Canadian Review of American Studies, a journal published by the University of Toronto, is seeking review articles for upcoming issues. A review article surveys three recently published books that explore similar or intersecting themes, summarizing the main issues raised between texts and offering a critical perspective of the given field. If interested, please provide a brief paragraph (250 words max) outlining your review article including the three books intended for review. Editors will make selections based on these proposals following the submission deadline. If selected, the Reviews Editor will provide desk copies from the publisher for your review article.

Submissions invited for Issue 33 of the Journal of Theatre Criticism and Dramaturgy (JTCD).

All submissions must be made through the Dergipark site:

https://dergipark.org.tr/en/journal/987/submission/step/manuscript/new

Last date of submission: 4 October 2021.

Author Guidelines:

https://iupress.istanbul.edu.tr/journal/jtcd/information/author-guidelines

Contact:

Ben Jonson frequently referred to his literary works as his ‘mind children’ in the paratext accompanying his printed plays, and he movingly reversed the analogy in his commemorative poem “On My First Sonne”: rendering tribute to the deceased child by styling him his father’s “best piece of poetry”. Jonson is associated with a bold renegotiation of authorship in the early modern period, but he was far from alone in turning to procreational metaphors in descriptions of his literary practice. Metaphors of this kind were useful to writers in suggesting a close relationship between author and text and to grapple with the notion of creative innovation vis-à-vis tradition.

Call for Papers

Young Researchers’ Conference

on

As a Matter of Affect: Making Sense of Planetarity

2-3 December 2021

Department of English

Jamia Millia Islamia

New Delhi

Over the past decade, the media ecology has been dramatically shifting with the advent of online “over-the-top” streaming services, the streaming wars that followed, and the platformization of the web. As the distance between big tech companies and legacy media players rapidly dwindles, rippling effects can be felt across industries, audience practices, regulatory frameworks, and more. Simultaneously, the rise of streaming services also continues to provoke further theorizations on topics that have concerned media scholars for decades regarding the asymmetrical dynamics of power and influence as it relates to globalization processes, representation, identity, politics, cultural and national mediations, and economic development.  

This symposium and edited volume seeks to draw together research into cinematic exhibition in Italy throughout the twentieth and twenty-first century. Current research into Italian cinema is continuously expanding its purview to consider the great range of genres, forms and contexts that have been engaged by filmmakers working in the country. Similarly, recent studies have shone vital light on the complex make up of Italy’s film audiences, and on the practices of film producers and distributors in the country. This project will continue this critical expansion by investigating the myriad ways in which film media (both Italian and foreign) has been exhibited and consumed in Italy.

Simon Stone & Company 

Special Issue of Contemporary Theatre Review

Guest Editors
Emma Cole (University of Bristol)
Chris Hay (University of Queensland) 

Ticket holders to a new production of The Good Hope at Internationaal Theater Amsterdam (ITA), to be directed by the iconoclastic Australian-Swiss director Simon Stone, received an unusual email in September 2020: 

This CFP is for a roundtable session sponsored by the Women's and Gender Studies Caucus (WGSC) at NeMLA 2022. The convention will be held from March 10-13, 2022, at the Baltimore Waterfront Marriott.

Mentorship as Intersectional Feminist Practice

The paper will discuss the progression of media in the last 20 years and how journalism has deteriorated and misssppropriated news. Digital journalism and recirculation of images has made post truth more vivid and information more disruptive and toxic. Simulacra as an active device in propaganda creating conflicts and misleading the general mass

The Vampire Studies Area of the PCA welcomes papers, presentations, panels, and roundtable discussions that cover all aspects of the vampire as it appears throughout global culture. This year's conference will be held April 13-16 in Seattle, WA.

This year the Vampire Community celebrates the centenary of Nosferatu: A Symphony of Horror.  We welcome papers, panel presentations, or creative pieces about this classic genre defining film.  As well as this broad theme we also welcome papers, presentations, and panels that cover any of the following:

      The Non-Western Vampire (i.e. Black, Asian, Latino/a/x, African)

      The Horror Vampire Byronic vs Hedonistic, or Horror vs Romantic

In the recent years, foreign language teaching has advocated for an increasingly intermedial and interdisciplinary approach, one that enables instructors to expand course materials and integrate a wide array of popular and current cultural products. Advanced courses in literature and culture can develop curricula that more liberally incorporate popular culture into teaching. On the contrary, lower advanced and intermediate courses must combine cultural components with the introduction or the review of grammar structures. This session seeks contributions that address the following: What are the challenges of transitioning from grammar-based to culture-based instruction in language classes?

CALL FOR PAPERS

Streaming #MeToo:

Rape Culture in American Television

Edited by Ralph Beliveau and Lisa Funnell

The University of North Georgia Press, in conjunction with The Graham Greene Birthplace Trust, is issuing a Call for Papers for a peer-reviewed journal dedicated to the life and work of the English writer Graham Greene (1904–1991).

University academics, independent researchers, and doctoral, post-graduate, graduate, and undergraduate students are invited to submit papers. Suggested topics include, but are not limited to the following:

• Greene’s political and theological landscapes
• Greene’s depiction of women
• The short fiction
• The early novels
• The plays
• Greene’s travels on ‘the dangerous edge of things’
• Book and film reviews and other feature articles will also be considered.

This panel will explore the varying visual representation of transgender people in film and television. Peter Lehman’s Running Scared: Masculinity and the Representation of the Male Body explains the visual shame of the male body and could also begin to understand the complexity of the transgender body. Lehman describes it as “men have managed to keep out of the glare, escaping from the relentlessness activity of sexual definitions” (6).  Newer shows like Sense8 and films like Hedwig and the Angry Inch, A Fantastic Woman, and The Danish Girl allow for characters that have visually and complex personalities along with their visual body. They explore trans struggles in storylines that do not end with death.