Reconceptualizing Renaissance Performance: Beyond the Public Stage
From Natalie Zemon Davis in The Return of Martin Guerre and Alain Corbin in Life of an Unknown to Kiera Lindsey in The Convict’s Daughter and John Glavin in After Dickens: Reading, Adaptation, and Performance, a small number of scholars have proposed new ways of reading the past and writing social and cultural history, microhistory, biography, and literary criticism. In the final chapter of Victorian Honeymoons: Journeys to the Conjugal, the literary critic Helena Michie juxtaposes two modes of writing: a painstakingly annotated excerpt from a nineteenth-century woman’s diary and a fictional recreation of a moment in that woman’s life based on the record of events and experiences.
Call for Contributions to an Edited Collection
Edited by Natasha Lushetich & Iain Campbell
We encourage the submittal of original works of theory, critique, analysis, poetry, and creative non-fiction grounded within the philosophical tradition of Marxism-Leninism. While we do not have a minimum or a maximum word limit, we encourage submissions within the range of 1,000 to 5,000 words; although larger or smaller works will be considered.
We encourage submissions from those inside and outside of the academy and, unlike traditional scholarly journals, seek to democratize the production of and access to knowledge. We encourage all submissions, and look forward to reading your writing.
The COVID-19 pandemic has presented new challenges for the higher education community, including those working with undergraduate researchers. Research teams have responded to the pandemic in some exciting and creative ways that have the potential to benefit all engaged in undergraduate research during disruptive events such as pandemics, earthquakes, hurricanes, wildfires, and tornadoes.
Original research articles (2,000–3,500 words) and vignettes (300 words) are invited for Scholarship and Practice of Undergraduate Research (SPUR) that discuss how individuals, disciplines, departments, campuses, and communities have adapted during these events. Topics and questions of interest include the following:
CFP – Beyond Borders: Empires, Bodies, Science Fictions
11th-12th September 2020
Keynote Speakers: Dr Nadine El-Enany and Florence Okoye
A border, like race, is a cruel fiction
Maintained by constant policing, violence
Always threatening a new map.
from Wendy Trevino, 'Brazilian is Not a Race'
As a result of the ongoing crisis this conference will have to take place online, with the possibility of some optional in-person elements. We think now more than ever is a time to question the role of borders in our lives and so we want to proceed with this conversation. If you have any questions or concerns about this please feel free to get in touch.
The Texas Theatre Journal is accepting submissions for book reviews its Special 2020 Volume—“Theatre in Crisis”—responding to COVID-19 for 2020. Published annually by the Texas Educational Theatre Association, our mandate is to feature the work of graduate students whenever possible (so please share far and wide with your graduate students—and other colleagues too!).
Due to the unique nature of this volume (and the disruption to the publishing supply chain), I am forgoing the traditional “list of books received” and instead asking potential reviewers to pitch a book to review that fits into this “Theatre in Crisis” idea, in broad or unique ways.
South Atlantic Modern Language Association conference, November 13-15, 2020, Jacksonville, Florida
The World of Alt-Ac
This session of SAMLA 92 invites proposals for a roundtable discussion about Alt-Ac (Alternative-Academic) careers, preparation, and mentorship opportunities. The goal is to provide SAMLA attendees with practical information about transitioning to Alt-Ac work. Anyone with a doctorate working in a career outside of academia or within the academy and not teaching is encouraged to apply. By June 25, 2020, please send a CV and a brief description of how you would contribute to the discussion to Dr. Trisha Kannan at email@example.com.
South Atlantic Modern Language Association conference, November 13-15, 2020, Jacksonville, Florida
"Wild nights – Wild nights!": Scandalous Dickinson
The trickster figure, agent of disruption and change, has had numerous and diverse manifestations in literature, film, and popular culture. Joseph Campbell characterized the trickster as having “a very special property…he always breaks in…to trip up the rational situation. He’s both a fool and someone who’s beyond the system.
In the past couple of decades, much has been done to recover British modernist author Mary Butts (1890-1937). Butts’s Collected Essays and unpublished novel Unborn Gods, forthcoming from McPherson & Co, attest to the ongoing nature of this project. There is still much more to do, and much to explore in a body of work that plays between high modernist forms and more popular genres, a work that might be described as occult, Gothic, queer, proto-environmental, and feminist. Questions must be asked of Butts’s work and her position in the modernist canon, but also of the continued recovery and reconstruction of this important author.
We are a lively academic collective interested in investigating the articulation of the numerous and heterogeneous representations which have been constructing images of the US. Our research delves into how the US—their history, society, and diverse cultures—have been represented in popular media and cultural creations. Our blog aims at providing a collaborative, engaging, and fair environment for any interested scholar, promoting the sharing of knowledge, experience, and ideas across disciplines and thematic fields. We’re also working to foster a stimulating space for early career researchers and postgraduate students in North American studies, thus we’ll warmly welcome their proposals.
