computer Culture Area
2006 SWTexas Popular Culture Assoc./American Culture Assoc.
http://www.h-net.org/~swpca/
Albuquerque, New Mexico, February 8-11, 2006

We are seeking individual paper proposals as well as panel proposals
(panels of three or four presenters) on aspects of online publishing. We
would welcome proposals by scholars (including graduate students),
publishers, editors, writers, and artists.

Possible topics include:

CFP: Lads in Popular Fiction (UK) (9/30/05; 2/18/06)

updated: 
Saturday, September 10, 2005 - 4:38pm
Knowles, Joanne

Association for Research in Popular Fictions

Lads in popular fiction: a colloquium on contemporary masculinity
Saturday 18th February 2006
Liverpool John Moores University, UK

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