CFP: EDITED VOLUME ON TV SERIES CREATED BY SUSAN HARRIS

Screen Storytellers:

The Works of Susan Harris

Edited by Rosanne Welch 

This edited volume on the works of Susan Harris will be part of the new SCREEN STORYTELLERS series published by Bloomsbury Academic. Seeking 250-word abstracts for previously unpublished essays on television series created by Harris. Final essays will be 3,000-3,500 words, written for an audience of student readers.

The Milton Society of America invites proposals for 15-20-minute papers considering any aspect of Milton's writings, their reception, and their significance. Send a paper title (15-word maximum), 200-word abstract, and resume (.pdf or .doc) to Marissa Greenberg at MiltonSocietySec@gmail.com no later than July 1.

CFP: Rhetoric Review Symposim on Bisexual Digital Rhetorics (BiDigiRhets)Editors

Cindy Tekobbe and Derek M. Sparby

Contact Email

bisexualdigitalrhetorics@gmail.com

Description

As an aesthetic and cultural movement, Afrofuturism began with Mark Derry’s 1993 essay, “Black to the Future.” Derry poses a difficult question: “Can a community whose past has been deliberately rubbed out, and whose energies have subsequently been consumed by the search for legible traces of its history, imagine possible futures?” The clear answer is a resounding, “YES!” Not only can Black folk imagine possible futures, but they can also write, paint, and sculpt them into being. In this special issue we invite contributors to explore what these possible futures look like. How do Afrofuturist artists reimagine a world where Black folks can be/are free? What is the cost of such freedom? 

Call for Papers

Contested & Erased Energy Knowledges  

A Trans-Disciplinary Conference 

31 Oct – 2 Nov 2024

University of Dundee & University of Edinburgh 

Edinburgh, Scotland 

Animals and Culture (Northeast Popular Culture Association - NEPCA)

Current Chair: Kimberly Poppiti, St. Joseph’s University, kpoppiti@sjny.edu

GROWING UP, SEX ED

A Boyhood Studies special issue
berghahnjournals.com/boyhood-studies

Interim Editors:
Jonathan A. Allan, Brandon University
Chris Haywood, Newcastle University

When we call something a cliché, we’re typically calling it tired, banal, repetitive, or boring. Whether it’s an art object, a turn of speech, or a pattern of behavior, we’re identifying what it lacks: distinctiveness, originality, creativity, thrill. But in pointing to a cliché, we’re also pointing to a response. Noticing cliché creates a fissure. It elicits a reflexive movement, by which we’re forced to reckon with the repetitiousness of language; the ideological and economic structures that shape the creation of art; the social patterns that guide how we relate and self-present. Pointing to cliché, in other words, opens up the possibility for subversion.

Seeking session proposals for the American and Diaspora Studies area of the Northeast Modern Language Association. 

March 6-9, 2025
Philadelphia, PA
Hotel & Convention Site: Philadelphia Marriott Downtown

Our Thursday opening address will be given by Benjamin Fraser.
Our Friday keynote event will be given by Julia Alvarez.

ENSEIGNER LA LANGUE À TRAVERS LA TRADUCTION

Perspectives franco-italiennes comparées entre Renaissance et Ère numérique 

Ferrare, 21-22 novembre 2024   

Axes de recherche

These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

5) Horses in Television: since television shows can span multiple decades, all years will be combined in this volume.

Deadline for proposals: August 29, 2024

We are seeking proposals for paper presentations (individual or special session) across all areas of film & media critical studies. Sessions will likely be organized topically and according to SCMLA's traditional Regular Sessions in 'English-language Film' and 'Global Film.' The topic is broadly conceived and open, and approaches may favor criticism, theory, history, or additional approaches.

One or more sessions in film and media studies will be held during the SCMLA annual meeting in New Orleans from 19-21 September 2024. Please see the general CFP for more information -- https://www.southcentralmla.org/conference/

With the advent of capitalism, always gendered and racialised, as a mode of production, profound changes have taken place in the ways in which various societies, human relations and ecosystems have evolved (Moore, 2016, Kaplan 2009). Technological development has always been integral to the directions and configurations of capitalism, as it has evolved over the last three centuries. Further, the globalisation of capitalism, with the imperialist phase of European expansionism, followed by US-American expansionism as well as later, in the emergence of Chinese state capitalism, has brought technology to the front and centre of social, economic and political relations at every level (Lewis, 2022).

The U.S. South is often a forgotten space within ecocritical discussions, yet it provides fruitful ground for thinking about environmental issues. In 2019, in the first edited collection of essays on the topic, Zachary Vernon notes that focusing attention on this bioregion might help “provide a way out of the limitations of thinking too locally or too globally,” and it might inspire a group of stakeholders to come to the table as well (7). One problem with ecocritical approaches is the long history of representing the U.S. South as an “internal other in the national imagination: colonized, subordinate, primitive, developmentally arrested, or even regressive” (Watson 254).