This conference is hybrid in nature and welcomes participants who can present in person at Georgia State in Atlanta or virtually, from their home institution or their own home. This structure is intended to create a diverse conference group, with attendees from multiple locations around the world. Virtual attendees are encouraged to consider putting together a panel or a round table of presenters from their own institution; in that way, that institution can function as an international hub for the conference. Sindiwe Magona 2023: Literary Reflections on Contemporary Issues in South Africa and Beyond
Yasna Bozhkova (Université Sorbonne Nouvelle) and Nell Wasserstrom (Boston College)
Atelier Société d’Études Woolfiennes (SEW)/Société d’Études Modernists (SEM)
Congrès La Société des Anglicistes de l’Enseignement Supérieur (SAES)
Université Rennes 2, June 1-3 2023
CALL FOR SUBMISSIONS: Literature Today- January 2023 Issue
We are inviting submissions for January 2023 issue of 'Literature Today-An International Literary Journal'. The theme of our January 2023 issue is 'Love'. You can send us poems, short stories, memoirs and one minute plays on :
Southeast Asian Media Studies Journal (SEAMSJ) is the international, bi-annual, double blind peer-reviewed, and open-access scholarly journal of the Southeast Asian Media Studies Association (SEAMSA). Special issues are a significant component for SEAMSJ to cover emerging topics with high current interest within the theme of media studies in the ASEAN region. The journal published six issues between 2019 and 2021. Two new issues will be published in December 2022. ProposalsA proposal for a Special Issue must include:- A suggested title for the Special Issue (12 words max.).
REPOSTING, deadline OCTOBER 30, 2022
Call for papers: 24th Annual Graduate Student Conference, Feb. 9 & 10, 2023 School of Cinema, San Francisco State University: “Requiem for Netflix? Reflections on Two Decades of Streaming” deadline for submissions: October 30, 2022 full name / name of organization: San Francisco State University Cinema Graduate Students contact email: firstname.lastname@example.org
Call for papers: XXIV Annual Graduate Student Conference, Feb. 9 & 10, 2023
School of Cinema, San Francisco State University
Deadline Submission: October 30th, 2022
On 29 -30 May 2023, Canada’s bibliographical and book studies community will gather for the Annual Conference of the Bibliographical Society of Canada at the Congress of the Humanities and Social Sciences for our first in-person conference since 2019.
Biodiversity loss, the warming of cities, increasing cost and demand of housing with limited supply, and many other topics are issues relating to spatiality and sustainability. The University of Tennessee, Knoxville Department of Geography and Sustainability seeks to highlight Spatiality and Sustainability as meeting points for a broad range of disciplines exploring the changing distribution of both human and natural elements on our planet across space and time. We invite the submission of abstracts from undergraduate students, graduate students and faculty from all disciplines with a strong emphasis on the interdisciplinary and collaborative nature of space/time research.
Mobility systems, urban planning, markets, educational facilities, digital appliances: infrastructure organizes social life, assigns subject positions, and enables or prevents cultural exchange. Yet its powerful role often goes unnoticed as most infrastructure is designed to recede into the half-conscious background of daily life. In recent years, researchers in several fields have begun to uncover the sociopolitical hierarchies and resistant forces at work in the construction, maintenance, transformation, and dismantling of infrastructure. Postcolonial studies has much to contribute to this research—and vice versa.
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Travel and Literature for our 52nd annual conference, March 30-April 1, 2023, in San Antonio, Texas. Submit your 250-500 word abstract at https://www.conftool.pro/cea2023.
CFP: Edited Collection - Irish Writers and the Civil Service
Jonathan Foster (Stockholm University), Elliott Mills (Trinity College Dublin), and Karl O’Hanlon (Maynooth University)
For Don Ihde, as long as humans find themselves living in and breathing through air, sound becomes, for them, an existential singularity. In fact, this air itself, Ihde continues, is ‘not neutral or lifeless’ but finds animation in and with ‘sound and voice’. It is, finally, this vibrant tract of air (for what else is sound?) which relates and marks the human in its existential prospects by not only producing an ambience of the world but also, simultaneously, being subjected to reciprocal manipulation by humans who invariably seek constructive teleologies.
Call for Chapter Proposals: New Perspectives on the Metal Gear Solid Series (edited collection)
Editors: Steven Kielich (University at Buffalo) and Chris Hall (University of the Ozarks)
In 2015, Hideo Kojima and his company Kojima Productions split from Konami after the release of Metal Gear Solid V: The Phantom Pain. Kojima’s departure from Konami marked an unfortunate, but understandable, end to the Metal Gear Solid series. Now, in this “post-Phantom Pain” era, it has become both possible and essential to make a retrospective study of the critically, commercially, and culturally resonant series that was Metal Gear Solid.
These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film.
The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered.
1) Horses in Film Through the 1950s
2) Horses in Film in the 1960s and 1970s
3) Horses in Film in the 1980s and 1990s
4) Horses in Film since 2000
Deadline for proposals: February 14, 2023
First Draft deadline: August 15, 2023
How to submit your proposal
BU Romance Studies Graduate Student Conference
Call For Papers: Illusion & Delusion
From the Coronavirus pandemic to the Russo-Ukrainian War, researchers are arguably more aware now than ever of their presence at the crossroads of perceived and misconstrued conflicts. The global political and ecological crises that confront us are strongly linked to imperialism, colonization, capitalism, and exploitation of resources. Literature and film offer pathways to explore global conflict and as a result - whether on the page or the screen - lines are blurred between what is real and what is perceived.
