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Popular Culture Association
Seattle April 13-16, 2022
Subject Area: Film
Deadline: November 15, 2021
Scope of the paper topics accepted under this area:
This seminar reevaluates both the Aristotelian notion of peripety and alternative approaches in global literary theory to describe a moment of abrupt change or reversal of action. In doing so, it applies a clearly defined focus on such examples that bring turning points together with an insecure, potentially dangerous medium: water.
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing, both within and beyond the academy. This year’s conference recognizes the spatial and temporal context within and beyond a written text. Within the text, we examine what has been mapped by the margins as well as the communities that have been marginalized by the borders of the page. Here, margins refer to the open spaces on the page — not inhabited by words, punctuation, ornamentation, etc. This year’s conference begins at the margins: whether it be the page, the camera lens, the pictorial frame, the margins of philosophy, the undercommons of the university, the peripheries of the city....margins are everywhere.
Call for Papers, Caribbean Literature at CEA 2022
March 31-April 2, 2022 | Birmingham, Alabama
Sheraton Hotel, Birmingham | 2201 Richard Arrington Jr Blvd N, Birmingham, AL 35203
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Caribbean Literature for our 52nd annual conference. Submit your proposal at www.cea-web.org
We welcome individual and panel presentation proposals that address Caribbean literatures in general, including—but not limited to—the following possible themes:
Call for Papers
Disability at the Intersection of History, Culture, Religion, Gender, and Health
Date: March 3-4, 2022
Place: Marquette University, Milwaukee, WI
Migration is one of the most prominent cultural, socio-political, and economic questions of our time. In both industrialised and less developed countries, it would be hard to find people who do not have a personal experience of migration and its effects, which ultimately ‘become the hallmark of the age of migration’ (Castles et al., 2013). According to the World Migration Report 2020, international migrants consist of only 3.6% (281 million) of the world population, and they make ‘significant sociocultural, civic-political and economic contributions in origin and destination countries and community’ (WMR, 2020). However, a great majority of people do not migrate across borders; instead, a large number of people migrate within countries.
This board-sponsored session welcomes presentations that deal with Quebecois literature and media. A wide variety of topics will be considered: cinema (jeune cinéma Québécois, cinéma féminin), representation of the First Nations in Quebecois literature and media, Quebecois theater, etc.
Please submit 200-250 word abstract and indicate if any A/V equipment will be required. Upload your proposal on NeMLA's website: https://www.cfplist.com/nemla/Home/S/19475
This board-sponsored session welcomes presentations that deal with literature from the Middle Ages (pre-16th century). Topics can cover a wide variety of aspects related but not limited to gender, sexuality, feminism, global history, etc.
Please submit abstracts of 200-250 words and indicat if any A/V equipment is required. Upload your proposal via the NeMLA website: https://www.cfplist.com/nemla/Home/S/19473
Transgender representation is currently at an all-time high. Whether it be in cinema, literature, or social networks, the visibility of trans individuals has tremendously increased. Changes in culture have allowed the transgender community to feel safer in coming forward with their stories, and therefore, this new movement has been pioneered by trans women, trans men, and non-binary individuals. For example, Lexie, the trans woman behind the popular Instagram account Agressively Trans (@aggressively_trans), published the book Une histoire de genres in February 2021. Petite fille, a 2020 documentary directed by Sébastien Lifshitz has won several prizes in various festivals.
The virtual conference explores how contemporary cinema negotiates the spaces at international film festivals. Our scope includes contemporary cinema from different parts of the world, including India and non-English speaking countries. The growing presence and proliferation of film festivals in their varied manifestations leads us to posit: What is the nature of contemporary transnational cinema that is attracting international attention? How does this intersection play out in global reception, marketing, exhibition and distribution? What kinds of academic and theoretical interventions can emerge from this development?
In recent decades, the practice of collaborative intellectual labor has had an unexpected resurgence, both among writers and artists, and within scholarly and academic spaces. Drawing on a rich history of intellectual, activist, and artistic practices of collaboration, new collectives and research groups have embraced collaborative forms of knowledge production to challenge the individualization of intellectual labor and the demands of the neoliberal episteme.
Zealos: Studies in the Humanities, Social Sciences, Arts & Design is an annual peer-reviewed and open-access journal published by the School of Humanities and Social Sciences of the University of Nicosia (UNIC). We are now accepting contributions for the inaugural volume of Zealos due to be published in Summer 2022. Zealos welcomes original and previously unpublished articles that fall within the scope of the journal and follow internationally sanctioned scientific standards. Submissions are free of charge. We welcome contributions in Greek or English.
Call for Proposals: Film History Book Series
We are seeking proposals for complete/in-progress/planned manuscripts and edited collections for a proposed book series. The series will focus on film history: both the history of film as media texts and the history/evolution of the cinematic apparatus.
RIT press has expressed interest in this series and has asked that we secure some projects before moving forward with approval.
