Following our first two Youngsters conferences in Vancouver (2016) and Toronto (2019), the Association for Research in Cultures of Young People invites paper, panel, and roundtable proposals for Youngsters 3: Undisciplined to be held at the University of Calgary from June 6-8, 2024.

Youngsters 3 is a celebration of the unruly, the irreverent, and the defiant as these qualities pertain to young people, the social and imaginative worlds they inhabit and create, and the many scholarly discourses that aim to study them.

Call for Papers: Open Library of Humanities Journal Special Collection:

‘Literature as Imaginary Archive: Ephemera and Modern Literary Production’

In the field of Shakespearean studies, attempts to make Shakespeare more accessible to new audiences often include the work of appropriation, adaptation, and translation.

It is often said that well-behaved women seldom make history. Yet, simply because they are not the subject of multivolume biographies does not mean that “well-behaved” women did not have agency in their daily lives. This panel seeks to highlight the agentic force of the medieval women who did not subvert the patriarchal norms of their time. How did medieval women make use of patriarchal norms to their own advantage? Specifically, how did religious women, lay or monastic, live their own lives, create their own spaces, and make their own choices within the medieval patriarchal hegemony?

Though the Internet has been around since the 1980s, the “Internet novel” as a genre has only really emerged in the last decade or so. We can think of Lauren Oyler’s Fake Accounts (2021), Patricia Lockwood’s No One Is Talking About This (2021), and Calvin Kasulke’s Several People Are Typing (2021) as notable recent examples. Each of these novels take as their topic the particular and peculiar confines of the digital world we live in. Lockwood has described this sensation as falling through a “long void that never reaches the bottom,” while Brandon Taylor claims that “the Internet Novel captures some of the weird Gothic horror that white people have come, by way of their new digital Calvinism, to accept as being inherent to digital life.”

Call for Papers
Historical Fictions Research Network Conference
(23 to 24 February 2024, University of Malmö, Sweden)

Conference Organisers: Cecilia Trenter (University of Malmö), Kristina Fjelkestam (University of Stockholm) and Claudia Lindén (University of Södertörn)

CALL FOR PAPERS - 4th HELAAS Young Scholar SymposiumDEADLINE: NOVEMBER 1 

"(E-co)nnections: The Humanities in a Time of Climate Change"

The Hellenic Association for American Studies (HELAAS) and the National and Kapodistrian University of Athens cordially invite you to the 4th Young Scholar Symposium, a hybrid-format event which will take place on March 2, 2024 at the Library Amphitheatre of the School of Philosophy (Athens).

The International Mad Studies Journal Special Issue CFP

Title: Maddening The Academy

Guest Editors: 

Meaghan Krazinski (she/they), Syracuse University

Jersey Cosantino (they/them), Syracuse University

Jennifer Poole (she/her), Toronto Metropolitan University

May Friedman (she/her), Toronto Metropolitan University

Call For Papers:

Rising Asia Journal invites Research Articles on Film Studies in the geographical areas of Southeast Asia, East Asia (Japan, China, the Koreas, and Taiwan), and India's North-East Region, on all aspects of these Asian societies. Authors may use any thematic or theoretical discourse such as gender, race, colonialism and post-colonialism, and others.

Articles should be between 5,000 to 10,000 words in length, with footnotes, and Works Cited.

Authors are urged to visit the journal's website at www.rajraf.org to read the submission guidelines. 

Articles should be original, and should offer a new and innovative perspective.

DEADLINE EXTENDED The Northeast Popular/American Culture Association’s Folklore, Belief and Religion Area welcomes paper submissions for NEPCA’s 2023 fall virtual conference will be held October 12 – October 14, 2023, via Zoom. The deadline for proposals is August 14, 2023.  

First published in 1601, Love’s Martyr is usually read in parts. One part in particular, William Shakespeare’s poem on the phoenix and the turtle-dove, has won the book its lasting reputation – but at the cost  of consigning the rest of it to obscurity. Only over recent decades, with the revival of interest in Shakespeare’s poetry, have scholars found more to say about the collection as a whole. Thanks to them, Shakespeare’s untitled poem – usually known as ‘The Phoenix and Turtle’ – has increasingly been read in the context of the volume’s ‘Poeticall Essaies’, where Shakespeare features alongside John Marston, Ben Jonson, and George Chapman.

Call for Papers

ReFocus: The Films of John Singleton

Editor: Daniel Dufournaud

CFP

59th ICMS, Kalamazoo (May 9-11, 2024)

Manuscript Manifestations: Post-Medieval Perceptions of Medieval Material Culture (I &II)

Sponsored by Stanford Center for Medieval and Early Modern Studies

Deadline Extended: ALL WORK, NO PLAY
Please send proposals by August 14 2023

This is a symposium on pedagogy and the pedagogical imaginary presented by the English and Theatre Studies Program at The University of Melbourne and generously supported by the Shakespeare 400 Trust and the ETS program.

Keynote Speaker: Dr Claire Hansen, The Australian National University

Date: Tuesday 28th of November 2023

Attendance: in-person on the Parkville Campus and virtually via Zoom

https://allworknoplaysymposium.wordpress.com/