Erle Stanley Gardner’s Perry Mason has been a vibrant part of the cultural conversation for nearly 90 years. The titular trial lawyer with a penchant for detective work first debuted in the novel The Case of the Velvet Claws (1933), setting in motion a publishing streak that would eventually become the third best selling series of all time. Successful radio, film, and television adaptations soon followed, solidifying the character’s presence within the cultural lexicon. Indeed, Perry Mason’s crossover appeal demonstrates a cultural importance that transcends medium and generational divide.
Recent debates on canonicity have focused on how canons are a product of social and historical conditions as well as of reception. Texts become canonical when they are felt to embody the spirit of an age or to voice concerns considered universal at a particular moment. But what about the texts themselves? Can any text become canonical in any way? Or are there any specific textual reasons for such an elevated status? This latter question is what our symposium wishes to address.
Organised by Poetry Festival Singapore, the Singapore Literature Conference is slated to take place on 29 July 2023 (Saturday). The conference, currently in its fourth year, is now calling for abstracts of papers that are in any way related to the theme of "Sojourners." The deadline for submissions is 31 October 2022 (Monday).
The Making of Asia:
Asian/ Asian Americans on Screen:
“Silence is constituted by the absence of words but is therefore and simultaneously the presence of their absence” (The language of Silence. Schlant, Ernestine).
There will always come that specific moment, – and then there is silence. Many great thinkers and artists reached a point, after their most productive phase where they had become silent, and silence exists as a decision and punishment.
Wittgenstein concluded, “Whereof one cannot speak, thereof one must be silent.”
Scholars from all disciplines are invited to submit proposals for papers, panels, and special sessions for the third annual Grateful Dead Studies Association meeting, to be held in conjunction with the Grateful Dead area at t
Contributions are sought for a volume that seeks to rethink and recover the history and future of English-speaking female authors who wrote about animals (as scientists, popularizers, storytellers, novelists and poets) from the late eighteenth to the early twenty-first century. We seek to explore the question of how female writers conceive nature and represent animals from a feminist perspective by examining their role in the reconstruction of nature and looking at how they represent non-human animals and their/our relationship with them. The collection aims to pay tribute to what Anglophone female writers did in the name of nature and local wildlife by recovering their contributions and reviewing history.
This seminar proposes a collaborative theorization of Boys Love (BL), a transnational Asian media phenomenon conventionally associated with adolescent heterosexual female fan subcultures who create, consume, and circulate content depicting male-male romance and sexuality. We invite papers that theorize BL as vernacular forms of world literature with a reach beyond their targeted demographics to unsettle norms of gender and sexuality across national, linguistic, and cultural borders.
This panel invites discussions on the contemporary politics of the “safe animal” in literature and media—in all the registers and valences of “safe.” An overworked but underexplored cultural trope, safe animals are constantly in demand across various forms of popular media: animal memes and pet-related small talk are the safest conversation starters, “cute” cat pictures always promise to comfort, and ample cultural scaffolding is in place to help us stick to animals that are safe. For example, the website Does the Dog Die, a crowdsourced platform for “emotional spoilers” about movies and other popular media, promises to protect viewers from “upsetting” material including the death of animals.
Blooming: Metamorphoses and Seasons of Queerness
Nothing stays static in the natural world. The cold and dead of winter gives way to the green shoots of spring, which flower out in summer’s long, warm days, only to wither and fall as the end of the year comes again. In this age of cold-hearted and unenlightened legislators attacking trans rights, a false spring of marriage equality, and (somewhat) greater representation in popular culture, we wonder what season are we in today as queer and trans people? How can we bloom in an ever-changing world and shape those changes to promote better, more just, and warmer-hearted treatment for all?
It has been around 40 years since Vito Russo wrote the pioneering book The Celluloid Closet (1981) that catalogued the long painful history of gay representation in Hollywood film. The Celluloid Closet was produced during the AIDS epidemic and was one of many texts that drew attention to the lack of gay representation both before the 1980s and catalogued the changes that were occurring in gay media representation at the time. Lesbian representation has been historically represented by invisibility though was also impacted by the change in representation that the AIDS epidemic started. Gay male representation was always problematic while lesbians were invisible and heavily affected by the stigma of AIDS at this time.
This seminar investigates “pornography” and “propaganda” as two categories that attempt to set boundaries around acceptable language. They work as genre designations as often as they work as aesthetic judgements and denunciations. When an object, a picture, or a text is accused of being pornographic or propagandistic, it stands accused of using representational force in an unacceptable way – too direct, too explicit, too symbolic, too something to accord with the idealized sincerity and critical openness of acceptable, normal, or mainstream discourse, of speech that should be unquestionably “free.”
Australia from the Heart:
Envisioning Affective, Environmental,
and Material Reparations
University of the Balearic Islands (Palma, Spain)
6 – 8 September 2023
AlterNative: An International Journal of Indigenous Peoples
Call for Papers: Indigenous Modernities
Indigenous societies around the world are reimagining themselves, foregrounding elements of historic and/or traditional cultures and emphasizing their ‘indigeneity’. Within the context of Western modernities and urbanization, indigenous identities are being renewed or reconstructed and new conceptions of the indigenous self are emerging.
This National Virtual Conference on Contemporary Readings in Literature, Arts and Aesthetics is an academic platform for meaningful dialogue and discussion on the aesthetic reflections in our socio-cultural, literary and political life. The conference is a joint venture and the following academic institutions areactively taking part in this event:
OUR COLLABORATING INSTITUTIONS: