It has been more than two decades since Ashraf Rushdy published his genre-defining analysis of neo-slave narratives, which argues that literary artists of the 1960s and 70s became interested in creating fictionalized versions of antebellum slave narratives in order to articulate new understandings of Black political subjectivity that developed during the civil rights era. In the decades following the book’s publication, we have seen a surge of antiracist literature and activism aimed at addressing deadly police violence, mass incarceration, and ongoing discrimination in employment, education, healthcare, and housing opportunities for African-American people.
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
(Narrating) Environmental Displacements:
NeMLA Annual Convention - Baltimore, MD - 10-13 March, 2022
NeMLA Annual Convention - Baltimore, MD - 10-13 March, 2022
How does one resist the systems of subjugation that prey on the marginalized and seek to dissolve and consume them within this white supremacist capitalist imperialist patriarchy? While for some resistance takes the form of confrontation and battle, for Black feminist thinkers like bell hooks and Audre Lorde, resistance comes in the form of the practice of love. It is in the embrace of the erotic, of initiating the quest of mutual self-fulfillment, in seeking value in the relationships we have with each other, that we resist. In other words, for hooks and Lorde, we resist through care.
2021 Meeting of the Society for Comparative Literature and the Arts
October 14-16, 2021
Hilton Garden Inn
Call for Papers
Call for Papers: Special Session-Cyberpunk and the City (in-person panel)
Pacific Ancient and Modern Language Association (PAMLA) Conference
Thurday November 11 to Sunday November 14, 2021, at the Sahara Las Vegas Hotel, Las Vegas, Nevada
Conference Theme: "City of God, City of Destruction" (https://pamla.ballastacademic.com/Home/CFP)
The Center for Medieval-Renaissance Studies of the University of Virginia's College at Wise announces
Medieval-Renaissance Conference XXXIV, September 16-18, 2021
This panel seeks to examine the relationship between “apocalypse” and “utopia” in American literature and culture. In the wake of 2020 and its arguably apocalyptic elements, coupled with increased conversations about how these moments of rupture and upheaval might serve as openings for crafting a better world and a better society, this panel welcomes submissions on any aspect or portrayal of the relationship between the apocalyptic and the utopian in American literary and cultural production--novels, short stories, poetry, comics, graphic novels, films, television, etc. How might we understand the relationship between apocalypse and utopia in seeking to form a politics of utopia (and all that phrase might entail)?
Words and Music - Rock and Roll Writing
Frank Zappa (if indeed it was he— words of music have a notorious life of their own) once said that writing about music is ‘like dancing about architecture.’ This infamous quip sounds clever, but how true is it, how valid? Whatever else it does, music also makes us say— or write— things.
International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education - 2021 provides a unique opportunity to academics and practitioners alike to interact and share knowledge on timely research
6th EDITION OF MCDSARE WILL BE ONLINE | 27-28 October 2021 |
Theme: THE LIMITS OF SCIENCE AND HUMAN KNOWLEDGE
The conference will take place on the Online Session 3, Video -Plenary Oral presentations, and Session 4, Virtual/Poster/Publisher.
In Indigenous London: Native Travelers at the Heart of Empire (2016), the historian Coll Thrush repositions England’s capital not only as a city where decisions were made to dispossess Indigenous peoples, but also as a space that "has been entangled with Indigenous territories, resources, knowledges, and lives" from the earliest moments of the nation’s overseas settlement (15). Scholarship on the long eighteenth century has for a long time emphasized the primacy of Indigenous peoples. Taking Columbus’s landfall in Guanahani in 1492 and the forced removal of Black Caribs from St.
An international journal devoted to the study
of German culture and literature
Published annually in the autumn
Hosted by Università degli Studi di Milano under OJS
Editor-in-chief: Fausto Cercignani
Co-Editor: Marco Castellari
In the wake of COVID, some workers have been deemed essential, forced to put their lives at risk to keep the market moving or care for those with the means to stay off the frontlines. While these jobs may be crucial, those who perform them are frequently treated as exchangeable.Yet as workers have become interchangeable, a fantastical contrast has emerged in the form of the non-fungible token (NFT): at the same time that stable employment and livable wages have been cut in the interest of profit, digital creations become irreplaceable tokens of payment. The catastrophic impact of the pandemic shows which systems of exchange are malleable or fluid and which remain brittle or stagnant.
