Lorefest 2024
Lorefest – Oct 29-Nov 02, 2024. Lorefest Conference 9am-5pm, Nov 02, 2024, Texas A&M University, College Station, TX.
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Lorefest – Oct 29-Nov 02, 2024. Lorefest Conference 9am-5pm, Nov 02, 2024, Texas A&M University, College Station, TX.
ReFocus: The Films of Shirin Neshat
Edited by Maryam Ghorbankarimi (University of Lancaster) and Mazyar Mahan (University of Texas at Dallas)
Memory, Autobiography, Autofiction: Herta Müller’s Resistance to Totalizing Forms (Panel)
Northeast Modern Languages Association (NeMLA) annual convention
Philadelphia, PA
March 6 - 9, 2025
Submission Deadline: September 30, 2024 through NeMLA portal: https://cfplist.com/nemla/Home/S/20970
Hannah Crafts Discovered! is an anthology following up on Henry Louis Gates, Jr.
Deadline: September 2, 2024
The depiction of dancing has been a part of animated image’s history since the beginnings of cinema with e.g. Eadweard Muybridge’s zoopraxiscope glass disks from 1893 with one of them showing “a couple waltzing”. In 1929, Walt Disney created The Skeleton Dance as part of the company's Silly Symphonies series. More experimental approaches to dance and animation resulted in Norman McLaren and Grant Munro’s playful animated short Two Bagatelles (1952), as well as the expressive images of Denis Poulin and Martine Époque’s CODA (2014). Not to forget “The Dancing Baby” from the very early days of the internet in 1996 by Michael Girard, Robert Lurye and John Chadwick.
NEMLA 2025------PHILADELPHIA, PA------MARCH 6-9, 2025
SUBMISSION DEADLINE: SEPTEMBER 30, 2024
Continuing last year’s conversation, this panel proposes to focus on representations of food in Italian and Italian American Cinema, Literature and Media. Taking this year’s theme, (R)evolution, into consideration it seems only fitting to discuss food. The idea of food or food-ways as the subject of evolution or revolution leads us to consider the transformation of culinary history, identity, production, and consumption within or between the Italian and Italian-American (or Italo-Australian, Italo-Canadian, Italo-British, Italo-Hispanic) contexts.
NEMLA 2025------PHILADELPHIA, PA------MARCH 6-9, 2025
SUBMISSION DEADLINE: SEPTEMBER 30, 2024
In recent years, the landscape of Italian postcolonial literature has been profoundly shaped by prominent authors whose works illuminate a reality that diverges from traditional representations of Italian identity. These narratives offer a groundbreaking re-examination of Italy's colonial past from the perspective of the oppressed, highlighting the enduring socio-economic and cultural repercussions on former colonies and their inhabitants.
Deadline: September 13, 2024
Conference Date: October 5, 2024
Format: Online (via Zoom, PST)
Abstract: 200 words + short biographical statement + timezone
Submit to: eap215conference@gmail.com
In an age marked with conflict and strife, humanity is still searching for solutions to oppression and marginalization. In order to better understand the factors leading to these problems, Kimberlé Crenshaw first introduced the term “intersectionality” in 1989 to explain how a person’s intersecting identities such as gender, race, ethnicity, sexuality, age, ability, nationality and religion affect their access to opportunities and privileges. In literary and linguistic studies, intersectionality is used as a framework of analysis that helps scholars examine how these factors fuel various issues, ranging from health inequity to climate change and how they are expressed, negotiated and at times resolved through texts.
This panel seeks papers for the Association for the Study of the Worldwide African Diaspora’s (ASWAD) 12th Biennial and 25th Anniversary Conference that will be held in Saint Louis, Missouri at the Marriott St. Louis Grand Hotel from October 29th thru November 2, 2025. This year’s conference “I’ve known rivers”: The Ecologies of Black Life and Resistance” centers “the river, and waterways, as an analytical framework for Black lives past and present.” Water “serves as a prompt for urgent questions about landscapes and ecologies as well as diasporic ruptures, spiritual practices, labors of many kinds, fugitivity and resistance” (ASWAD CFP).
Plí: The Warwick Journal of Philosophy, is pleased to announce a Call for Papers for its upcoming special issue on “Continental Philosophy and Global South Perspectives”. As an esteemed platform for rigorous philosophical discourse, Plí encourages contributions that explore the intersections between Continental philosophy and diverse perspectives emanating from the Global South.
Scope and Topics of Interest:
Note: Springer has shown interest in publishing this book. We are short of just 1 Chapter in each Category
Concept Note:
Call for Papers: Spring 2025 Special Issue on Appalachia
Spring 2025 Special Issue of Critical Humanities on Planetary Thinking [ ] Appalachia
CfP: Teaching the Black Diaspora in German Studies (Panel)
Northeast Modern Languages Association (NeMLA) annual convention
Philadelphia, PA
March 6 - 9, 2025
Submission Deadline: September 30, 2024 through NeMLA portal: https://cfplist.com/nemla/Home/S/21158
The Politics of Weird and the Weirdness of Politics
Online Conference
November 2, 2024
The vibe shift among the Democratic base since President Biden announced he would not seek reelection has been remarkable: apathy and anxiety have morphed into enthusiasm and a newfound pugnacious spirit. Stumping for Vice-President Kamala Harris, Minnesota governor Tim Walz, Harris’ vice-presidential pick, launched the verbal missile which has revitalized the campaign’s messaging and sought to define Republicans in succinct, yet devastating terms: they’re weird.