Invisible Lives, Silent Voices
In the British Literature, Arts and Culture of the 20th and 21st centuries
15th-16th October 2020
Conference update - Covid 19 situation
The editors invite contributions to Symbolism. An International Annual of Critical Aesthetics, an interdisciplinary, peer-reviewed journal dedicated to pursuing fundamental questions on the forms and functions of the symbolic. Symbolism publishes high-profile research on topics related to the use of figurative language, thought and signification in artistic expression and representation. While maintaining a strong literary focus, the annual also inquires into practices of the symbolic across discourses in media ranging from the cinema and painting to opera, sculpture and other arts.
The 12th Annual Louisiana Studies Conference will be held September 18-19, 2020 at Northwestern State University in Natchitoches, Louisiana. The conference committee is now accepting presentation proposals for the upcoming conference. The 2020 conference theme, “Losing Louisiana,” is dedicated to exploring the ways in which Louisiana’s cultures, environment, languages, and peoples are facing threats to their survival on a variety of fronts. What dangers do these threats pose to people, culture, and the environment? What solutions might be implemented to counter these threats? How can Louisiana pull back from the brink of disaster?
Indeterminate Futures / The Future of Indeterminacy
Transdisciplinary Conference DEADLINE for LIVE AND VIRTUAL PROPOSALS EXTENDED
13 – 15 November 2020, University of Dundee, Scotland
Keynotes: Karen Barad, Franco Berardi, Xin Wei Sha
SUBMISSION DEADLINE EXTENDED TO 29 MAY 2020.
The Leon Edel Prize is awarded annually for the best essay on Henry James by a beginning scholar. The prize carries with it an award of $300, and the prize-winning essay will be published in HJR.
The competition is open to applicants who have not held a full-time academic appointment for more than four years. Independent scholars and graduate students are encouraged to apply.
Essays should be 20-30 pages (including notes), original, and not under submission elsewhere or previously published.
Send submissions to: firstname.lastname@example.org
Author's name should not appear on the manuscript.
Impossible Pastimes: Playing With, In, and Through the Middle Ages
35th International Conference on Medievalism
Old Dominion University
Norfolk, VA, November 12-14, 2020
CALL FOR PAPERS
ReFocus: The Films of Denis Villeneuve
Edited by Jeri English and Marie Pascal
Edinburgh University Press
Series Editors: Gary D. Rhodes, Robert Singer and Stefanie Van de Peer
Essays or K-12 lesson/unit plans analyzing how literature frames a specific environmental concern are invited from educators around the world. Contributions will be organized in an instructional follow-up resource to Confronting Climate Crises through Education: Reading Our Way Forward (2018). Intended to support educators’ implementation of literature-based interdisciplinary climate instruction, the project is titled Literature for Change: How Educators Can Prepare the Next Generation for a Climate-Challenged World. The collection will be published by Lexington Books, a division of Rowman and Littlefield Publishers, Inc.
Critical Thinking and Writing in the Age of Pandemics
Double Helix invites Reports from the Field and scholarly Notes related to the effects of coronavirus—campus closures, social distancing, courses moved online, etc.—on pedagogy related to critical thinking and writing.
*Reports from the Field (2,500 to 5,000 words) focus more exclusively on specific pedagogical practices and are less invested in theory than Research Articles. They address institutional programs and initiatives, course and assignment design, assessment, instructor response, and readings of student work. Their modest length provides readers with an opportunity to learn quickly about a new practice and its implementation.
The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in cooperation with the Gerald R. Sherratt Library and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
The Wooden O Symposium invites panel and paper proposals on any topics related to the text and performance of Shakespeare’s plays. The 2020 symposium (our first virtual conference) seeks papers that investigate our 2020 theme: Shakespeare, Story, and Adaptation, as well as Shakespeare in times of hardship.
Topics could range from the art and power of story-telling, legends and tales, or the drive to adapt stories. Papers may also cover the topics of playmaking in times of war, plague, and other hardships, digital or virtual playmaking, and the importance of theatre during these times. We welcome unique interpretations of these themes.
A Critical Companion to Mel Gibson
Edited by David Da Silva
Part of the Critical Companion to Popular Directors series
edited by Adam Barkman and Antonio Sanna
CALL FOR PAPERS
for a topical issue of Open Theology
"Women and Gender in the Bible and the Biblical World”
Zanne Domoney-Lyttle (University of Glasgow)
Sarah Nicholson (University of Glasgow)
Caused Selves: Embodying the Material World in the Middle Ages
Julie Orlemanski (University of Chicago), Seminar Leader
This panel is dedicated to discussing Eastern/Russian Orthodox traditions, morality, culture, hagiography, iconography, mysticism, practices, monasticism, and beliefs as they pertain to (or appear within) Russian and Slavic literature. Discussions of religious influence are critical to the study of many of the greatest Russian authors and poets--Dostoevsky and Tolstoy amongst many others. Still, little scholarship has explored how both Dostoevsky and Tolstoy had extraordinarily different views of the Orthodox faith and of Christianity in general, and how this might have influenced their existential perspectives of life and death, meaning and purpose, as well as their works.
2020 South Central MLA Conference
Houston, TX * October 8-10
Creative Writing – Poetry (Regular Session): The SCMLA conference is an annual conference. While the theme this year is “Politics of Protest,” we warmly welcome poetry of any style, including digital and hybrid works. Presentations should be approximately 15 minutes in length.