Short Stories (Fiction/Non-fiction) INVITED for

Climate Change, Disasters, and Global Narratives: Collection of Short Stories

Edited by:

Dr. Gurpreet Kaur

Assistant Professor & Head

Post Graduate Department of English

Sri Guru Teg Bahadur Khalsa College

Sri Anandpur Sahib, Punjab, India

and

Jacobus Bracker

Hamburg University of Technology,

Exploring the overlapping cultural and literary impacts of Taylor Swift, this session considers her songs, legacy, political endeavors, friendships, feuds, collaborations, and fandom especially through this year's themes of culture, power, and conflict. We ask: What might lively, critical analysis of Taylor Swift offer to cultural and literary studies?

The Journal of Dracula Studies is open for submissions for its upcoming 2026 issue. We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in literature including folklore, fiction, film, popular culture, and related topics. Submissions should be sent electronically (as an e-mail attachment in .docx). Please indicate the title of your submission in the subject line of your e-mail.

CALLING ALL 2SLGBTQ+ WRITERS WHO EXPERIENCED RELIGIOUS TRAUMA. I am excited to announce this Call for Submissions for my new anthology of creative nonfiction narratives! Entitled Queer and Trembling: Stories of LGBTQ+ Religious Trauma, this anthology will bring together a collection of stories about 2SLGBTQ+ religious trauma from Christian contexts, whether they be evangelical, fundamentalist, Pentecostal, Catholic, Mormon, Jehovah's Witness, Orthodox, etc. The collection is under contract with Jessica Kingsley Publishers (an imprint of Hachette UK) and will likely be released in 2028. 

This special issue brings together innovative and interdisciplinary comics scholarship that rethinks the epistemic, aesthetic, political, material, and decolonial aspects of comics across the Global South. These forms prompt renewed reflection and inquiry into what it means to draw knowledge, memory, community, dissent, and futurity, while simultaneously interrogating the foundational categories of representation, authorship, narrative form, and colonial epistemology.

The MISH UJ Academic Society and the Student Council of the Interfaculty Individual Studies in the Humanities at the Jagiellonian University cordially invite both active and passive participation in the International Academic Conference Science and Humanities: Interdisciplinary Reflections on Bioethics.The conference will be held on site on 29–30 May 2026 at Collegium Novum of the Jagiellonian University. Call for Papers
Submissions are accepted until 16 April 2026, 11:59 p.m.
Presentations should not exceed 15 minutes.Submission form: 

A one-day symposium at NC State University on

Ethics and Agentic AI

https://sites.google.com/view/ai-society-at-nc-state/current-events/news...

Information, Medium & Society: Twenty-Fifth International Conference on Publishing Studies, University of Split, Croatia, 30 June - 2 July 2027

Information, Medium & Society: The Publishing Studies Research Network was founded in 2003 with the inaugural International Conference on the Future of the Book. Since then, the Research Network has expanded its scope in two phases. The first was in 2009 when it became the Books, Publishing, and Libraries Research. In this iteration, the Research Network began to look beyond the book as the primary site of investigation. In 2019 the network underwent another change, to become Information, Medium & Society - The Publishing Studies Research Network.

Call for Papers

American Television and the Rise of Post-Truth America

Submission Deadline, May 15, 2026.

CALL FOR PRESENTATIONS Everything Fab Four Fest: REVOLVERNovember 6-8, 2026, Asbury Park, NJBerkeley Oceanfront Hotel

You are cordially invited to submit abstracts and/or panel suggestions for an international symposium devoted to the life, work, and influence of the Beatles, particularly in relation to their legendary album REVOLVER (1966). The festivities will include a host of well-known speakers, journalists, and musicians. 

Call For Papers for Italian Ecofeminism and Literature

Deadline for Submissions: August 1, 2026

Notification date: September 1, 2026

Full name / Name of organization: Nicole C. (Civitano) Dittmer, PhD

Contact email: ncdittmer@gmail.com

The "Shakespeare and the Early Moderns" session at PAMLA 2026 seeks proposals focusing on: Shakespeare and the early moderns; Shakespeare and/or his peers (Massinger, Heywood, Beaumont, Fletcher, Wroth, Middleton, etc.); the influence of Shakespeare and the early moderns on later works of literature. Topics of particular interest include work on Shakespeare and power and authority; labor and hierarchy, national identity, Shakespeare and race, feminism, gender and sexuality, disability studies, post-colonial studies, early modern economies; adaptations, and other proposals that touch on any aspect of Shakespeare, his contemporaries, and related topics.

