Subject: Call for Papers: Technical Writing at CEA 2022

Call for Papers, Technical Writing at CEA 2022

March 31-April 2, 2022 | Birmingham, Alabama

Sheraton Hotel, Birmingham | 2201 Richard Arrington Jr Blvd N, Birmingham, AL 35203

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on [special topic title] for our 52nd annual conference. Submit your proposal at www.cea-web.org

What does a novel do? Recent theoretical work on the novel has tended to emphasize the novel’s facility for world-making—for the organization of all its different elements within a global whole (Cheah / Hayot / Woloch). Figured as a composite of relations, the novel is ascribed a constructive conceptuality (Levine / Kornbluh). The novel makes a world. Perhaps some of the strongest, recent theorizations of the novel along these lines, in literary criticism, have come from within new formalism—a formalist movement with roots in both New Criticism and Marxist literary criticism.

Call for papers

Kathleen Raine, poet of the past or of times to come?

International Conference: A Homage to Kathleen Raine

Dear colleagues,

We are delighted to confirm that the international conference in Homage to Kathleen Raine will be held in person at the Sorbonne and at the research center of the Sorbonne Nouvelle on March 24 and 25, 2022. The call for papers (see below) has been extended to October 31, 2021. You will find all the necessary information on the conference website.

**DEADLINE FOR ABSTRACTS EXTENDED TO OCT. 15!

"I, too, having lost faith / in language, have placed my faith in language" (Terrance Hayes, "Snow for Wallace Stevens")

As Terrance Hayes exemplifies in his portrayal of Wallace Stevens’ racism, language underpins both care-full and care-less representations. As an interdependent system that necessarily implicates and involves us all, language demands our thoughtful investigation when it comes to how we might communicate care.

English Literary Renaissance invites article submissions of 8000 to 12000 words on race in non-dramatic Sixteenth- and Seventeenth-Century literature in English. We especially encourage submissions that forgo analysis of canonical work by Shakespeare and Spenser, and instead showcase other literary texts and authors of the period, along with new archival materials. While we have plans for a special issue that focuses on Sixteenth-Century literature to be published in 2024, we hope to add more than a single issue’s worth of material to our publication pipeline. We welcome a range of theoretical and methodological approaches. The deadline for authors who wish to be considered for the 2024 special issue is 1 August 2022.

CFP 2nd International Conference on the History and Culture of Perfume

https://www.ucm.es/capire/perfume21

Organized by: Grupo de Investigación CAPIRE, Museo del Perfume de Buenos Aires (Argentina) y Academia del Perfume.

The aims of these Conference is the recognition of perfume as an object of study in the Humanities, the interdisciplinary and international exchange of research results related to perfume and smell, as well as the growing expansion of the field of sensory studies, beyond the visuality.

Coming to Terms, 30 Years On: The Mabo Legacy in Australian Writing

The 2022 Annual Conference of the Association for the Study of Australian Literature

4–8 July 2022

nipaluna/Hobart, lutruwita/Tasmania

www.asal2022.org

Call for Papers - Deadline: 31 January 2022

Read the call at: https://www.projectpassage.net/call-2

THE ZOO OF THE IMAGINARY

According to Michel de Certeau, in a technocratic society as our own, religion is caged in the ‘zoo of the imaginary’, together with other genre-creatures, such as science fiction, romance, or the ‘witchcraft of ethnology’, as he calls it. For the next issue of Passage, we want  to let these spiritual, imaginary animals out of the cage, and into the banal, crumbling, hyperconnected everyday reality we inhabit.

THE EXERCISES

The organizers of this seminar invite abstracts for American Comparative Literature Association (ACLA) 2022

The goal of this panel is to provide a platform to locate the fast-evolving theoretical precepts in translation from a postcolonial and cultural studies perspective. Taking an in depth look at the possibilities and challenges posed by translation, we aim to demonstrate the ways in which ‘ethical’ translation in various possible senses can be integral to forming a resistance culture to counter the political environment in the metropole, which aims to suppress multilingual and multicultural realities in the US and beyond.

Today, experiments about how humans think usually take place in a lab, allowing researchers to locate thought processes in the brain with unprecedented precision. However, writers have experimented with thinking for much longer. For instance, Virginia Woolf argued in her essay “Thoughts on Peace in an Air Raid" (1940) that a new form of (women's) writing can cause a shift in how British men think and bring about peace. Between the Acts (1941) demonstrates how tone, rhythm, and diction can produce different cognitive registers—Elizabethan, Enlightenment, and Victorian—thus connecting form and cognition.

“New Approaches to Critical Bibliography and the Material Text”

CFP for Special Issue of Criticism edited by Lisa Maruca and Kate Ozment

Deadlines

Abstracts Due: Monday, Nov. 8, 2021

Full Manuscripts: May 2, 2022

Intended Publication: Fall 2022

https://www.acla.org/teaching-fiction-and-immigration American Comparative Literature Association Conference in Taipei, Taiwan: June 15-18, 2022 Seminar Title: Teaching Fiction and Immigration This seminar invites proposals centered on the practice of teaching fictional texts that focus on immigration and immigrant experiences. Proposals may address the teaching of fictional texts of any time period, genre, medium, or geographic/linguistic origin.

Literary Studies in the New Millennium(FDP) FINAL.pdf

The avant-garde has often been defined by its asserted antagonism towards existing norms, and, in turn, critiqued for its ultimate co-option or complicity in those norms. Building on this rich tradition of reflection on the significance and role of the avant-garde, this seminar is interested in shifting the focus to its collaborative dimensions: its networks and communities of production and consumption, including editors and publishers, distributors and readers, and literary networks and communities, alongside the more-studied figure of the individual artist/author. Robert Darnton has influentially referred to this as a “communications circuit”; Mark S.