all recent posts

CFP: Shakespeare and the Lacanian Renaissance (11/1/05; journal issue)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Douglas Brooks

For a future issue of the Shakespeare Yearbook, "Shakespeare and the
Lacanian Renaissance" -- to be co-edited by Douglas A. Brooks (Texas
A&M University) and Kristin Lacefield (University of North
Carolina-Chapel Hill) -- the journal seeks articles that examine the
intersections between Lacanian theory and the literary production of
Shakespeare and his Contemporaries.

CFP: Shakespeare and the Lacanian Renaissance (11/1/05; journal issue)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Douglas Brooks

For a future issue of the Shakespeare Yearbook, "Shakespeare and the
Lacanian Renaissance" -- to be co-edited by Douglas A. Brooks (Texas
A&M University) and Kristin Lacefield (University of North
Carolina-Chapel Hill) -- the journal seeks articles that examine the
intersections between Lacanian theory and the literary production of
Shakespeare and his Contemporaries.

CFP: The Abandoned House in 20th-Century Poetry and Visual Art (Sweden) (10/1/05; 6/15/06-6/18/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Marit J. MacArthur

The Abandoned House in Twentieth-Century Poetry and Visual Art

I am seeking papers for a panel on abandoned houses in twentieth century
poetry and visual art, to be presented at a conference on "Space,
Haunting, Discourse," at Karlstad University in Sweden, June 15-18, 2005.
On this theme, submissions are invited that offer insight into the
phenomelogical, historical, and/or cultural valences of the image of the
abandoned house in contemporary (inter)national traditions and/or in the
work of individual poets or artists.

CFP: The Abandoned House in 20th-Century Poetry and Visual Art (Sweden) (10/1/05; 6/15/06-6/18/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Marit J. MacArthur

The Abandoned House in Twentieth-Century Poetry and Visual Art

I am seeking papers for a panel on abandoned houses in twentieth century
poetry and visual art, to be presented at a conference on "Space,
Haunting, Discourse," at Karlstad University in Sweden, June 15-18, 2005.
On this theme, submissions are invited that offer insight into the
phenomelogical, historical, and/or cultural valences of the image of the
abandoned house in contemporary (inter)national traditions and/or in the
work of individual poets or artists.

CFP: The Abandoned House in 20th-Century Poetry and Visual Art (Sweden) (10/1/05; 6/15/06-6/18/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Marit J. MacArthur

The Abandoned House in Twentieth-Century Poetry and Visual Art

I am seeking papers for a panel on abandoned houses in twentieth century
poetry and visual art, to be presented at a conference on "Space,
Haunting, Discourse," at Karlstad University in Sweden, June 15-18, 2005.
On this theme, submissions are invited that offer insight into the
phenomelogical, historical, and/or cultural valences of the image of the
abandoned house in contemporary (inter)national traditions and/or in the
work of individual poets or artists.

CFP: Black Poetry from the late 1950s to the late 1970s (no deadline noted; collection)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Lmramey_at_aol.com

 
For a comprehensive critical study and reference resource on The Heritage
Series of Black Poetry (published in London from 1962-1975) and its
publisher/editor Paul Breman, I am seeking contributions and enquiries. The focus of
this book will be the 27 poetry collections published in the Heritage Series,
the Heritage pamphlet series, and the two poetry anthologies _Sixes and Sevens_
and _You Better Believe It_. The collection, which will be distributed
internationally, will include memoirs, poems, critical essays, photographs and
bibliographies.
I am seeking critical essays or memoirs on or by the poets included in the

CFP: Black Poetry from the late 1950s to the late 1970s (no deadline noted; collection)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Lmramey_at_aol.com

 
For a comprehensive critical study and reference resource on The Heritage
Series of Black Poetry (published in London from 1962-1975) and its
publisher/editor Paul Breman, I am seeking contributions and enquiries. The focus of
this book will be the 27 poetry collections published in the Heritage Series,
the Heritage pamphlet series, and the two poetry anthologies _Sixes and Sevens_
and _You Better Believe It_. The collection, which will be distributed
internationally, will include memoirs, poems, critical essays, photographs and
bibliographies.
I am seeking critical essays or memoirs on or by the poets included in the