Theme: Interconnections between Utopia and Dystopia in Times of Crisis

Venue: Embassy Suites Portland Downtown (Formerly the 1912 Multnomah Hotel)

Proposal Deadline:June 30, 2026

Conference Co-chairs email: susprogramchair@gmail.com

Conference website: https://utopian-studies.org/conference2026/

While not for the first time, educators are finding themselves at the center of political controversies as their pedagogies, content, and even profession is questioned, critiqued, and in some cases, banned. Also not the first occurrence, protesting has become one way targeted educators, students, and community members respond to and resist these top-down attacks. For some, these involve taking to the streets, organizing or joining protest efforts with high, public-facing visibility. For others, protests manifest as the books and content they continue to teach or the use of a student’s preferred pronouns.

The Writing, Speaking, and Argument Program, along with the Department of English and the Film and Media Studies Program at the University of Rochester are pleased to announce an upcoming undergraduate conference on horror, to be held October 23-25, 2026. The conference will featuring a keynote address by the University of Rochester’s own Jason Middleton, author of numerous articles on horror films, co-editor (with Aviva Briefel) of Labors of Fear: The Modern Horror Film Goes to Work (U of Texas P, 2023), and a featured expert on the AMC series Eli Roth’s History of Horror.

This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.

At a time when some are attempting to rewrite the Humanities, it might be questioned as to how archives can not only be preserved but also utilized to fight for the future. Children’s and Young Adult Literature and Culture are deeply shaped by questions of memory, authority, and cultural transmission. Contributors are encouraged to consider the archive as an ever-evolving site of power that governs inclusion, exclusion, and interpretation. One might posit questions such as How do archival practices shape the stories available to young readers, and how might authors, educators, and scholars work against inherited silences and erasures?

This peer reviewed edited collection will be part of McFarland & Company, Inc.’s Studies in Gaming series.

The 123rd Annual Pacific Ancient and Modern Language Association (PAMLA) Conference will take place this November in Seattle, Washington, from November 12-15. The PAMLA 2026 conference is entirely in-person. We do not under any circumstances allow papers to be given virtually, online, or in absentia.

We are open to a wide range of papers dealing with French and Francophone literature and culture. However, we are very much interested in proposals that engage with the special conference theme of "Our Ruling Classes: Culture, Power, Conflict." Possible areas of focus include:

Legitimacy and political authority

Leadership and the figure of the ruler

Colonial rule and postcolonial elites

Event Title:                    Truth in (Contemporary) SocietyEvent date:                    Monday, 29th & 30th June 2026
Location:                       Workroom 3, 38 Mappin St, University of Sheffield

Greetings everyone!

We are excited to announce the commencement of abstract submissions for the fifth volume of Sophia Luminous.

Sophia Luminous ( ISSN: 3048-6211) is a national-level, peer-reviewed, multidisciplinary online research journal for students, published by Sophia College for Women (Autonomous), Mumbai, India. It is devoted to the discussion of the innovative, novel, and contemporary areas of research by undergraduate students, postgraduate students, and early researchers from an array of disciplines.

“Poets are the unacknowledged legislators of the world,” claims Percy Bysshe Shelley at the end of his well-known essay A Defence of Poetry, based on the idea that poetry is connatural with the origin of the human. Poetry is one of the most prestigious genres in the literary tradition, if not the most. Whether we go back to its public and ritual function in shamanic chants or in Homeric epic, or we think of its circulation in multimedia formats on digital consumption platforms on the internet, poetry has existed both as an artistic mode of verbal language and as a literary genre that encapsulates the virtues of literature.

JFA Presents: The Ruthven Literary Bulletin – FOCUSED ISSUE CALL FOR PAPERS

Issue Editor: Elizabeth Schechter

Call for Papers

In the Introduction to In Other Worlds: SF and the Human Imagination, Margaret Atwood makes a clear distinction between science fiction and speculative fiction: the former concerns events that could not happen; the latter draws on developments that could happen or that have already occurred in some historical form. The distinction was publicly contested, including in an exchange with Ursula K. Le Guin, and Atwood insists her terminology was descriptive rather than hierarchical. She places The Handmaid’s Tale (1985) within the speculative category on the grounds that nothing in the novel exceeds documented historical precedent (Atwood 5–6). This conference takes Atwood at her word.