Hinduism Against Hindutva

In the summer of 2021, speakers at the Dismantling Global Hindutva conference stated: "In our advocacy, we state clearly that Hindutva ideology is not the same as the Hinduism that we aspire to, but we cannot deny that proponents of Hindutva are doing so as Hindus, in the name of a monolithic Hinduism. As Shana Sippy put it, not all Hinduism is Hindutva, but Hindutva is clearly one manifestation of Hinduism.”

From Nawal el Saadawi’s writings against FGM to Tunisian protests advocating for changes to inheritance law, this panel considers North Africa’s women writers in conversation with the conference theme, resilience. How have these women writers mediated and negotiated their interconnected position within the Mediterranean zone: between Europe and sub-Saharan Africa and between the Mashreq and Al-Andalus? How have they, to borrow from Hélène Cixous, stolen/flown away with the systems that they worked within, including language systems, genre conventions, and traditional literary markets? What are their roles in decolonization projects, including the assertion of Amazigh rights?

SIDNEY AT KALAMAZOO, MAY 11-13, 2023 

58th International Congress on Medieval Studies

In-Person

This year the International Sidney Society sponsors two open sessions and invites papers on any and all topics related to Philip Sidney, Mary Sidney Herbert, Lady Mary Wroth, the Sidney family or their extensive British and Continental network, inclluding Fulke Greville, Samuel Daniel, William Herbert, Alberico Gentili, Veronica Franco, Vittoria Colonna, George Buchanan, Philippe Duplessis-Mornay,  Étienne de La Boétie, Giordano Bruno, Justus Lipsius, and others. 

We encourage submissions by newcomers, including graduate students, and by established scholars of all ranks. 

Deadline coming up! This panel seeks to explore young adult novels that depart from the coming of age story for teen protagonists, and the progressive ways that they can position their main characters as already actors with agency in the world. For instance, in recent young adult novels by Darcie Little Badger Elatsoe and A Snake Falls to Earth, the protagonists are already respected by their parents and they’re asexual. They don’t need to rebel against their authority figures or have sexual awakenings. In the tradition of Nancy Drew novels, in The Box in the Woods by Maureen Johnson, the protagonist is already known as a teen sleuth and has an established boyfriend.

Conference: 22-23 September 2022 (online - via Zoom)

All details: https://www.inmindsupport.com/memory-conference

CFP:

Adaptation studies has contended with the question of hierarchies since it first emerged. Adaptation as a process similarly so: the problem of the source and the ‘original’ has established certain values and positions of texts. This has been challenged most notably through the debate in the field around fidelity, wherein the question of being ‘true’ to the source has been variously deemed fallacious, unhelpful, or both. Despite some recent proponents for it, what emerges from this is the challenging of the hierarchies that the fidelity debate espouses. Broadly, this has been main way in which these hierarchies have been challenged in adaptations, primarily due to the seemingly inescapable status fidelity has in the field.

CFP: Unnatural Narratives in 21st-century Fiction

 Taking up the idea of the specificity of unnatural narratives found in the work of theorists such as Brian Richardson, Stefan Iversen, Jan Alber, and Henrik Skov Nielsen among others, the proposed 2025 special issue of JNT: Journal of Narrative Theory will probe the variety of unnatural narratives displayed in fictional works in English published after the year 2000.

Call for Papers

Stardom and Fandom

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on August 15, 2022

Proposal submission deadline: October 31, 2022

“Horrors belong as naturally to the fireside, as fireside belongs to Christmas” declares the narrator of the piece “Fireside Horrors for Christmas” in the December 1847 issue of Dublin University Magazine. This image of “popular fireside stories or winter’s tales” exchanged in communal settings had, as the late Catherine Belsey explained, a “long vernacular tradition” (2010). Furthermore, it was, she argues, a practice that often-challenged orthodox institutional discourse about, for example, the “true meaning” of Christmas or the origins of ghosts and tapped into secular and “pagan” rituals and practices.

The 52nd annual College English Association welcomes proposals for presentations focused specifically on pedagogy that move to the general conference theme: Confluence. 

The conference will be held in San Antonio, a city that itself is a kind of confluence: it has been the home of multiple cultures; it has seen the rise and fall of famous missions and military presidios; and it honors in its daily life today its Hispanic heritage and cowboy culture alike. It is no wonder, then, that it is recognized as a UNESCO World Heritage Site.

Call for Chapters

Political Economy of Contemporary African Popular Culture: Selected Case Studies.

Editors:

Dr Kealeboga Aiseng (Rhodes University, School of Journalism and Media Studies) K.aiseng@ru.ac.za )

Dr Israel Fadipe (North West University, Indigenous Language Media in Africa (ILMA) IsraelFadipe77@gmail.com )

Professor Phillip Mpofu (North West University, Indigenous Language Media in Africa (ILMA) Phillip.mpofu@gmail.com )

Submission Deadline | September 19, 2022

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We are excited to support the following three panels for possible inclusion at the 2023 AAAS conference:

Call for papers

Special Issue: Trajectories of Precarity and Resilience in South Asia

Recent discussions in autobiography studies have increasingly shifted their focus to non-conventional forms of self-expression. In broader terms, life writing, which aims to reveal the self in all of its complexity, has inevitably evolved from a highly conventional genre to an open and ever-expanding practice that connects writing with other modes of representation. Discussions on autobiography have progressively become inclusive of non-literary forms of expression, such as performance, body and endurance art.