CFP: Black Poetry from the late 1950s to the late 1970s (no deadline noted; collection)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Lmramey_at_aol.com

 
For a comprehensive critical study and reference resource on The Heritage
Series of Black Poetry (published in London from 1962-1975) and its
publisher/editor Paul Breman, I am seeking contributions and enquiries. The focus of
this book will be the 27 poetry collections published in the Heritage Series,
the Heritage pamphlet series, and the two poetry anthologies _Sixes and Sevens_
and _You Better Believe It_. The collection, which will be distributed
internationally, will include memoirs, poems, critical essays, photographs and
bibliographies.
I am seeking critical essays or memoirs on or by the poets included in the

CFP: Black Poetry from the late 1950s to the late 1970s (no deadline noted; collection)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Lmramey_at_aol.com

 
For a comprehensive critical study and reference resource on The Heritage
Series of Black Poetry (published in London from 1962-1975) and its
publisher/editor Paul Breman, I am seeking contributions and enquiries. The focus of
this book will be the 27 poetry collections published in the Heritage Series,
the Heritage pamphlet series, and the two poetry anthologies _Sixes and Sevens_
and _You Better Believe It_. The collection, which will be distributed
internationally, will include memoirs, poems, critical essays, photographs and
bibliographies.
I am seeking critical essays or memoirs on or by the poets included in the

CFP: Media and Sexual Minorities (11/1/05; 4/21/06-4/22/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Kylo Hart

We invite panel and individual-paper proposals for Media and Sexual Minorities:
A GLBT Media Studies Conference, to be held at Plymouth State University
(Plymouth, New Hampshire) April 21-22, 2006.

CFP: Media and Sexual Minorities (11/1/05; 4/21/06-4/22/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Kylo Hart

We invite panel and individual-paper proposals for Media and Sexual Minorities:
A GLBT Media Studies Conference, to be held at Plymouth State University
(Plymouth, New Hampshire) April 21-22, 2006.

CFP: Media and Sexual Minorities (11/1/05; 4/21/06-4/22/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Kylo Hart

We invite panel and individual-paper proposals for Media and Sexual Minorities:
A GLBT Media Studies Conference, to be held at Plymouth State University
(Plymouth, New Hampshire) April 21-22, 2006.

CFP: Transitional Moments: Exploring Early Saints and Sanctity in Britain (9/10/05; Kalamazoo, 5/4/06-5/7/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Alison Walker

 Submissions are invited for a session on
"Transitional Moments: Exploring Early Saints and Sanctity in Britain"
at the 41st International Congress on Medieval=20
Studies, 4-7 May 2006, in Kalamazoo.=20

Studies in hagiography tend to center around particular saints and their
reception in specific locations; they rarely explore the transitions of
a saint between locations and vernaculars, or from one mode of
transmission to another. However, these transitions are very often what
define saints in Anglo-Saxon and Early Middle English literature, and
for this reason are very important to elucidate in their early
manifestations.

CFP: Transitional Moments: Exploring Early Saints and Sanctity in Britain (9/10/05; Kalamazoo, 5/4/06-5/7/06)

updated: 
Tuesday, August 9, 2005 - 2:01pm
Alison Walker

 Submissions are invited for a session on
"Transitional Moments: Exploring Early Saints and Sanctity in Britain"
at the 41st International Congress on Medieval=20
Studies, 4-7 May 2006, in Kalamazoo.=20

Studies in hagiography tend to center around particular saints and their
reception in specific locations; they rarely explore the transitions of
a saint between locations and vernaculars, or from one mode of
transmission to another. However, these transitions are very often what
define saints in Anglo-Saxon and Early Middle English literature, and
for this reason are very important to elucidate in their early
manifestations.

