We are very pleased to announce the launch of Global Nineteenth-Century Studies, which will be published by Liverpool University Press from spring 2022. GNCS is the flagship publication of the newly formed Society for Global Nineteenth-Century Studies. You can learn more about the society and become a member at www.global19c.com

While we have received many excellent abstracts, we are currently soliciting abstracts which directly engage with

• critical race theory
• race and representation
• the global south

We are especially interested in soliciting chapters featuring non-Western perspectives and work by scholars of colour.

We hope to include work from both established and emerging scholars; junior scholars & graduate students are also encouraged to apply.

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Pikachu’s Transmedia Adventures: The Continuing Adaptability of the Pokemon Franchise

Subject: Call for Papers: Creative Writing: Poetry & Fiction at CEA 2022

Call for Papers, Creative Writing: Poetry & Fiction

March 31-April 2, 2022 | Birmingham, Alabama

Sheraton Hotel, Birmingham | 2201 Richard Arrington Jr Blvd N, Birmingham, AL 35203

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Creative Writing: Non-Fiction for our 52nd annual conference. Submit your proposal at www.cea-web.org

In Horkheimer and Adorno’s dialectic of Enlightenment, the spiritual and mimetic relation towards nature in early myth society increasingly gives way to nature’s disenchantment: the process by which a holistic and qualitative nature is systematically reduced and fragmented into the purely “rational” material of natural science and, ultimately, industrial, carbon-based society. But as Horkheimer as Adorno make clear, enlightenment, what promised liberate us from the irrational, becomes an even more irrational force than the nature it supposedly subdued, giving rise to catastrophes—genocide, nuclear fallout, global warming—that dwarf the violence nature originally wrought.

This panel invites papers on eighteenth-century texts or visual art that engage with, provide accounts of, or create Orientalist fictions about “Arabia.” The growing interest in the Orient and orientalia fueled by eighteenth-century travelers to the Near East and by translations like Galland’s A Thousand and One Nights (1704-1717), rendered in English as the Arabian Nights Entertainments (1706-1721), produced a large corpus of works that often used “Arabia” as an umbrella term that described not one location, but many. How did these texts represent “Arabia” and the “Arabs” and what sets of images or cultural stereotypes about the place and its people emerged at the time?

This roundtable explores how feminist authors have used both ekphrasis and apophasis to question the interrelations of gender, race, class, and socio-economic and political power; and also, to displace traditional, outmoded beliefs, and inherited but dysfunctional historical narratives.  Rhetorically, ekphrasis is defined as vivid, verbal description, or as verbal representation of visual art, or as canonical literature re-envisioned to fit new narratives.  Apophasis refers broadly to denial, repudiation, or negation, and narrowly to a kind of irony in which what on the surface appears to be the case differs radically from what is actually the case. 

Sapphic Echoes: Representations of Female Love and Desire in Global Literatures #19149

Seminar format

This seminar asks questions and invites responses that explore representations of female love and desire in global literatures. How have the complex poetics of female love and desire—the desire to have something, or escape something, or punish, or know—been represented over time? What strategies have been employed to subvert literary conventions defined predominantly by male perspectives on home, love, war, victory and loss? How have female characters navigated the interplay between things done (overtly) and thought (covertly) to reveal the inner web of desires, fears and conflicts that constitute a female poetics of love and longing?

Please circulate:

Theatre and Social Action

Call for Papers for the Methuen Drama Handbooks series

Theaters have closed everywhere. Theaters are reopening. And at the same time, the global pandemic and recent social movements have urgently been measured, mediated, and aided by the arts and theater makers to reshape the way we must now represent, facilitate, and protest.

International Thomas Merton Society

at the

College English Association

52stTH ANNUAL CONFERENCE

                                                                                                                       Call for Papers

March 31-April 2, 2022 

The E. E. Cummings Society and the Society’s journal, Spring, invite abstracts for 20-minute papers for the 49th annual Louisville Conference on Literature and Culture since 1900, February 24-26, 2022, at the University of Louisville (http://www.thelouisvilleconference.com). Recent criticism of the works of Cummings has gone beyond his well-documented engagement with modernist aesthetic and poetic innovations. From Cummings’ visual and temporal poetics, to iconic meta-sonnets and rhythmic portraiture, to iconicity and ecology, and even to disability studies, the iconoclasm of Cummings in art and language presents a multi-dimensional i/eye that perceives and receives.

Abstract:

SAMLA 93, scheduled for November 4-6, 2021, has moved to a virtual format. As such, we are re-opening our General Call for Abstracts until September 30. For more information on submitting to our General Call, please follow this link: https://samla.memberclicks.net/general-call-for-abstracts

Additionally, some panel organizers have extended their CFP deadlines until the 30th. To browse our current CFP list, please follow this link: https://samla.memberclicks.net/callsforpapers

Fantasies of the Subject: Affecting Selves in Contemporary American Literature

edited by Paula Barba Guerrero & Laura de la Parra Fernández

If what we need to dream, to move our spirits most deeply and directly towards and through promise, is discounted as a luxury, then we give up the core —the fountain— of our power [...] we give up the future of our worlds.

—Audre Lorde, “Poetry Is Not a Luxury”

Call for papers: Music and the Senses, a special issue of Nineteenth-Century Contexts: An Interdisciplinary Journal, guest-edited by Dane Stalcup (Wagner College)