Call for contributions

Edited book: Cinematic Starchitecture: the celebrity status of architectural structures in film

IN VIVO ARTS (www.invivoarts.fr) is a bilingual online platform (French and English) specialised in multidisciplinary research on contemporary artistic creation, with a focus on the Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.

In addition, given the hybridity of contemporary artistic forms, the platform hosts reflections on the written arts and non-cinematic visual arts (painting, sculpture, architecture, photography, installations, etc.), especially in their imbrication with the performing scenes and screens.

Call for Papers: In Vivo Arts Issue #1

Theme: ANIMALS

We invite you to join us on a two-day workshop launching our new research project, Affective Intermediality. Cinema between Media, Sensation and Reality. In this project our goal is not to provide or refine a widely applicable set of abstract concepts regarding the connections between media, quite the contrary, we seek to map areas where intermediality appears as most elusive and mutable, where it is registered as a sensation altering our perception of a medium and where it connects to us in an affective way.

Let’s Get Digital embraces the timely opportunity to critically reexamine the impacts of digital technology and the barrage of information on our perceptions of reality. Specifically, this panel is focusing on digital art, history, curatorial strategies, critical theory, emergent platforms and forms of creative expression. In bringing together a panel of artists, scholars, and curators we hope to collectively reflect on our present post-internet age, to borrow Byung-Chul Han’s term, ‘the age of like’, and what it means to engage with the digital realm, over half-a-century since its inception.

Editor: Dr Alice Equestri, University of Padua (alice.equestri@unipd.it)

Publisher: international academic press to be confirmed

Deadline for submitting chapter proposals (400 words): August 23, 2022 (extended deadline)
Notification of acceptance: September 1, 2022
Provisional deadline for essay submission (6000-8000 words): April 30, 2023

From ancient Greek τραύμα (meaning “wound, damage”), the term trauma refers to a physical or psychological injury provoked by a violent event, and the very event causing this great distress. Traumatic events abound in early modern France, whether be caused by natural catastrophes (floods, storms, fires, harsh winter, plagues) or by human activity (warfare, sexual violence, religious persecution).

The organizers of the 2023 BWWC invite papers and panel proposals interpreting the theme of ‘Liberties’ in global and transatlantic British women’s writing from the long eighteenth century to the present. We ask participants to consider ‘liberties’ not only as a political abstraction but also as part of material and experiential subjectivity. Interpreted broadly, liberties include (but are not limited to) legal rights and freedoms, liberty of the person and bodily autonomy, liberties of creative and artistic expression, liberty of profession and vocation, freedom of movement both physical and social, and self-determination in the private and public spheres.

The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.

We welcome academic articles that focus on, but are not limited to, the following topics:

Language has always been a debatable issue in the postcolonial world. Starting from the debate between Achebe and Ngugi to today's multilingual scenario, language has been the heart of the conversation in postcolonial literary studies. Writers and theoreticians from the African continent and South-Asia have addressed the issue and role of language in constructing postcolonial identity in their works. Given the multilingual context of today's postcolonial world, discussion on language and identity is extremely important. This panel, thus, invites paper proposals on the questions of language and identity in contemporary postcolonial literature.

Topics:

1. Language and Identity

Conference Online (via Zoom platform)

22-23 September 2022 (via Zoom)

https://www.inmindsupport.com/memory-conference

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)

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CFP: 

For nearly two decades, the “antisocial thesis” has enthralled queer theoretical thought, permeating a variety of debates surrounding relationality, sexuality, gender, race, psychoanalysis, and temporality. Christened by Robert L. Caserio during an infamous 2005 MLA panel, the antisocial thesis, Caserio elaborates, described a “decade of explorations of queer unbelonging” positioned against an intensifying “gay rage for normalizing sociability.” As Robyn Wiegman warns, however, the antisocial thesis “is not ‘a’ thesis.

SIDNEY AT KALAMAZOO, MAY 11-13, 2023 

58th International Congress on Medieval Studies

In-Person

This year the International Sidney Society is sponsoring two open sessions and invites papers on any and all topics related to Philip Sidney, Mary Sidney Herbert, Lady Mary Wroth, the Sidney family or their extensive British and Continental network, inclluding Fulke Greville, Samuel Daniel, William Herbert, Alberico Gentili, Veronica Franco, Vittoria Colonna, George Buchanan, Philippe Duplessis-Mornay,  Étienne de La Boétie, Giordano Bruno, Justus Lipsius, and others. 

We encourage submissions by newcomers, including graduate students, and by established scholars of all ranks. 

TTR – Traduction, terminologie, rédaction, vol. 36, no 2 (2023)

Thematic issue guest edited by Patrick Hersant

What are the mental operations and writing practices by which a text becomes, in another language, another text? In order to better understand how translations come into being, the journal TTR - Traduction, terminologie, rédaction proposes to examine an object of study that has long remained invisible or inaccessible: the working documents of translators, where strikethroughs and permutations, erasures and second thoughts, alternative wordings and successive corrections reveal a process that is as yet understudied:  translations in the making.

Fungi occupy a liminal position as neither animal nor vegetal but are intimately connected to both biologically: as Eugenia Bone notes, paying attention to the fungal teaches us that “everything that lives is plural.” Fungal lives are multiple and collective, and what Anna Tsing calls the “unruly edges” of fungal individuality betrays the fact that they are “always too many.” This bifurcated perspective modeled by fungal relational entanglements suggests “unsettling and symbiotic relationships” where an objectified environment subsumed by a masterful Anthropos is abandoned for the sake of intra-active becomings (as Karen Barad suggests).