A chapter which explores the fiction of middlebrow author Molly Keane (alias: M.J. Farrell) in realtion to the Gothic is sought to round off the edited collection Middlebrow Gothic: Dark Domesticity in British Popular Fiction, 1920-1960.

The original CfP is as follows:

Ecology as Modernity’s New Horizon:

Narratives of Progress, Regression and Apocalypse in the Anthropocene

Editors:Agnieszka Soltysik Monnet & Christian Arnsperger

University of Lausanne, Switzerland

agnieszka.soltysikmonnet@unil.ch         christian.arnsperger@unil.ch

Deadline for submission of article proposal (max. 300 words): November 15, 2020

Seeking proposals for an edited book of chapters on “theatre-fiction”, i.e. novels and stories about theatre.

This panel seeks to investigate cross-cultural and intercultural exchanges in British literature produced by men and women who traveled to and from the Americas (North, Central, and South) during the long 19th century (1750-1900). It provides a critical examination of the ideological underpinnings and socio-political reasoning for the production of British travel narratives as well as the effects they had on the construction of identity, race, and gender in American and British territories during this period. In doing so, we hope to challenge established academic disciplinary boundaries and provide new insights into the intricate relationships between transatlantic literature, identity, and politics.

The concept of evil received much attention throughout the 20th century. Despite the industrial scale atrocities committed in Nazi Germany, Stalinist Russia, and Maoist China, alongside the genocides in Cambodia, Bosnia-Herzegovina, and Rwanda, as well as the explosion of serial killers like Ted Bundy, Jeffrey Dahmer, and Andrei Chikatilo in the latter part of the 20th century, the first two decades of the 21st century have been largely unconcerned with rigorous discussion of such evil.

This panel will consider Jennifer Egan’s work in light of the post-90s literary and cultural movements emerging after postmodernism. While these contemporary trends have different names and aims (post-postmodernism, metamodernism, new sincerity, post-irony, digimodernism, performatism, the neoliberal novel, and many more), they all attempt to critique and move beyond postmodernism in some concentrated way. We invite papers that locate and complicate Egan’s work in relation to these contemporary movements.

ennifer Egan will be the convention's keynote speaker this year.

The James Fenimore Cooper Society Journal is the official publication of the James Fenimore Cooper Society. Published twice a year, this publication promotes the study of the life and works of James Fenimore Cooper (1789-1851). 

Cafe Dissenus Issue 57: January 2021: Epidemics/Pandemics in Literature [Last date for submission: 30 December, 2020; Date of publication: 1 February, 2021]

Guest-Editor: Dr. Nishi Pulugurtha, Associate Professor, Department of English, Brahmananda Keshab Chandra College, University of Calcutta.

In his Funeral Oration, Pericles illustrates the low status of women in ancient Athens, saying “A woman’s reputation is highest when men say little about her, whether it be good or evil.” Despite Pericles’ admonition, women held a central place in Classical literature and mythology, which cast them in a diverse array of roles: goddesses, slaves, mothers, daughters, virgins, whores, and warriors. These depictions laid the groundwork for the representations of women in subsequent literature and have continued to shape our understanding of gender. This session will explore depictions of women and gender in Greco-Roman texts and its impact on the literature of subsequent periods. Possible approaches include by are not limited to:

Color and texture are often perceived as “wallpaper” – a humdrum backdrop against which the action of a literary work unfolds. Charlotte Perkins Gilman’s The Yellow Wallpaper; Ntozake Shange’s For Colored Girls…; and Alice Walker’s The Color Purple, among many others, purposely and effectively challenge such perception. This creative session (re)considers the author as artist, (re)casting color and texture as deliberate, meaningful components of literary experience. Open to considering a variety of authors and genres in relation to its theme, this creative session particularly welcomes papers highlighting color and/or texture as relate to either Gilman, or Shange, or Walker.

This volume intends to offer a systematic re-introduction to feminism’s intellectual legacy.
We encourage an ampler view of feminist theory which extends beyond its production in
the global North and beyond the problematics of location, with the North/South dichotomy
often resulting not only in oppositional notions of agency (active agents vs silent victims)
but also in competing for cultural interests (civil rights and queer theory vs decolonization,
economic justice, and disarmament). One of the aims in reintroducing feminist intellectual
traditions from the perspective of their multiple strands across the globe is to reflect, in as

THE MINEASTRY OF POSTCOLLAPSE ART AND CULTURE: CONTEMPORARY ARTISTS AND CULTURAL WORKERS NETWORKED FOR RESILIENCE BEYOND THE ANTHROPOCENE (VIRTUAL PANEL)

Dear colleagues!

We invite you to participate in the online IV. International Conference on Awareness “LANGUAGE and AWARENESS”. Time: 2-4 December, 2020 (Big Blue Button platform).

The language reflects the essence of a thousand-year existence of a man in society, passed through a time filter. In this regard, a language consisting of tens of thousands of words and forms, delving into the details of its structure and functioning, appears before us as a universal system that controls the existence of people, society, nation and culture.

In the late 70s, the protraction of the Cold War’s tensions and the shift from Fordism towards neoliberal economics reshaped the political and public sphere within the Western block. The traditional spaces of politics lost their pivotal role, resulting in what was perceived as a general crisis of militant politics. In a 2011 interview with Justice spatiale | Spatial Justice, rereading Henri Lefebvre, David Harvey posited that this perception stemmed from the inability of the Left to include the urban dimension in its analytical framework.