Popular Culture Association

Seattle April 13-16, 2022

Subject Area: Film

Deadline: November 15, 2021

Scope of the paper topics accepted under this area:

CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing, both within and beyond the academy. This year’s conference recognizes the spatial and temporal context within and beyond a written text. Within the text, we examine what has been mapped by the margins as well as the communities that have been marginalized by the borders of the page. Here, margins refer to the open spaces on the page — not inhabited by words, punctuation, ornamentation, etc. This year’s conference begins at the margins: whether it be the page, the camera lens, the pictorial frame, the margins of philosophy, the undercommons of the university, the peripheries of the city....margins are everywhere.

Call for Papers

Disability at the Intersection of History, Culture, Religion, Gender, and Health

 Date: March 3-4, 2022

Place: Marquette University, Milwaukee, WI

This board-sponsored session welcomes presentations that deal with Quebecois literature and media. A wide variety of topics will be considered: cinema (jeune cinéma Québécois, cinéma féminin), representation of the First Nations in Quebecois literature and media, Quebecois theater, etc.

Please submit 200-250 word abstract and indicate if any A/V equipment will be required. Upload your proposal on NeMLA's website: https://www.cfplist.com/nemla/Home/S/19475 

Transgender representation is currently at an all-time high. Whether it be in cinema, literature, or social networks, the visibility of trans individuals has tremendously increased. ​Changes in culture have allowed the transgender community to feel safer in coming forward with their stories, and therefore, this new movement has been pioneered by trans women, trans men, and non-binary individuals. For example, Lexie, the trans woman behind the ​popular Instagram account Agressively Trans (@aggressively_trans), published ​the book Une histoire de genres in February 2021. Petite fille, a 2020 documentary directed by Sébastien Lifshitz has won several prizes in various festivals.

In recent decades, the practice of collaborative intellectual labor has had an unexpected resurgence, both among writers and artists, and within scholarly and academic spaces. Drawing on a rich history of intellectual, activist, and artistic practices of collaboration, new collectives and research groups have embraced collaborative forms of knowledge production to challenge the individualization of intellectual labor and the demands of the neoliberal episteme.

Call for Proposals: Film History Book Series

We are seeking proposals for complete/in-progress/planned manuscripts and edited collections for a proposed book series. The series will focus on film history: both the history of film as media texts and the history/evolution of the cinematic apparatus. 

RIT press has expressed interest in this series and has asked that we secure some projects before moving forward with approval.  

Potential topics include but are not limited to: 

The 53rd annual NeMLA Convention will be held March 10-13, 2022 in Baltimore, MD. More information here: http://www.buffalo.edu/nemla/convention.html

This seminar invites 250-350 word abstracts for papers that will be circulated in February 2022, prior to the convention. During the seminar itself, session participants will briefly present their work before participating in a discussion with other panelists. Proposed papers should situate Soviet literature and/or other cultural products within a postcolonial context, or explain how postcolonial theory must be modified when applied in post-Soviet spaces. Please read the detailed CFP below:

Call for Papers

Disability at the Intersection of History, Culture, Religion, Gender, and Health

Date: March 3-4, 2022

Place: Marquette University, Milwaukee, WI

Margins: A Journal of Literature and Culture deadline for submissions: November 30, 2021 full name / name of organization: Department of English, Gauhati University, Guwahati: 781014, Assam, India contact email: margins@gauhati.ac.in 

Margins: A Journal of Literature and Culturefull name / name of organization: Department of English, Gauhati University, Guwahati: 781014, Assam, Indiacontact email: margins@gauhati.ac.in

This issue of Between aims to investigate the phenomenology of simulacra and their range of functions (conceptual, cultural, literary, aesthetic, and in the media). What is meant here by “simulacrum” is any artificial creature that imitates or replicates the outward form and/or behaviour of living beings, especially human beings. When it comes to artefacts produced by technology – conceived in its broader sense as techne, and therefore also including magic and art – the simulacrum reveals itself as marked by operational autonomy and a variable degree of awareness.

Plato and Aristotle disagreed about the value of mimetic representations, but they agreed that humans are mimetic animals—for good and ill.

CONFERENCE INFORMATION

The 2022 NEXUS Interdisciplinary Conference Committee and the University of Tennessee Graduate Students in English invite proposals for presentations for the 2022 NEXUS Interdisciplinary Conference: “Community and Collaboration: How the Light Gets In.” NEXUS is a biennial, interdisciplinary conference hosted by the graduate students in the University of Tennessee’s English Department in Knoxville, Tennessee. The conference will be held March 4-6, 2022 and will feature keynote speakers Ross Gay, Maren Linett, and Josh Eyler. 

This CFP is for a roundtable session sponsored by the Women's and Gender Studies Caucus (WGSC) at NeMLA 2022. The convention will be held from March 10-13, 2022, at the Baltimore Waterfront Marriott.

Mentorship as Intersectional Feminist Practice