The global and digital connectivity of recent years has transformed creative writing infrastructure and practice around the world.  Recent decades have seen a number of critical and popular publications exploring the history and practice of creative writing, from Marc McGurl’s “The Program Era: Postwar Fiction and the Rise of Creative Writing” (2011) to Lisa Jaillant’s Literary Rebels: A History of Creative Writing in Anglo-American Universities (2022). Yet, as these titles suggest, the critical focus has been on US and UK courses.

Bending Metal: Metal Scenes during and after COVID 

deadline for submissions: 

August 15, 2023

full name / name of organization: 

Bryan Bardine/University of Dayton/ Jerome Stueart

contact email: 

bbardine1@udayton.edu

Bending Metal: Global Metal Scenes during and after COVID
Proposals due: August 15, 2023

Continuing our work examining metal scenes and with a contract with Lexington Press we propose the following project:

No Publication or Subscription Fee/ Free Complimentary Copy

Call for Papers

Theorising Gender in the Context of Cultural Limitations: A Series of Book Chapters on Contemporary Indian Writing in English

This session brings together literary studies and the study of human sensation to question how literature acts as a representation or conduit of sensory knowledge. How can literature challenge our perspectives through unconventional representations of sensation? What are sensory aesthetics? What role do the senses play in eliciting feeling? How can recentering sensation open new pathways and epistemologies of identity and difference? The study of literature and sensation is particularly fertile grounds for the study of perspective: how do our senses shape our perspective? How does the separation of the senses into five distinct categories, as is it commonly depicted, foreclose possibilities for more complex depictions of human experience?

This is a Victorian Popular Fiction Association (VPFA) Study Day at the University of Birmingham (UK) on 15 September 2023.

KEYNOTE: Dr Eleanor Dobson (Associate Prof in English Literature at the University of Birmingham) Paper Title TBC

WORKSHOP: Dr Leire Olabarria (Lecturer in Egyptology at the University of Birmingham) will run a session onthe amassing of Egyptian collections in the long nineteenth century, with a focus on Britain and the Eton-Myers Collection.

Seasonal Horrors: On the Intersection of Holidays and the Macabre in Audiovisual Media

There are numerous descriptions of affect within literary criticism, including those focused on the human psyche, reader or author contexts, time-spaces and places, non-human vibrance, and the notion that affect involves yet exceeds us. Since this year's PAMLA theme is "Shifting Perspectives," a panel with more than one understanding of affect is fitting. Whether you study Sara Ahmed, Brian Massumi, Lauren Berlant, Sianne Ngai, Gillies Deleuze and Félix Guattari, Jenny Sharpe, Claire Colebrook, Eve Sedgwick, Rei Terada, Hsuan L. Hsu, or any of the growing number of theorists which address affect in their work, this panel is for you!

CFP 2023: American Conspiracism: Interdisciplinary Approaches

Publisher: Routledge Press

Forthcoming Publication Date: Summer 2024

If you are interested in contributing, please submit the following to Editor Luke Ritter @ lukeritter@nmhu.edu:

chapter title

500-word abstract

C.V.

Co-Chairs:
Stefano Boselli, University of Nevada, Las Vegas (stefano.boselli[at]unlv.edu)
Sarah Lucie, New York University (slucie[at]gradcenter.cuny.edu)

This year’s ASTR conference theme of Hope is compelling, and our session will be focused on what hope means in a posthuman framework. This may be an opportunity to workshop an idea for an article or book, in a friendly group of like-minded scholars.

This online session will be scheduled during the first week of December and proposal submissions should go through the ASTR website:

The intersection of the digital and environmental humanities speaks to our current moment: we live in a world in flux, experiencing a changing climate we seek to explain by digital models. As we use new technology to interact with and understand the “natural” world, scholars and activists also use digital platforms to communicate about ecological issues with new and diverse audiences. Medieval studies has long been at the forefront of the digital humanities, while ecocriticism and environmental history have significantly advanced our understanding of how people in the Middle Ages conceived of the nonhuman world.

SPACE IN TIME: FROM THE HEAVENS TO OUTER SPACE

The Warburg Institute

12–13 October 2023

CALL FOR PAPERS 

Victorians Journal announces a special topics CFP on Victorian Hospitality for our Winter 2023 number, guest edited by Kristen Pond. 

Victorians Journal CFP Winter Issue 2023 

Humanities in the Time of ChatGPT and other forms of Artificial Intelligence

Fall 2023 Issue of Critical Humanities

In a recent blogpost, Bill Gates announces the beginning of the age of AI. Gates’ enthusiastic pitch for AI is not limited to it being a groundbreaking technological advancement. He sees it as a powerful tool for achieving social and environmental justice. Gates notes “achievement in math is going down across the country, especially for Black, Latino, and low-income students” and he claims that “AI can help turn that trend around.”

Call for Papers: The 2023 Jack London Society 16th Biennial Symposium: October 5-8, 2023, The Huntington Library in San Marino, California