Download a PDF version of this call at https://speaktruth.llc/wp-content/uploads/2024/08/CFP-42-percent-project...
Double Helix invites submissions of research articles, reports from the field, experimental essays, scholarly notes, and book reviews on critical thinking and writing pedagogy. October 15 is the recommended deadline for work to be considered for Volume 12 (2024).
For more information, please visit the journal website at Colorado State University's WAC Clearinghouse: https://wac.colostate.edu/double-helix/.
What do ‘caring’ and ‘taking care of’ mean? To what extent are ‘caring’ and ‘taking care of’ similar or different from a theoretical and practical point of view? In which contexts are they situated and to what extent do they depend on other contexts? In this conference, we will consider questions about ‘caring’ and ‘taking caring of’ – possibly connecting or differentiating them – in a broad sense, by opening a dialogue about their definitions in different disciplines and subjects, on their roles in various contexts with both humans and non-human actors, and on the way in which ‘caring’ and ‘taking caring of’ establish relationships with other features that define existence, the ordinary and the extraordinary facts of living.
Call for Proposals for Online Symposium: Crude Representations: BP and the Cultural Imagination of Oil
Online Symposium Friday 24th January 2025
Keynote Speaker: Mona Damluji, Assistant Professor of Film & Media Studies at the University of California, Santa Barbara
Oil is a cultural as well as material product. It is now pervasive in every aspect of modern life: transport, energy, communications and media, pharmaceuticals, farming, food ingredients and packaging, homes. As many scholars in the energy and environmental humanities have demonstrated, to understand our current dependence on oil and enact decarbonisation we need to contend with its cultural dimensions.
“Whose global village?” asks Ramesh Srinivasan of the inequalities characteristic of “ubiquitous” computing in his eponymous 2017 book. The scholar reconstitutes Marshall McLuhan’s famed notion of a global village forged by telecommunications media in the shadow of the digital divide. Srinivasan’s question of how peoples othered by an infrastructure built for wealthy Western consumers might otherwise forge techno-community is only more urgent in the wake of a global pandemic; communications blackouts; and heavy reliance on conflict minerals. Yet, it is a question that artists have sought to answer since at least the mid-20th century.
Call for Papers: Drawing: Research, Theory, Practice
Special Issue: ‘Territorial Inscription: Drawing Out Bodies’
Deadline: 15 October 2024
View the full call here>>
https://www.intellectbooks.com/drawing-research-theory-practice#call-for-papers
CFP – “META+PHYSICS OF BLACK ARTMAKING”
liquid blackness: journal of aesthetics and black studies 10, no. 1, Spring 2026
Appel à propositions / Call for Submissions : Numéro spécial pour une édition pérenne
CFP: Avant-Garde and Experimental Horror (Original Deadline Extended)
The Representation of Famines in Indian literatures
deadline for submissions:
August 25, 2024
full name / name of organization:
Shubhanku Kochar (Assistant Professor at Guru Gobind Singh Indraprastha University) and Shehnaz Kabir (Ph.D. Fellow at Jadavpur University)
contact email:
The Representation of Famines in Indian literatures
The Proposed work will be submitted to Routledge under its ongoing series “South Asian Literature in Focus”
The first International Conference on Globalisation in Languages, Education, Culture and Communication (GLECC2025) is going to be held 30-31 July, 2025, Manchester, UK. (https://glecc.org/2025/)
The past two decades have witnessed remarkable advancements in the studies into Education, Second and Foreign Languages, Translation and Interpreting, Cultural Studies, and Communication. This growth, evident in both the number of active researchers and the volume of scholarly throughput and outcomes, can be largely attributed to the forces of globalisation. Consequently, adopting the globalisation perspective is timely and provides a natural framework for connecting these diverse yet interlinked disciplines.
CFP – “FAIR USE”
liquid blackness: journal of aesthetics and black studies issue 9, no. 2, Fall 2025
CALLING ALL POP-CULTURE SCHOLARS!!!!
I'm one half of the pop-culture podcast The Nostalgia Test Podcast. We are a comedy podcast that revists pop-culture from our childhood to see if it's still good, just nostalgic, or terrible!
We have a series we do called Nostalgia 101 where we have professionals, industry people, directors, innovators, and scholars come on to teach us about a specific pop-culture topic.
We recently decided we would LOVE to have on one or more (a small panel of scholars, like up to 3 would be cool) scholars to come on and teach us/talk about the 90s revival of swing dance and swing music.
We usually record for about an hour, though we love to let the conversation build if it's going well.
“Victorian Energies: Sucrocultures, Carbocultures, and Petrocultures in the Long Nineteenth Century": Victorian Review Special Issue
Proposal Deadline: September 1, 2024
Paper Submission Deadline: April 1, 2025
This panel, organized by Chisu Teresa Ko (Ursinus College) and Danielle Roper (University of Chicago), invites papers that further the study and theorization of blackface and racial impersonation in Latin America and the Caribbean across various historical periods, genres and forms. As both a racial archive and racial project, blackface performance is the instrument through which people make sense of changes around them— advancements and reversals in racial equality, demographic and political shifts, and (re-) imaginations of national identity.