Potential topics include but are not limited to:
The XIV James Joyce Italian Foundation Conference in Rome
“One, No One, and One Hundred (Thousand?) Ulysses”
Conference Dates: 9-11 February 2022
DEADLINE FOR ABSTRACTS: November 14, 2021
Keynote speakers:
Organisers: Franca Ruggieri, Fabio Luppi, Enrico Terrinoni, Serenella Zanotti
The 53rd annual NeMLA Convention will be held March 10-13, 2022 in Baltimore, MD. More information here: http://www.buffalo.edu/nemla/convention.html
This seminar invites 250-350 word abstracts for papers that will be circulated in February 2022, prior to the convention. During the seminar itself, session participants will briefly present their work before participating in a discussion with other panelists. Proposed papers should situate Soviet literature and/or other cultural products within a postcolonial context, or explain how postcolonial theory must be modified when applied in post-Soviet spaces. Please read the detailed CFP below:
Extrapolation: Special Issue on Posthumanism and New Materialism
Call for Papers
Disability at the Intersection of History, Culture, Religion, Gender, and Health
Date: March 3-4, 2022
Place: Marquette University, Milwaukee, WI
Call for Papers
Margins: A Journal of Literature and Culture deadline for submissions: November 30, 2021 full name / name of organization: Department of English, Gauhati University, Guwahati: 781014, Assam, India contact email: margins@gauhati.ac.in
Margins: A Journal of Literature and Culturefull name / name of organization: Department of English, Gauhati University, Guwahati: 781014, Assam, Indiacontact email: margins@gauhati.ac.in
We invite abstracts for a new book of original essays which explore the meaning and/or function of still or moving bodies of water -- lakes, rivers, the sea, gulfs, streams, ponds, canals -- in narratives by African Americans.
This issue of Between aims to investigate the phenomenology of simulacra and their range of functions (conceptual, cultural, literary, aesthetic, and in the media). What is meant here by “simulacrum” is any artificial creature that imitates or replicates the outward form and/or behaviour of living beings, especially human beings. When it comes to artefacts produced by technology – conceived in its broader sense as techne, and therefore also including magic and art – the simulacrum reveals itself as marked by operational autonomy and a variable degree of awareness.
Call for Papers:International Journal of Media & Cultural Politics
Special Issue: Lippmann’s ‘Public Opinion’ at 100: The yesterday and tomorrow of post-truth, disinformation and fake news
Plato and Aristotle disagreed about the value of mimetic representations, but they agreed that humans are mimetic animals—for good and ill.
American Comparative Literature Association 2022 Annual Meeting
National Taiwan Normal University
June 15-18
"Future of Cities / Future Beyond Cities"
In the last decades, cities around the world have experienced unprecendented economic, political, social, and spatial transformations. As these changes bring new challenges for the ways in which we categorize the boundaries of the urban and the definitions of the city, urban theorists have been condering the possibilities of the twenty first century bringing in post-urban stage.
CONFERENCE INFORMATION
The 2022 NEXUS Interdisciplinary Conference Committee and the University of Tennessee Graduate Students in English invite proposals for presentations for the 2022 NEXUS Interdisciplinary Conference: “Community and Collaboration: How the Light Gets In.” NEXUS is a biennial, interdisciplinary conference hosted by the graduate students in the University of Tennessee’s English Department in Knoxville, Tennessee. The conference will be held March 4-6, 2022 and will feature keynote speakers Ross Gay, Maren Linett, and Josh Eyler.
The concept of South Asian literature is inherently unstable; South Asia is a regional term that covers several countries, some of which are still enemies recovering from shared histories of violence. In addition, the region of South Asia encompasses dozens of literary languages, including English – ironically the one “common” language of the region that is also the most "foreign." This panel seeks to animate comparison as a postcolonial and decolonizing practice in South Asian literary criticism. Comparison calls on scholars to think across boundaries of language, region or nation-state to imagine new points of connection among authors, texts, genres and modes.
This CFP is for a roundtable session sponsored by the Women's and Gender Studies Caucus (WGSC) at NeMLA 2022. The convention will be held from March 10-13, 2022, at the Baltimore Waterfront Marriott.
Mentorship as Intersectional Feminist Practice
Mastering Oral History:A Concise Guide20 November 2021International Workshop
2 groups (same workshop, different time).
Group 1: 11:oo am Amsterdam time (+UTC 2) for participants from Europe, Africa, Asia & Australia
Group 2: 19.00 pm Amsterdam time (+UTC 2) for participants from the American continent
Find your timezone here
Course Facilitator: Konstantinos D. Karatzas, Ph.D
The Idea
Advanced Oral History Training
Mastering the Interview:Techniques and Methods
21 November 2021International Workshop 2 groups (same workshop, different time).
Group 1: 11:oo am Amsterdam time (+UTC 2) for participants from Europe, Africa, Asia & Australia
Group 2: 19.00 pm Amsterdam time (+UTC 2) for participants from the American continent
Find your timezone here
Course Facilitator: Konstantinos D. Karatzas, Ph.D
This special issue of Women’s Studies aims to bring together new and exciting scholarship on the work of Eileen Myles. From their early involvement with the St. Mark’s Poetry Project in New York City in the late 1970s, to their breakthrough success in 2015 with the Ecco/HarperCollins publication of I Must Be Living Twice: New and Selected Poems and republication of their 1994 book Chelsea Girls, Myles has operated at the intersection of multiple traditions: the New York School, queer and trans feminisms, autofiction, and performance.