In the documentary This Changes Everything, Naomi Klein describes the limits of depicting climate change as the inevitable result of human nature driven by greed and competition. As Klein argues, this story of climate change diminishes social agency, promotes powerlessness, and displaces solutions beyond the repetition of the status quo. Several years later, capitalist realism and apocalypse remain primary modes through which climate futures are envisioned in news media, film, television, and literature.

Resilience is the ability of the human mind and/or body to respond to adverse circumstances, tragedy, trauma, or any other intimidation to emotional and/or physical integrity and its impacts. It is an individual’s retort to any encroachment on one’s self, and establish self- legitimacy in a hostile environment. But is this power of resilience displayed with homogeneity or heterogeneity among and/or across culturally diverse and rich groups? As a context and culture-specific response, resilience is demonstrated in negotiation with factors, such as spatial, sociocultural, and political. Hence, its study is problematized when it is read as a homogeneous response to adversity by individuals from varied backgrounds.

Considering recent literary and critical trends in Canada, this panel aims to provide a space for scholarship on the evolving role of feminist and queer writing in relation to contemporary political and social issues. In a Canadian context where decades of political gains by queer and feminist activists have been accompanied by constant backlash from various conservative political groups, it seems increasingly pressing to emphasize intersections between queer and feminist modes of thinking about identity, sex, sexuality, and binary understandings of gender.

Poetry & Poetry Studies at MAPACA 2022

November 10-12, 2022

*ONLINE*

The new Poetry and Poetry Studies area at the Mid-Atlantic Popular and American Culture Association (MAPACA) seeks creative and critical proposals for this year’s annual conference.

Special Issue of Texas Studies in Literature and Language (TSLL): Kazuo Ishiguro

Deadline for submissions: August 1, 2022
Full name / name of organization: Texas Studies in Literature and Language
Prospective publication: September 2023
Contact email: TSLL@austin.utexas.edu
TSLL Website: https://utpress.utexas.edu/journals/texas-studies-in-literature-and-lang...

https://call-for-papers.sas.upenn.edu/cfp/2022/04/18/osmosis-interdiscip...

Deadline for submission has been extended till 31 July 2022. Authors will be notified by 18 August 2022.

UPDATE!Due to an increased interest in submitting abstracts for the conference “Video Games as a Common Ground” in the last few days, we are pleased to extend the deadline for the submission and the invitation to participate in the conference. We are now accepting abstracts until July 1st, 2022. If you have already started writing your abstract but have not managed to complete it, now is the time! As always, we are looking forward to your participation in the conference.

We are happy to announce the CFP for the 3rd AISNA GRADUATES CONFERENCE.

This year the title will be: Queering America: Gender, Sex, and Recognition in U.S. History, Culture, and Literature

The conference will be held on September 30, 2022 at the Centro Studi Americani, ROME

WHAT, WHEN & WHERE

In collaboration with the Ackerman Center for Holocaust Studies at the University of Texas at Dallas, the Global Center for Religious Research (GCRR) is proud to announce the 2022 International eConference on Holocaust Studies. The conference will bring together historians, specialists, and researchers from all over the world to discuss the need to preserve Holocaust memories.

The decreasing number of survivors and the steady rise of antisemitism are two main concerns of this multidisciplinary virtual conference. Scholars will explore the various forms and practices through which Holocaust memories are mediated, preserved, and safeguarded across different technologies as well as geographies.

This panel seeks to explore young adult novels that depart from the coming of age story for teen protagonists, and the progressive ways that they can position their main characters as already actors with agency in the world. For instance, in recent young adult novels by Darcie Little Badger Elatsoe and A Snake Falls to Earth, the protagonists are already respected by their parents and they’re asexual. They don’t need to rebel against their authority figures or have sexual awakenings. In the tradition of Nancy Drew novels, in The Box in the Woods by Maureen Johnson, the protagonist is already known as a teen sleuth and has an established boyfriend. She doesn’t need to break out into the wider world or discover her first love, either.

This interdisciplinary panel welcomes submissions on any aspect of change within life writing. With the proliferation of modes available for what Anna Poletti has termed “self-life-inscription,” and a concurrent rise in hybrid genres such as autofiction that challenge the assumed boundary between truth and fiction in autobiographical narrative, it is clear that the scope of what is considered autobiography is changing. This panel seeks to articulate these changes and explore how they are impacting our understanding of the meaning and significance of life writing. Papers might explore changes in the medium of autobiography, such as social media, photography, film, graphic narratives, material collections, or performance.

In celebration of the off-Broadway début of The Tyrannicides, the first ever full theatrical adaptation of the story as told in Thucydides’ History of the Peloponnesian War, this roundtable calls for a discussion of theatrical and cinematic (re)tellings of classical histories and myths.

Call for Papers 2022: American Conspiracies

Post: June 30, 2022

Deadline for Abstracts and Bios: August 15, 2022

Contributors selected: August 30, 2022

Submit Abstracts and Bios to Luke Ritter at lukeritter@nmhu.edu

Abstract Guidelines: 500 words maximum

Bio Guidelines: One page C.V.

Project Title: American Conspiracies: An Interdisciplinary Volume on the Structure of Conspiratorial Beliefs in the U.S.

This roundtable explores women writers creating experimental literary works with alternative materials. From Alison Knowles's The Big Book (1967), a walk-in book installation with 8-feet pages; to Shelley Jackson's Skin (2003), a story published in tattoos across 2095 volunteers, and SNOW (2014), "a story in progress, weather permitting," through words written in snow on Instagram; to Jill Magi's textile poetics: these writers push the boundaries of textuality in order to consider in what ways material creates meaning, and to examine the political, social, and economic conditions that determine the creation of literary objects.