Although the announced deadline for submissions for the _Reading Rocky
Horror: The Rocky Horror Picture Show and Popular Culture_ edited collection
project has passed, I will still consider additional submissions.

The initial cfp netted a fine group of essays, but one too narrowly focused
on issues of spectatorship or gender. I will still consider essays on those
topics, but am most interested in submissions that tackle the film, its
cult, and its influence from other perspectives.

If you are interested in developing an essay, please contact me at
<Jeffrey.Weinstock_at_cmich.edu> or (989) 774-3101.

Composing and Revising the Professional/Technical Writing Program

New deadline: March 1, 2004

As Professional and Technical Writing grows at the undergraduate level from
a narrow pre-professional track to a discipline, complete with its own
undergraduate degree and certificate programs, faculty administrators often
seek grounded and detailed descriptions of how to picture, develop, promote
and sustain their programs. A strong need exists for a volume of reflective
discussion aimed at explaining the context and specifics of running a PWT
program, one grounded in specific institutional contexts and yet "portable"
to other sites and situations.

Literary Modernism and Music 5/1/04

CFP: Hollywood Motherhood (collection)

=20

 *PLEASE DISTRIBUTE WIDELY*=20
=20
Schreiner University is now accepting submissions for the Second Issue =
of ILLUMINATIONS: AN UNDERGRADUATE LITERARY E-JOURNAL. =20
=20
Illuminations, a peer-reviewed international literary e-journal, offers =
undergraduate students an opportunity to publish works both critical and =
creative. Submissions will be refereed by a panel of three undergraduate =
students. =20
=20
Submission Deadline: March 27, 2004
=20
Submission Categories: =20
=B7 Scholarly Critical Articles
=B7 Creative Non-Fiction=20
=B7 Book and Movie Reviews=20
=B7 Short Fiction=20
=B7 Poetry =20
=20

CALL-FOR-SUBMISSIONS: CrossRoads: A Southern Culture Annual

CFP: The Storytelling Genius of Elie Weisel (collection)

CFP: The Undiscovered Country: Science fiction in culture and the canon

There have been several milestones met and passed since Edgar Rice Burroughs, the Grandfather of science fiction, introduced us to extra terrestrial life on Mars. Through science fiction we have engaged our minds and souls in the modern manifestation of philosophy and often crossed the line into technical prophecy.

CFP: Variations: InSights (issue 12, 2004)

=93Thinking is more interesting than knowing but less fascinating than=20=

seeing.=94
J.W. Goethe

=93And the eyes of the two of them were opened, and they knew that they=20=

were naked=94 (Genesis 3.7). Seeing and knowing have always been very=20
closely related. Throughout the history of philosophy =96 from Plato to=20=

Descartes and Sloterdijk =96 the eye has occupied a prominent position =
in=20
philosophical discussions, especially as far as epistemological=20
questions are concerned. A look into both scientific and everyday=20
language reveals that a number of visual metaphors serve the purpose of=20=

CALL FOR PAPERS: POSTCOLONIAL REVISIONS OF EARLY MODERN HISTORIES. (Deadline
3/1/04; Book Collection)
Unpublished essays that engage the Postcolonial treatment of Early Modern
texts and contexts from the perspective of contemporary novelists are
invited for a collection entitled Postcolonial Revisions of Early Modern
Histories. The book furthers a dialogue not only between Postcolonial and
Early Modern Studies from the relatively neglected vantage point of the
Postcolonial fiction writer, but also seeks to revise Postcolonial Studies
by extending its attention to regions and literatures that are only
beginning to be included in its corpus. As such then, contributions that

CALL FOR PAPERS: POSTCOLONIAL REVISIONS OF EARLY MODERN HISTORIES. (Deadline
3/1/04; Book Collection)
Unpublished essays that engage the Postcolonial treatment of Early Modern
texts and contexts from the perspective of contemporary novelists are
invited for a collection entitled Postcolonial Revisions of Early Modern
Histories. The book furthers a dialogue not only between Postcolonial and
Early Modern Studies from the relatively neglected vantage point of the
Postcolonial fiction writer, but also seeks to revise Postcolonial Studies
by extending its attention to regions and literatures that are only
beginning to be included in its corpus. As such then, contributions that

CFP: White Male Embodiment (04/01/04; Collection)

=20

We are gathering articles for a proposed collection on the white male
body as text and representation.

Recently, a number of scholars have responded to the lack of scholarship =
pertaining to manhood and the male body, and have paid increasing =
attention to the role and status of white men. This recent work suggests =
that embodying white men usefully dismantles the myth of a monolithic =
disembodied privileged white manhood. Not surprisingly, this still =
relatively new focus on the white male body and white male difference =
has provided a beginning rather than an end and still leaves a =
significant gap.

Image [&] Narrative (www.imageandnarrative.be), a peer reviewed e-journal on=
=20
visual narratology in the broadest sense, invites essays that respond to Pet=
er=20
Greenaway=E2=80=99s recent Tulse Luper Suitcases: A Personal History of Uran=
ium, a=20
project that manifests itself in the forms of television, film, CDs, an inte=
rnet=20
site (www.tulselupernetwork.com), and as art objects. Submissions can be in=20
either French or English. (They will not be translated but the accompanying=20

Image [&] Narrative (www.imageandnarrative.be), a peer reviewed e-journal on=
=20
visual narratology in the broadest sense, invites essays that respond to Pet=
er=20
Greenaway=E2=80=99s recent Tulse Luper Suitcases: A Personal History of Uran=
ium, a=20
project that manifests itself in the forms of television, film, CDs, an inte=
rnet=20
site (www.tulselupernetwork.com), and as art objects. Submissions can be in=20
either French or English. (They will not be translated but the accompanying=20