CFP: Photography in America (Cyprus) (no deadline noted; EAAS, 4/7/06-4/10/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
klaus.rieser_at_uni-graz.at

"Photography in America: Issues of Individual, National, and Cultural
Identity / Conformism, Non-Conformism, and Anti-Conformism"

Workshop at the 2006 EAAS Cyprus Conference

=20

Co-Chairs:

Dr.Katherine Hoffman, Fine Arts Dept. St. Anselm College.Manchester,
New Hampshire, 03102,U.S.A. (Spring 2006, Fulbright Distinguished
Chair, Austria) =20
Email: khoffman_at_anselm.edu or kathy.hoffman_at_gmail.com

=20

Dr. Klaus Rieser, American Studies Dept., Karl Franzens University,
Graz, Austria,=20
Email: klaus.rieser_at_uni-graz.at <mailto:mail-klaus.rieser_at_uni-graz.at>=20

=20

=20

CFP: Photography in America (Cyprus) (no deadline noted; EAAS, 4/7/06-4/10/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
klaus.rieser_at_uni-graz.at

"Photography in America: Issues of Individual, National, and Cultural
Identity / Conformism, Non-Conformism, and Anti-Conformism"

Workshop at the 2006 EAAS Cyprus Conference

=20

Co-Chairs:

Dr.Katherine Hoffman, Fine Arts Dept. St. Anselm College.Manchester,
New Hampshire, 03102,U.S.A. (Spring 2006, Fulbright Distinguished
Chair, Austria) =20
Email: khoffman_at_anselm.edu or kathy.hoffman_at_gmail.com

=20

Dr. Klaus Rieser, American Studies Dept., Karl Franzens University,
Graz, Austria,=20
Email: klaus.rieser_at_uni-graz.at <mailto:mail-klaus.rieser_at_uni-graz.at>=20

=20

=20

CFP: Photography in America (Cyprus) (no deadline noted; EAAS, 4/7/06-4/10/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
klaus.rieser_at_uni-graz.at

"Photography in America: Issues of Individual, National, and Cultural
Identity / Conformism, Non-Conformism, and Anti-Conformism"

Workshop at the 2006 EAAS Cyprus Conference

=20

Co-Chairs:

Dr.Katherine Hoffman, Fine Arts Dept. St. Anselm College.Manchester,
New Hampshire, 03102,U.S.A. (Spring 2006, Fulbright Distinguished
Chair, Austria) =20
Email: khoffman_at_anselm.edu or kathy.hoffman_at_gmail.com

=20

Dr. Klaus Rieser, American Studies Dept., Karl Franzens University,
Graz, Austria,=20
Email: klaus.rieser_at_uni-graz.at <mailto:mail-klaus.rieser_at_uni-graz.at>=20

=20

=20

CFP: Larry Neal (9/20/05; 2/10/06-2/12/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
Carter Mathes

Call for Papers

We are pleased to invite submissions for papers to be delivered at an
international conference, "'Don't Say Goodbye to the Pork Pie Hat': Re –
Evaluating Larry Neal's Creative and Critical Vision of the Black Aesthetic,"
hosted and sponsored by the University of North Carolina at Chapel Hill, Duke
University, and North Carolina Central University on February 10-12, 2006.

CFP: Larry Neal (9/20/05; 2/10/06-2/12/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
Carter Mathes

Call for Papers

We are pleased to invite submissions for papers to be delivered at an
international conference, "'Don't Say Goodbye to the Pork Pie Hat': Re –
Evaluating Larry Neal's Creative and Critical Vision of the Black Aesthetic,"
hosted and sponsored by the University of North Carolina at Chapel Hill, Duke
University, and North Carolina Central University on February 10-12, 2006.

CFP: Larry Neal (9/20/05; 2/10/06-2/12/06)

updated: 
Tuesday, August 9, 2005 - 2:00pm
Carter Mathes

Call for Papers

We are pleased to invite submissions for papers to be delivered at an
international conference, "'Don't Say Goodbye to the Pork Pie Hat': Re –
Evaluating Larry Neal's Creative and Critical Vision of the Black Aesthetic,"
hosted and sponsored by the University of North Carolina at Chapel Hill, Duke
University, and North Carolina Central University on February 10-12, 2006.

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