OVERTONES: EGE JOURNAL OF ENGLISH STUDIES
CALL FOR PAPERS
New Literary Practices in 21st-century Mexico
Panel at the 53rd Annual Convention of the Northeast Modern Language Association (March 10-13, Baltimore, MD)
Primary Area: Spanish / Portuguese
Chairs: Fernando Bañuelos (New York University), Alonso Burgos Vazquez Mellado (Princeton University)
Essence & Critique: Journal of Literature and Drama Studies i(2791-6553) invites submissions for the second issue of the journal - a general issue on Literature and Drama Studies.
Essence & Critique: Journal of Literature and Drama Studies is an open access peer-reviewed academic journal that serves as a forum for multi- and interdisciplinary discussions across Literature and Drama Studies, providing academicians, scholars, professionals, and students with the opportunity to disseminate their research to a diverse audience of peers and professionals.
The second issue aims to cover literary and theatrical works in general.
CFP: VICTORIAN & EDWARDIAN INTERIORS (annual SFEVE conference at Université Toulouse Jean-Jaurès, France, 27-28 January 2022)
Confirmed Keynote speakers:
Claudia Kinmonth (Member of the Royal Irish Academy, independent cultural historian, former researcher in the Furniture Department of the Victoria & Albert Museum)
Charlotte Ribeyrol (Université Paris Sorbonne, VALE)
Penny Sparke (Director of the Modern Interiors Research Centre, Kingston University)
This panel will explore the particular liminal quality of the way women write about the houses they live in: how they develop relationships with their domestic places, how they express themselves in the way they inhabit the space, and how they may even come to interact with the house as if it’s a knowing, responsive entity. Looking at examples in fiction and memoir, from writers as varied as Virginia Woolf, Shirley Jackson, May Sarton and Sarah Broom, we’ll explore women’s houses as seats of psychic power and sites of domestic alchemy.
CFP for Edited Collection
Scripting the Past in the Present: Early America and Contemporary Culture
Editors: Patrick M. Erben and Rebecca L. Harrison
Proposal Deadline: September 3, 2021
The editors seek critical and pedagogical essays for a book collection that critically examines the reverberations and re-scripting of early America (its literature, history, art, politics, religion, material culture, public spectacle, monuments, etc.) in contemporary culture.
April Baker-Bell’s landmark study Linguistic Justice: Black Language, Literacy, Identity and Pedagogy challenges English, writing and literature faculty to re-examine the ways the required use of “Standard” American English (SAE) impacts African-American learners. Baker-Bell’s critique extends and complicates our discipline’s ongoing work to ensure that composition, literature, and language classrooms are equitable spaces for all learners, not just those whose linguistic skills and goals align with SAE. It calls on us to consider how implicit or explicit expectations for language use might silence and disadvantage speakers of Black English while privileging speakers of SAE.
Early Modern Women: An Interdisciplinary Journal Volume 17.1 (Fall 2022) will feature a forum on “Women’s Soundscapes in the Early Modern World.”
This panel seeks papers that use Ordinary Language Philosophy (OLP) to analyze themes of ethics and care in both literature and philosophy. The attention this philosophy pays to language in its everyday use grounds it in community because the meaning of words is in their use. Individual speakers thus become relevant to the construction of meaning, which arises in use as a shared human practice. For J. L. Austin, this picture of meaning involves a sharpened awareness of words and therefore of reality. Cora Diamond calls this attention to reality, detail, and particularity in language Wittgenstein’s “realistic spirit.” Moreover, as Toril Moi explains, our words express and reveal us: the quality of our attention reveals something about our morality.
CFP for Panel "Making Kin in Early Modern France: Interspecies Ecologies of Care"
53rd Annual Convention of the Northeast Modern Language Association (March 10-13, Baltimore, MD)
After the "Anschluss," March 12, 1938, Jewish and anti-political scholars and scientists were in danger in Austria and Germany. This session deals with the forced immigration and salvation from Vienna and Germany aided by American authors and their patrons.
Personal experiences of the individuals and the salvation of the authors, scientists and intellectuals from the forced diaspora in Europe before and during World War II will be the focus of this panel.
From Salman Rushdie’s Twitter feed and Amazon reviews to Bookstagram and GoogleScholar, there is no doubt that digital technology has had a significant impact on the literary landscape. And yet in literary studies, our engagement with the impact of digital technology on how literature is read, criticized, and produced is still in its infancy. Much of the existing research on digital literary studies is focused on anomalous projects that are closer to performance art pieces than what we might call mainstream literary culture or they study pre-digital literary topics using digital humanities tools and methods. While this research is necessary and valuable, it does not often concern itself with digital-born literary culture—i.e.