Chairs: 

Matthew Lovett (University of Pittsburgh)

Julia Bruehne (University of Bremen)

V INTERNATIONAL CONGRESS ON FANTASTIC GENRE, AUDIOVISUALS AND NEW TECHNOLOGIES

The International Congress of Fantastic Genre, Audiovisuals and New Technologies is an activity of scientific and academic dissemination that is part of Elche International Fantastic Film Festival – FANTAELX, with the collaboration of the Miguel Hernández University.

Its mission is to disseminate research studies within the different thematic lines of the Fantastic Genre, covering all its possible variants and platforms: cinema, television, theatre, literature, comics, videogames, virtual reality, plastic arts, etc.

PARTICIPATION

Latin American frontiers have been approached from multiple perspectives but the canonical all-encompassing studies, Hennessy’s The Frontier in Latin American History and David Weber’s and Jane Rausch’s edited collection on the same topic, were published decades ago. They could and should be reviewed in light of new developments, both in academia and in the real world (or say politics, culture and the economy). This collective effort will offer a fresh take on Latin American frontiers, understood mainly but not only historically and in the sense of undetermined borderlands, be it between nation-states or within the political boundaries of a single nation-state.

JOYS IN TRANSITION

Conference Dates: 2-3 February 2023

DEADLINE FOR ABSTRACTS: November 13, 2022

SUCCESSFUL APPLICANTS WILL BE NOTIFIED BY DECEMBER 4, 2022

Keynote speakers:

• Valérie Benejam, Nantes Université
• John McCourt, Università di Macerata
• Fritz Senn, Zurich James Joyce Foundation

Organisers: Franca Ruggieri, Fabio Luppi, Enrico Terrinoni, Serenella Zanotti

REMINDER: UPCOMING DEADLINE -- AUGUST 31 2022

The Katherine Mansfield Society is pleased to announce its annual essay prize competition for 2022, open to all, on the subject of

Katherine Mansfield, Illness and Death

The winner will receive a cash prize of £200 and the winning essay will be considered for publication in Katherine Mansfield Studies, vol. 15 (2023), the peer-reviewed yearbook of the Katherine Mansfield Society, published by Edinburgh University Press.

LIT Special Issue CFP: Intersectional Feminism and Barriers to Representation at the Turn of the Century

Deadline extended for submissions: August 31, 2022

Full name / name of organization: LIT: Literature Interpretation Theory

Contact email: litjourn@yahoo.com

The Networks of Romance I: Transnational and Global - (In-Person Format)

Increased social mobility and technological advances in modern society, as well as the advent of postcolonial studies, have spurred scholars to investigate the ‘interconnectedness’ of the global Middle Ages, and to challenge Western-centrism. This session is open to papers that apply these critical approaches to romance texts. We welcome scholars who consider the textual representations of cross-culturalism, and of networks that transcend regional and national boundaries. Also invited are papers that examine depictions of networks from outside the medieval West. We particularly encourage participants who use decolonising methodologies.

Several examples of literature produced from the late Victorian age narrate great concerns about the future and the destiny of humanity, concerns that would be significantly exacerbated in the twentieth century by the First World War, soon followed by the Second, the unspeakable savagery of Nazis, the nuclear detonations in Hiroshima and Nagasaki and, last but not least, by the terror of a nuclear apocalypse during the long Cold War. Modernism appears thus as a cultural movement that, as Vincent Sherry maintains, “works most indicatively within an imaginative concept of time interrupted”, of a time that presents itself basically as provisional and utterly deprived of a future.

The Lyric Now: A one-day conference

Hosted by the Department of English, Creative Writing, and Film – The University of Adelaide (Australia)

& The J. M. Coetzee Centre for Creative Practice

14 October 2022

Featuring: Hoa Nguyen, prize-winning author of A Thousand Times You Lose Your Treasure and Co-Chair, Milton Avery Graduate School of the Arts MFA Program, Bard College

JNT: Journal of Narrative Theory

Special Issue: Narrative Theory and Children’s Literature

Guest editor: Professor Haifeng Hui, Huazhong University of Science and Technology, China

The (Post)Medieval Imaginary
58th International Congress on Medieval Studies
May 11-13, 2023

CALL FOR PAPERS

This virtual ICMS session encourages participants to consider constructions of the medieval past in the Middle Ages and after, particularly as manifested in the interactions between the medieval(ist) literature, historiography, and/or material culture of postmedieval periods. Juxtaposing papers that engage with one or more historical periods, this session will reopen debates about the problems and possibilities of periodization while illuminating how medievalists and postmedieval scholars can productively collaborate across period boundaries.

CFP Panel Visualizing Home and Homeland in Pan-Asian Film and Dramas

Association for Asian Studies, 2023 Annual Conference Boston, MA and virtual 

Virtual Format, February 17-18, 2023

AUGUST 5, 2022

Send a 250-word abstract and a 150-word bio by AUGUST 5, 2022 to jean_amato@fitnyc.edu

Panel Organizers:

Jean Amato, Associate Professor; Comparative Literature; Fashion Institute of Technology

Kyunghee Pyun, Associate Professor; Art History; Fashion Institute of Technology, SUNY

In his influential Palimpsests: Literature in the Second Degree, Gérard Genette proposed terms to refer to the relationship among texts: intertextuality, paratextuality, metatextuality, architextuality, and hypertextuality. Connections among texts are not new to medieval scholars, as is evident on volumes about sources and analogues; yet, textual networks might be more productively explored against trade routes, religious and political invasions, and ideological impositions. How are textual transpositions, which Genette defines as “serious transformation[s]” (212), anchored in cultural clashes and exchanges?

This roundtable, geared towards graduate students, independent scholars and early-career academics, seeks diverse voices to speak about the tension of interdisciplinarity and collaboration in the modern university. How do multimodal practices complicate the disciplines? What is multidisciplinarity vs. interdisciplinarity? What does it mean to be “undisciplined”? Contributions may include, but are not limited to: essays, graphic scholarship, pedagogical models, poetry and art.